Archive for 2025:

Twitch wants to build up its middle class by letting more streamers make money

Since Dan Clancy took over as the CEO of Twitch, he has made it a tradition to pen annual open letters that update streamers on the year to come. Clancy’s look ahead to 2025 is now live, and it includes details about upcoming Twitch features and policy changes that will allow a wider range of creators to earn money from their live broadcasts.

For many of Twitch’s 2025 plans, Clancy demurred on specifics, but he primed community members to expect significant updates in areas like mobile streaming, clip editing, and interactive chat features. He also highlighted several initiatives that have already gone live, including a partnership with StreamElements that brings sponsorship opportunities directly to Twitch account dashboards.

For the majority of Twitch streamers who read Clancy’s letter, the most operative section concerns the platform’s plans for monetization. Clancy indicated that “most streamers” will now be able to access the Subscriptions and Bits tools, opening up moneymaking possibilities early on in Twitch careers. The letter also alludes to the possibility of on-platform purchases using creator earnings, though like many parts of Clancy’s rundown, that bullet point was vague.

“As we head into 2025, our goal continues to be to make Twitch the absolute best place for our streamers, and also, an exciting place for new creators and viewers to build and find their communities,” Clancy wrote. “We’ll continue to focus on expanding our user base and introducing more people to livestreaming, as well as the critical and important work of supporting those who have already found a home here.”

The attempt to build a “long tail” of earners on Twitch resembles similar efforts initiated by Kick. The upstart streaming platform has built out its Creator Incentive Program to reward homegrown talent. Now, Twitch is making overtures to its own crop of up-and-comers.

Clancy previously argued that Kick made a mistake by using lucrative contracts to poach some of Twitch’s top talent, and as both platforms turn their focus to smaller creators, it seems there’s some truth to Clancy’s claim. But even if Twitch isn’t sweating Kick’s ambitions among streaming stars, it is recognizing some of the factors that caused creators to jump ship in the first place. In particular, Clancy’s letter mentions a more lenient suspension policy and a system that will inform streamers when their content breaks the platform’s Community Guidelines.

It’s going to be a busy 2025 for Twitch. To read about moderator tools, unity guilds, new types of Hype Trains, and much more, check out Clancy’s letter.

Are we getting a standalone version of Instagram Reels?

Reels has become a standout format for Meta, bringing in more than 200 billion views per day across Instagram and Facebook. As Meta looks for more ways to emphasize its version of TikTok‘s vertical videos, it is considering whether to launch a new app. According to Instagram Head Adam Mosseri, Instagram is mulling a standalone destination dedicated entirely to Reels.

According to The Information, Mosseri remarked on the potential Reels app during a conversation with employees. Instagram did not offer a comment on the report.

Like many Meta features, Reels began as an imitation of a popular product on another platform, but what began as a TikTok copycat has emerged as a legitimate rival for the ByteDance-owned app. Reels was one of the highlights during Meta’s Q4 2024 earnings report thanks to its accelerating reach. According to eMarketer, Reels has accounted for up to 19% of Instagram impressions, driving the platform to U.S. ad revenue that is projected to reach $37.13 billion in 2025.

Threats to TikTok’s operations in the United States have emboldened Meta’s Reels push. With a slew of new products and cash bonuses, Meta has positioned its platforms as the logical landing spot for displaced TikTokers. Currently, that effort is directing creators to Instagram, but what if Meta operated an app that more closely resembled TikTok? Mimicking the app’s layout, video format, and monetization structure on a new Reels app would make migrating creators feel right at home.

Meta has already made moves that consolidate and organize systems that span multiple platforms and content formats. On Facebook, for example, a November 2024 change united multiple revenue streams within a single program. Instagram’s form of standardization has concerned its disparate traffic metrics, which are now united under the “views” umbrella.

Bringing together the Facebook and Instagram versions of Reels would be right in line with Meta’s overall strategy. The vertical video format is Mark Zuckerberg’s best chance of usurping TikTok’s market share — with or without a standalone app.

MrBeast seeks funding at $5 billion valuation

MrBeast wants to expand a holding company that encompasses all of the initiatives he has launched since erupting to YouTube fame, and he plans to fund that restructuring through a massive investment. According to Bloomberg, Jimmy Donaldson has spoken to several financial firms about a possible funding round that would value MrBeast’s holding company at $5 billion.

