Archive for 2025:

No, Ashton Hall isn’t sponsored by Saratoga Water. But soon he might be.

Fitness influencer Ashton Hall is all over X right now. The man’s got a morning routine that has him waking up at 4 a.m. and spending a full six hours doing normal things like brushing his teeth and working out, but also performance-y things like ‘daily journaling’ in what looks to be a completely untouched journal, recording himself talking vague business jargon, and, for some reason, rubbing a banana peel on his face. (There’s also the weird manosphere-flavored ‘faceless offscreen woman wordlessly serving him’ part of his shtick, which other influencers in his niche do, too.)

But out of all the things in Hall’s two-minute video–reposted by X account @tipsformenx–perhaps most noticeable are the blue glass bottles he carries everywhere.

Those blue bottles? They’re the signature of Saratoga Spring Water Co., a New York-based water company that’s seeing a boost in stock price (and maybe in sales?) thanks to Hall’s viral moment.

In his videos, Hall (who has 8.5 million followers on Instagram, 4.8M on TikTok, and 2.9M on YouTube) churns through bottle after bottle, using them for drinking, mouthwashing, swigging at the gym and pool, and dunking his face. The bottles get the kind of glamour treatment you’d expect from a typical influencer-brand partnership: Hall often places them alongside him in the center of the shot, and is always careful to turn the label to face the camera.

Because of that, some of the nearly quarter billion people who watched Hall’s videos reposted on X assumed he was in fact an official partner. But Saratoga’s parent company, Primo Brands, has since confirmed it’s never paid Hall to market its water. He’s just doing all that to do it.

“As a marketer, you’ve done something right when your brand becomes a part of someone’s life and their story,” Kheri Tillman, Primo Brands’ CMO, told The New York Times. To Business Insider, Tillman added, “He’s clearly meticulous in what he does and cares about his entire health. The fact that Saratoga Water plays a role in that is amazing.”

Primo Brands also confirmed to BI that it’s reached out to Hall to talk about a brand deal. We’re not surprised the company wants to capitalize on this; though much of the response to Hall’s video has been mocking, he’s still been X’s most-viewed meme main character for days, and that kind of attention is hard to buy. According to X’s analytics, 732 million people have watched @tipsformenx’s repost of Hall’s video, and Saratoga is clearly aware of what that amount of eyeballs can do for a brand.

And, for the record, so are some savvy local marketers:

Primo Brands hasn’t commented on potential sales lift, but it did say its Instagram following grew by 10% over the weekend, and that “Saratoga” was the #7 trending topic on X.

While we can’t say for sure if Hall’s routine will put a spring in Saratoga’s sales, we do know its stock price jumped. MarketWatch saw a 16.2% surge in premarket trading directly attributable to Hall’s virality.

MarketWatch also points out that even before Hall’s moment, Primo Brands considered Saratoga one of its “rapidly growing premium products.” (It retails for around $38 for a pack of 24 on Amazon, btw.) To give you an idea of its growth, Saratoga sold $13 million worth of product in 2021, which is the year Primo Brands bought it. By 2024, it was selling $71 million annually.

We’re curious what it’ll do after this. Just like content creators, brands can struggle to keep long-term momentum and audience-building going after a brief burst of virality. But Primo Brands seems keen to jump on Hall’s endorsement, so chances are we’ll see more blue-bottle face-dunking from him in the near future.

With Feastables/Beast Games linkup, MrBeast is making his brands more synergistic

MrBeast wants to bring his business beyond YouTube, and he is furthering that plan by connecting his ventures. One recent example is a sweepstakes that will reward 50 fans by turning Feastables bars into Beast Games entries.

Per the promotion’s official homepage, Feastables buyers can enter the contest by uploading a photo of their receipt. Each unit purchased is good for one entry into the content, except for Feastables’ new peanut butter cups. Buyers who pick up the new confection (available at stores like Walmart, Target, and Kroger) will get two entries for each purchase.

The unique Beast Games casting call is more than just a fun diversion for MrBeast’s fans — its also a sign of the increasing synergy among the creator’s expanding business interests. Feastables has been a potent asset for MrBeast since its introduction in 2022. The initial launch was tied into a MrBeast video through a contest that rewarded buyers who found Willy Wonka-style golden tickets in their chocolate bars.

Now, the marketing power of Feastables is being applied to Beast Games. MrBeast is looking to create a bigger and better second season for his Amazon Prime Video original, and recruiting contestants will help him devise the show he wants to make.

Of course, the YouTube videos that launched MrBeast to stardom are still a big part of his synergistic empire. The North Carolina-based creator revealed the Feastables peanut butter cups in a video that took him and his friends to some of the most dangerous locations on the planet.

Videos like these pull in hundreds of millions of weekly views on the main MrBeast YouTube channel, but their high production values and grand scope make them more unwieldy than a retail brand like Feastables. Some viewers are also getting tired of MrBeast’s signature format.