The MrBeast holding company houses the creator’s videomaking operation as well as his offline ventures, including the snack brand Feastables and the Lunchables competitor Lunchly. Those divisions reportedly combined to reach $400 million in sales last year, according to a pair of Bloomberg‘s sources.

Despite Donaldson’s substantial financial gains, he is well known for his practice of reinvesting the majority of his earnings in his future content. So even though he has broken records with projects like his Prime Video original series Beast Games, his big-budget productions take millions of dollars away from his bottom line.

Donaldson has committed to that idiosyncratic approach by reshuffling his executive team, bringing more MrBeast-related operations in-house. His split from management firm Night gave him even more control over his burgeoning business, and he solidified that transition by hiring Jeffrey Housenbold — formerly of VC firm SoftBank — as the President and CEO of a new operation titled Beast Industries.

The shifting MrBeast business model allows the titular creator to steer the ship and avoid situations like the relationship breakdown between Donaldson and MrBeast Burger partner Virtual Dining Concepts. A massive funding round would give the North Carolina-based star the freedom to execute his vision for brands like Feastables and Lunchly. He and Lunchly co-founders Logan Paul and KSI have already pushed back on Lunchly criticism by touting the nutritional value of the meal kits.

The restructuring of the MrBeast business is the next step in a process that could bring Donaldson and his cadre to the top of the entertainment world. If Donaldson can show that his vision for the MrBeast family of brands has legs, a long-rumored IPO could come afterward.

Anthropic is training its AI by having it play Pokemon on Twitch

When it comes to Pokémon, Anthropic‘s Claude AI has gotta scrape ’em all.

The generative AI bot has joined in on the decade-old phenomenon known as Twitch Plays Pokémon. On a channel called Claude Plays Pokémon, the latest version of Anthropic’s large language model is exploring the original Game Boy version of Pokémon Red.

Twitch Plays Pokémon began in 2014 and quickly became a viral phenomenon, reaching millions of viewers. By inviting scores of players to choose controller inputs via chat, the original Twitch Plays Pokémon stream created an entertaining brand of chaos that enchanted fans and spawned numerous memes.

After recently celebrating its tenth birthday, Twitch Plays Pokémon is still going strong. The game has been played by a long list of quirky entities, ranging from someone’s pet fish to the mathematical constant pi.

Claude is the latest unusual player to pick up a Game Boy and take on the role of a Pokémon trainer. Previous iterations of the LLM have stalled before reaching the end of the game, but Claude 3.7 Sonnet hasn’t gotten stuck yet — and it’s explaining the reasoning behind its inputs as it goes.

The result is an unusual form of AI training that doubles as entertainment. Viewers on platforms like Twitch and YouTube have shown that they have a big appetite for deep reinforcement learning videos that show how AIs become smarter. One YouTube clip in that genre has more than 10 million views.

For Anthropic, Claude Plays Pokémon has multiple uses. It’s a tool for deep reinforcement learning, but it’s also a more ethical form of research for a company that has been accused of slipshod AI training methods. It was one of the companies that fed its LLMs the unauthorized content in The Pile, and it recently settled a lawsuit from music publishers who accused it of scraping lyrics without permission.

With Pokémon Red serving as Claude’s new training material, the generative AI innovation will develop an interesting set of skills. Claude may still struggle to walk across a room in Professor Oak’s lab, but it has the game’s combat system down pat. Watch out, Ash Ketchum: Claude might put you out of a job.

The most popular podcaster not named Joe Rogan is building a $250 million true crime network

Ashley Flowers‘ future is looking rosy thanks to a $40 million investment. Flowers, the podcast producer behind the hit show Crime Junkies, has landed funding from The Chernin Group that values her company Audiochuck at $250 million.

Crime Junkies, co-hosted by Flowers and her childhood friend Brit Prawat, evolved out of the true crime radio show Flowers hosted in her native Indiana. According to Bloomberg, the podcast version of that program is a massive hit that hauls in $45 million of annual profit and ranks second on the list of the most popular podcasts in the U.S. (Joe Rogan and his namesake Experience are first.)

Thanks to the backing from The Chernin Group — a longtime investor in creator-led media companies — Flowers will have an opportunity to build out Audiochuck and add new shows to its roster. Bloomberg notes that Crime Junkies is produced in a scattered studio that used to be a gym. That’s not the recording location you’d expect for a show with 6 million listeners.

The Chernin Group plans to work with Flowers to hire a CEO who can oversee Audiochuck’s operations. The company’s office space is set to triple to 30,000 square feet, with its workforce doubling to nearly 130 people.

Flowers, an avid consumer of true crime podcasts, will also hunt for new shows that can join the Audiochuck network. Recent additions that have joined Crime Junkies in the company’s library have included Delia D’Ambra‘s CounterClock and the cold case series The Deck. An expansion to YouTube and potential Hollywood projects are also on the docket.

“The next phase of growth is just, ‘How do I make this really sustainable beyond me?’” Flowers told Bloomberg. “How do I make sure that if something happens to me, or when I want to take a step back, 65 people aren’t out of a job? I want it to be bigger than me.”

The rift between star creators Alex Cooper and Alix Earle has shown that growing a podcast company is not a simple endeavor, especially when the plan involves adding more egos to the mix. Flowers, however, has an advantage thanks to her position in the booming true crime niche. Amateur investigators like MrBallen have enjoyed widespread attention and publicity while also advocating for the victims of the crimes they cover. Flowers has committed $20 million to crack cold cases and support victims and their families.

The runaway success of true crime has some observers wondering if the genre is a bubble that’s liable to pop. The Chernin Group’s backing of Audiochuck is one of the biggest investments in a podcasting startup, so if the true crime boom can be sustained, Flowers will be in one of the best positions to benefit.

Alix splits from Alex: Earle dropped from Cooper’s Unwell Network

Less than two years after they teamed up for a content development partnership, Alex Cooper and Alix Earle are breaking up. Cooper’s Unwell Network is dropping Earle’s Hot Mess podcast from its lineup after apparent friction came between the two creators.

According to Variety, Unwell Network has renounced all rights to Hot Mess, turning Earle and her podcast into free agents. SiriusXM, which recently inked a nine-figure deal to win the advertising and distribution rights for Call Her Daddy, will no longer sell ads against Hot Mess.

Alex and Alix initially joined forces when Cooper launched Unwell Network in August 2023. The partnership between one of the most influential podcasters in the U.S. and the namesake of the powerful “Alix Earle effect” promised big returns, and initially, it lived up to the hype. Earle and Cooper reached the two top spots on the Spotify podcast rankings, dethroning long-time chart-topper Joe Rogan.

In recent months, however, the relationship between the two blonde-haired “it girls” seems to have soured (some fans called it from the start). Unwell decreased its promotion efforts for Hot Mess, and Earle’s father alluded to “a business situation” he “wasn’t happy about” when speaking to his daughter on an episode of her podcast.

The drama ramped up during Super Bowl weekend. That’s when Earle reportedly skipped an official Unwell party in New Orleans, even though she was in town for the game.

In the wake of Earle’s separation from Unwell, Barstool Sports personality Jack Mac took to Instagram to suggest that Cooper’s former employer could become the new home of Hot Mess. As evidence, Mac cited a post from Barstool leader Dave Portnoy, who revealed that he had chatted with Earle on the phone.

Portnoy accompanied that post with a clip of him raising a drink in the air. That was an apparent reference to the post Cooper made when Unwell signed Grace O’Malley after her departure from Barstool. “If there’s one person I would not want to scorn, it’s Dave,” Mac said. “Dave legitimately has a row of champagne bottles with his enemies’ names on them that he’s ready to pop if they fail.”

 

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Former co-workers Cooper and Portnoy are not necessarily at odds, and Unwell has plenty of other high-profile creators on its roster, even after Earle’s departure. In addition to O’Malley, other Unwell signees have included Madeleine Argy and Harry Jowsey.

Even if Earle and Cooper both emerge from this alleged feud with their respective reputations unharmed, there are still a lot of questions worth asking. Unwell Network had the potential to remedy recurring issues faced by many creator-forward media companies. Those firms tend to hemorrhage talent when on-screen stars become more recognizable than the brands they represent.