That’s where the other arms of Beast Industries come into play. The man born Jimmy Donaldson is putting more emphasis on ventures that don’t require multi-million-dollar cash prizes, and a planned investment that would value Beast Industries at $5 billion is part of that plan.

That doesn’t mean that MrBeast’s blockbuster extravaganzas are going away. Beast Games season two will be huge — and if you want to be part of it, you have until April 27 to enter the sweepstakes.

Influencers are shaking up politics by winning elections. A progressive TikToker wants to be next.

A political commentator with a significant TikTok following is looking to unseat a Congresswoman who has served in the U.S. House of Representatives for more than two decades. Kat Abughazaleh is hoping to turn out young people and disenchanted liberals in Illinois’ ninth congressional district, where she is mounting a Democratic primary challenge against Jan Schakowsky.

Abughazaleh’s political takes and parodies of the American right have brought more than 200,000 followers to her TikTok account. She used that platform to announce her Congressional run by uploading a video that lays out her progressive platform. “Unfortunately this party has become one where you have to look to the exceptions for real leadership, as the majority work from an outdated playbook,” she said. “We need a makeover, which means we need a vision that is bigger than what we’ve been told is possible.”

@katmabu oh hey I’m back #fyp #foryoupage #news #politics #america #trump #elonmusk #tesla #doge #democrats #democrat #woketok #janschakowsky #chicago #chicagotiktok #evanston #illinois #domore ♬ original sound – Kat Abughazaleh

As an influencer, Abughazaleh can connect with TikTok’s left-leaning community, which includes many voters who feel as if mainstream politicians are minimizing their concerns. That outsider spirit has already propelled some office-seeking creators outside of the U.S. In Cyprus, prankster Fidias Panayiotou shocked Europe when he was elected as a Member of Parliament last year. Panayiotou’s desire to stick it to the “nerds” in Brussels helped propel him to victory.

American creators who have attempted to bring that anti-establishment strain to local elections have not fared as well. Firearms enthusiast Brandon Herrera attempted to primary a Texas Republican last year, but his effort fell short.

There aren’t any creators in Congress yet (unless you count Alexandra Ocasio-Cortez), but influencers saw their political capital rise dramatically during the 2024 election cycle. Their lobbying power increased, they became crucial mouthpieces for candidates, and they gained more access to the White House after the re-election of President Trump.

Abughazaleh is positioned to ride that wave, though multiple challenges stand in her way. She is a relative newcomer to Illinois, having grown up in Texas as the daughter of two conservatives. Her opponent is a prominent member of Congress who has a long record of voting alongside liberals. Abughazaleh is also forgoing corporate donations, making her reliant on contributions from ordinary folks.

Despite the hurdles she must jump, Abughazaleh’s Congressional run is well-timed. Politicians are spreading their messages by becoming TikTokers, with democratic socialist New York City mayoral candidate Zohran Mamdani serving as one of the more notable examples of that trend. If politicians can get on TikTok, why can’t a TikToker become a politician?

“We are in an emergency,” Abughazaleh said. “Right now, the answer to authoritarianism isn’t to be quiet. It’s not matching pink outfits at a state address. It’s not throwing trans people under the bus. It’s not refusing to look at the party at all and see where it could be better. The answer is to very publicly, very loudly, very boldly, stand up. The only way to fight fascism, and this has been proven over and over and over again, is loudly, proudly, and every single day.”

TikTok’s potential to upend traditional political narratives is one reason why the establishment is so afraid of it. Consider, for example, that Mark Warner — one of the architects of the U.S. TikTok ban — admitted that the law was only passed to smother the alleged anti-Semitism that came with social media critiques of Israel’s war in Gaza.

More recently, socialist writer Carlos Martinez argued that TikTok’s power lies in its ability to upset American cultural hegemony. “Throughout the Western world, people are learning to question and reject the crass propaganda pumped out by the mainstream media’s State Department stenographers in relation to Palestine, China, Russia, Cuba, Venezuela, Nicaragua, Iran, the DPRK and more,” Martinez wrote. “This is an entirely welcome development.”

If Abughazaleh can parlay her social media momentum into a Congressional seat, it will be a sign that TikTok’s ability to upend establishment orthodoxy is becoming a serious political force. We’ll have to wait until 2026 to learn if Abughazaleh is able to realize her dream.

TikTok just wants to talk. A new Corporate Communications Chief will get the message across.

TikTok is looking to an experienced publicity executive to improve its outlook in the United States. Nathaniel Brown, a veteran of Discovery and its successor Warner Bros. Discovery, has been hired as TikTok’s Global Corporate Communications Chief.