At first, Unwell seemed to be different, because Cooper signed creators who were already established and were looking to break into fields like podcasting and live events. But even in that case, it seems as if Cooper and Earle ended up with disparate priorities, leading to their schism. Now that’s what I call a hot mess.

YouTube’s podcasts now reach one billion users per month

YouTube‘s podcast library just hit a major milestone. In a post published on its official blog, the Google-affiliated platform revealed that it now reaches one billion monthly active users with its podcast content.

By pushing its podcast audience past ten digits, YouTube is adding another impressive figure for a category that has grown by leaps and bounds over the past four years. YouTube CEO Neal Mohan recently announced that his platform is “the most frequently used service for listening to podcasts in the U.S.” Popular shows range from political fare like the Lex Fridman Podcast to true crime hits like Bailey Sarian‘s Murder, Mystery and Make Up.

YouTube’s activity in the podcasting world ramped up in 2021, when Kai Chuk joined the company as its first Head of Podcasts. A flurry of internal developments and brand-facing products soon followed, with YouTube spending freely to populate its podcast shelves. Creators benefitted thanks to several lucrative initiatives, and YouTube harnessed the power of its vast distribution network to make sure its podcasting push became a success — at least from a numbers perspective.

That initiative is still going strong in 2025. YouTube’s attractive offer to podcasts has helped it recruit content from big names like Alex Cooper of Call Her Daddy, even as the platform faces increased competition from rivals like Spotify.

“Podcasts with video are more than just a trend, they meet audiences where they are: on YouTube,” reads the blog post. “We’ve specifically developed our podcast product experience to make it easier for fans to find podcasts they love, discover new ones, and watch (or listen!) wherever they want. We’ve also added more and more podcasters into our revenue sharing program, the YouTube Partner Program.”

YouTube’s growth as a podcast distributor meshes nicely with the company’s other areas of focus. It’s currently enjoying record-setting viewership on TV screens, and a lot of that traffic is going to long-form shows. Last year, viewers consumed 400 million hours of YouTube’s podcast content on TV screens.

That stat emphasizes what makes YouTube such a strong player in the world of podcasts. The eminent platform has tons of resources and tools at its disposal, and it’s eager to use them to make shows like Call Her Daddy shine.

Twitch streamers are getting “sponsorships from marquee brands” in their dashboards thanks to StreamElements

If you’re a Twitch streamer, a fresh crop of sponsorship opportunities is en route to your dashboard. StreamElements has announced a partnership with the Amazon-owned platform that will integrate “performance-based sponsorships” into streamer control centers.

StreamElements, the company that describes itself as “the ultimate streamer platform,” offers products that range from streaming broadcast and engagement tools to monetization features such as sponsorship hubs for middle-class creators. According to a press release, the StreamElements Twitch integration introduces influencers to “marquee brands” by placing sponsorship opportunities in a new tab on the streamer dashboard.

Campaigns offered to streamers through the dashboard integration will include pitches for gaming brands like Candy Crush Saga and the Twitch favorite Honkai: Star Rail. Payouts will come in the form of a base rate plus performance-based incentives on top.

Access to partnerships is contingent on a streamer’s home region; initially, a select group of 10,000 English-, German-, and French-language Twitch partner creators will get a shot at the sponsorships. By March 11 the deals will be available to Twitch Affiliates with English support. More details about the integration can be found in a video published by StreamElements.

The StreamElements pact is described as the first time a third-party partner has been embedded into the Twitch platform. Though Twitch already offers several influencer marketing products, its sponsorship experiments have rankled some creators. The StreamElements integration, when combined with Twitch’s new Creator Profiles, will improve that ecosystem by letting streamers “easily showcase their channels and connect with relevant sponsor campaigns,” according to Twitch CMO Mike Minton.

“Partnering with Twitch reinforces our shared creator-first vision and commitment to helping streamers monetize,” added StreamElements CEO Or Perry in a statement. “This collaboration significantly expands access to our sponsorships for Twitch creators of all sizes.”

In total, more than 100,000 creators have completed and cashed in on campaigns offered through StreamElements. Those creators participated in over 250,000 sponsorship campaigns spanning across 75 different brands. Notable creators who have worked with the firm include JonBardcore and bbjess.

Toy wonders: 75% of kids ask their parents to buy something after seeing it in an ad on YouTube

A new report details YouTube’s wide-reaching impact in the world of children’s retail. According to data published by Precise TV, 75% of YouTube viewers between the ages of two and 12 have asked for a product after seeing an ad for it while watching alongside their parents.

That figure comes from the Precise Advertiser Report: Kids, a recurring survey of young consumers conducted by the London-based agency. This time out, Precise TV’s cohort of 2,000 respondents (and their parents) expressed a broad range of preferences that varied depending on factors like age, platform, and device.

Some preferences are fairly universal: YouTube is the most popular platform for kids, with Shorts usage increasing 32% year-over-year among Precise TV’s respondents. YouTube’s viewership share was more than twice as large as broadcast TV’s, underscoring a paradigm shift that made YouTube the most prominent content destination in living rooms.

More than half of the surveyed parents said they have watched YouTube alongside their kids, and that dynamic has turned the platform into a potent marketing vehicle. YouTube’s effect on recall is up 20% year-over-year, and 38% of parents said the most recent item they purchased for their child was a product they saw an ad for on YouTube.

Kids tend to prefer specific genres when watching YouTube, and those categories are areas where marketing efforts are particularly effective. Almost half of the surveyed kids play games on a second screen while watching TV, and YouTube channels like LankyBox and GamingWithJen (pictured above) ranked highly among both boys and girls.

The popularity of gaming content explains why so many creators have inked deals that integrate their likenesses into popular gaming worlds. MrBeast even showed up in Stumble Guys, the game that ranked as the #1 video game content choice for boys. But the PARK report also shows that traditional toymakers can benefit from influencer marketing partnerships, since channels like CoComelon and Ryan’s World — which have both showed up in the toy aisle — remain popular among both toddlers and primary schoolers.

Brands like Moose Toys will continue to use pacts with creators like MrBeast to harness the marketing power of YouTube (and Shorts in particular). The long-established trustworthiness of influencer recommendations is proving to be quite potent, even among YouTube’s youngest viewers. For more details about the habits of that audience segment, check out Precise TV’s report.

Top 5 Branded Videos of the Week: Druski finds love while Ryan Trahan goes time travelling

Welcome to our rundown of the most-watched branded YouTube videos of the week.

We’re publishing this snippet of a larger Gospel Stats Weekly Brand Report in order to analyze sponsorship trends in the creator economy. Any video launched in tandem with an official brand partner is eligible for the ranking.

And – as the name up above would imply – all the data comes from Gospel Stats. If you’re interested in learning more about Gospel – and which brands are sponsoring what creators on YouTube – click here.


Druski is no longer wondering what “coulda been,” because the star creator is living his best life. His new dating show brought him to the top spot in the Gospel Stats Weekly Brand Report. The first episode of his latest program outranked branded content stalwarts like Ryan Trahan and Sam and Colby by getting more than 10 million views on his sponsored release. Looks like one of Instagram Live’s biggest names is trending up on YouTube as well.

Here’s the full rundown on the week’s top branded videos:

#1 Coulda Been Love Episode 1: Meet the Bachelor
Channel: Druski
Brand: Ro
Views:10,387,303

In an era when Love Is Blind captivates millions of viewers on Netflix, Druski has figured out that he can succeed on YouTube by dating his own collection of questionable suitors. He recruited a diverse cast of eligible women who are interested in dating him and brought them to a Bachelor-style manor where they have a chance to get to know the IG Live star. As a YouTube comment claims, Coulda Been Love does kinda feel like “putting all the worst people from your high school in the same room,” and the resulting interactions have more edge than what you’ll find on The Bachelor. The good news for Druski and sponsor Ro is that people love drama these days, as the show’s first episode — and its 10.3 million views — can attest.

#2 I Survived in an Ancient, then Futuristic Town
Channel: Ryan Trahan
Brand: Shopify
Views: 9,583,992

Ryan Trahan loves taking on a silly stunt in search of massive YouTube viewership, and that’s exactly what he got with his latest sponsored video. He got a blast from the past with a trip to an Italian cave, though I don’t know if they had vloggers in Etruscan times (Trahan may be the first.) He followed up that experience with a trip to the future, i.e. Japan. Ancient cultures may not have been able to buy fried chicken at 7-11, but at least they never had to face the existential horror of robot waiters. As for Trahan, he was born too late to explore the past and too early to explore the future, but he’s just in time to monetize his creator career with help from Shopify. What a world.

#3 I Survived Alone in Top 3 Haunted Prisons
Channel: Sam and Colby
Brand: BetterHelp
Views: 4,902,224

What’s better than getting a bunch of YouTubers together in a haunted location? What about gathering them inside THREE haunted prisons? Master ghost hunters Sam and Colby have produced many chart-topping branded videos by chronicling their encounters with the paranormal, and a 98-minute odyssey spread across a trio of haunted prisons is the next link in that chain. It’s too bad that Sam and Colby have to put themselves through psychological torture just to get YouTube views, but at least they can get some nice counseling sessions on the other side thanks to their video sponsor BetterHelp.

#4 “I want my $17,000 back”
Channel: Blacktail Studio
Brand: Incogni
Views: 4,878,537

Blacktail Studio turned an attempted scam into an opportunity to test out a new build. The top woodworking channel is not the only digital hub that has come into contact with hustlers and bad actors, and Blacktail’s choice of sponsor recognizes how difficult it is for creators to keep themselves safe and secure. Incogni can protect your digital data, but it can’t stop someone from showing up and demanding $17,000 you never promised to them. Moral of the story: Always triple-check your URLs before committing to an expensive piece of home decor.

BONUS #2,086 Living On My Own | cozy apartment chores, ikebana, girly nights at home
Channel: Tammy Mai
Brand: Blueland
Views: 26,705

For streamers, vloggers, and other creators who operate out of their homes, a tidy space is a must. If you want to know about the fallout that comes from a messy video background, just ask Asmongold, who was shamed for his sloppy setup a few months ago. Blueland, a purveyor of cleaning products, has recognized the need for pert creator homes by sponsoring five videos in this week’s Brand Report. One of those clips was uploaded by Tammy Mai, an artsy, homebody vlogger cut from the Emma Chamberlain mold. Mai may not be as big as some other vloggers on YouTube, but thanks to Blueland, her home is neat as a pin. Step one, check.


…and there’s a lot more data where that came from. If you’re interested in learning more about Gospel – and which brands are sponsoring what creators on YouTube – click here.

Top 50 Most Viewed U.S. YouTube Channels • Week Of 02/23/2025

[Editor’s Note: Tubefilter Charts is a weekly rankings column from Tubefilter with data provided by GospelStats. It’s exactly what it sounds like; a top number ranking of YouTube channels based on statistics collected within a given time frame. Check out all of our Tubefilter Charts with new installments every week right here.]

Scroll down for this week’s Tubefilter Chart. 👇


Major media companies are making big moves in the U.S. Top 50, but the top channel in the chart belongs to a company operated by an ubiquitous individual creator. The firm in question is MrBeast, LLC, which hauled in more than a billion views on its primary YouTube channel to finish first in the U.S. ranking.

MrBeast tries to appeal to viewers regardless of their political persuasions, but bigger media operations are targeting siloed viewers on either side of the aisle. Here are two case studies to show what I mean:

Live from YouTube, it’s Saturday night!

The sketch comedy special that celebrated Saturday Night Live‘s 50th anniversary got a lot of viewership on NBC and Peacock as well as a lot of post-viewing discussion on the internet. The reactions to the star-studded spectacular have drawn a lot of new viewers to the official SNL YouTube channel, which just returned to the U.S. Top 50.

SNL has made it into our rankings before, and the star who brought it there before also provided a big boost for the 50th-anniversary special. All of the sketches from the show can be found on the official digital home of the Not Ready For Primetime Players, and one of the bits receiving the most attention is a star-studded edition of “Close Encounter,” which puts Kate McKinnon front and center as a filter-free woman who experienced an alien abduction.

YouTube viewers love to watch McKinnon do her thing, which is why the SNL 50 Close Encounter sketch has received more than 6.5 million views on the platform thus far. Of course, that bit was one part of a flurry of YouTube traffic that brought the official SNL channel up to 38th place in the U.S. Top 50. The venerable sketch show probably won’t repeat its 109.5 million weekly views seven days from now, but may the 60th anniversary special will be even bigger.

What about the rest of America? SNL has long been perceived as having a liberal bias, even if that may not be true. But if conservatives aren’t tuning in to watch ridiculous punchlines from the woman who portrayed Hillary Clinton, what are they watching?

Yup, you got it, it’s Fox News. The main right-wing news source in America enjoyed a viewership spike around the time of the 2024 presidential election, and it is still going strong more than a month into Trump’s second term.

It would seem that politics are informing viewership decisions for a lot of Americans, personally, I would rather watch Meryl Streep portray Kate McKinnon’s mom than take in a histrionic news report, but to each their own.

Channel Distribution

This week, there are 35 YouTube Shorts channels in the U.S. Top 50.

As always, keep up to speed with the latest Tubefilter Charts and all our news by subscribing to our newsletter. You’re going to love it. 👉  Newsletter.Tubefilter.com.

Top 50 Most Viewed YouTube Channels Worldwide • Week Of 02/23/2025

[Editor’s Note: Tubefilter Charts is a weekly rankings column from Tubefilter with data provided by GospelStats. It’s exactly what it sounds like; a top number ranking of YouTube channels based on statistics collected within a given time frame. Check out all of our Tubefilter Charts with new installments every week right here.]

Scroll down for this week’s Tubefilter Chart. 👇


A recent trend in our Global Top 50 has seen popular channels get more than one billion views in a single week. Earlier this year, KIMPRO achieved that rare status. Last week, it was T-Series‘ turn to shine. Now, over our final seven-day measurement period of February, MrBeast is in the driver’s seat thanks to his 1.04 billion weekly views.

But you don’t need a billion views per week to make your mark in our rankings. The only requirements are working knowledge of YouTube Shorts and a keen sense of comedic timing.

Funny jaja or funny weird?

The quick-hitting tempo of a typical YouTube Shorts video makes the format perfect for sketch comedy. Many creators have already discovered that strategy, and Latin American creators are trading the hahas for jajas to climb up the Global Top 50 ranking.

Like in India, short-form comedy in Latin America is often kid-friendly and typically full of common stereotypes for specific family members. Videos for older YouTube viewers may not be as common in the Global Top 50, but that hasn’t stopped Gabriela Flores Villar from summoning Millennial nostalgia to push her channel into our ranking for the first time.

Villar, who hails from Peru, draws humorous juxtapositions between girls of the past and girls of today. Sure, we didn’t have smartphones in the 90s, but at least we had fashions that are now back in style.

https://www.youtube.com/shorts/YoyGNB0S1OQ

Villar’s 258.6 million weekly views put her in 39th place in the Global Top 50. Her week-over-week viewership gain of 23% is strong, but she still can’t touch the creator who has become el rey among Latin America’s short-form comedians.

I’m talking about Alfredo Larin, who has represented his native El Salvador in every weekly chart we’ve released in 2025. His family-oriented sketches aren’t soaring quite as high as they were at the start of the year, when Larin’s channel crossed 500 million weekly views, but the Salvadoran funnyman continues to trend up by reaching 15th place in our most recent Global Top 50.

If East Asia was the first region to show the potential of YouTube Shorts (thanks, KIMPRO), then Latin America looks to be the next hotspot. Creators like Villar and Larin are getting millions of subscribers with their short-form yuks. The rest of the world should pay attention.

Channel Distribution

Here’s a breakdown of the Top 50 Most Viewed channels this week in terms of their countries of origin:

  • India: 16
  • United States: 11
  • Indonesia: 5
  • Hong Kong: 3
  • Canada and Pakistan: 2
  • Argentina, Bangladesh, Belgium, China, El Salvador, Japan, Peru, South Korea, Ukraine, United Arab Emirates, and Vietnam: 1

This week, 33 channels in the Top 50 are primarily active on YouTube Shorts.

As always, keep up to speed with the latest Tubefilter Charts and all our news by subscribing to our newsletter. You’re going to love it. 👉  Newsletter.Tubefilter.com.