Brown’s role will be based in New York, where he will report to TikTok’s Chief Brand and Communications Officer, Zenia Mucha. In true publicist fashion, Mucha’s announcement of the Brown hire was straight and to the point. “I’m happy to announce we’ve hired a new global head of corporate comms,” she wrote in a memo to staff. “Nathaniel Brown joins us today to lead this important function.”

At Warner Bros Discovery, Brown played a crucial launch in the rebranding and relaunch of Max, which needed a makeover after the HBO Max and Discovery+ streaming services came together under a single owner. At TikTok, he’ll face a daunting task: How to improve TikTok’s image in markets like the United States, where it is under threat of a nationwide ban.

Communications have not been TikTok’s strong suit. The app has struggled to convey its message to politicians, creators, and employees. Cultural clashes between East and West have been cited as factors in some of those communication breakdowns.

TikTok’s comms began to change after the app brought in Mucha, a Disney veteran with ample experience in corporate PR. Mucha’s strategy has involved a fervent lobbying effort that has looked to recast TikTok as a boon for American businesses rather than a driver of teen mental health issues. Mucha was also involved in a sweeping reorganization that shuffled TikTok’s teams after the departure of former operations chief V Pappas.

Even with all the work Mucha has done, there still seems to be a disconnect between TikTok and its American workforce, as recent squabbles over performance improvement plans have shown. It feels like TikTok is still in need of an American figurehead who can improve its domestic communications. Disney+ architect Kevin Mayer seemed like he could be that person when he joined TikTok as its CEO in 2020, but he lasted only a few months in that position.

Brown is the latest person to fill the gap left by Mayer’s departure. He knows what it’s like to run publicity for a media company in the midst of a sea chance. Now, he’ll apply the lessons he learned from his time at Warner Bros Discovery to TikTok.

YouTube’s first podcast head is out, but updated audio ads are in

YouTube is making some updates that will affect its podcasting community, and one of those changes comes near the top of the company’s executive ladder. Kai Chuk, who joined YouTube in 2021 as its first Head of Podcasts, has moved on, according to a report from Semafor.

A YouTube spokesperson confirmed to Tubefilter that Chuk is no longer with the company. “YouTube is now the most frequently used service for listening to podcasts in the US, following years of investments to improve the podcast experience on YouTube,” reads a statement provided to Tubefilter. “To better serve podcasters on YouTube, we’re bringing the Podcast Partnerships team together with the News and Civics Partnerships teams. We’re grateful to Kai Chuk for all his contributions over the years.”

Tim Katz will continue to lead the News and Civics Partnerships team. Katz recently authored a blog post that celebrated a big milestone for YouTube’s podcasts: One billion monthly listeners.

That flurry of activity has made YouTube a major player in the podcast world, fulfilling a mission that Chuk spearheaded during his time at the company. If YouTube is going to continue competing with the likes of Spotify, some infrastructure upgrades are needed, and one of them is reportedly about to arrive. Semafor‘s report claims that YouTube is developing dynamic insertion and swapping features for its audio ads.

Ads on Spotify and Apple Music can already be dynamically inserted, allowing creators to swap out ad reads on an existing upload. That process lets podcasters ensure their ads are as timely as possible. Dynamic insertion also affects inventory sold outside of YouTube with specific impression targets in mind. When those ad reads reach their goals, they can be swapped out for more typical fare from YouTube’s marketplace, potentially allowing for higher CPMs.

YouTube did not explicitly confirm the report. Instead, a spokesperson pointed to CEO Neal Mohan’s post outlining his company’s goals for 2025. Podcast monetization was one of the priorities Mohan noted, and the addition of dynamic insertion would support that goal.

Podcasts are only becoming more ubiquitous in American culture, so YouTube is wise to make sure its audio products are up to par. Spotify has drawn inspiration from some of YouTube’s monetization products, and Semafor‘s report suggests that relationship works in both directions.

Top 5 Branded Videos of the Week: Welcome the dollhouse of horror

Welcome to our rundown of the most-watched branded YouTube videos of the week.

We’re publishing this snippet of a larger Gospel Stats Weekly Brand Report in order to analyze sponsorship trends in the creator economy. Any video launched in tandem with an official brand partner is eligible for the ranking.

And – as the name up above would imply – all the data comes from Gospel Stats. If you’re interested in learning more about Gospel – and which brands are sponsoring what creators on YouTube – click here.


This week’s Gospel Stats Weekly Brand Report includes a lot of dark and mysterious videos. Creepy, lowlit videos typically thrive in October, but YouTube’s favorite haunted house explorers and horror gamers enjoy year-round viewership. Here’s the lowdown on some of the accomplishments those top creators pulled off during the penultimate week of March.

Details about the top sponsored YouTube videos of the week are available below:

#1 Doll Island: We’re Never Coming Back (ft. Fede Vigevani)
Channel: Sam and Colby
Brand: BetterHelp
Views: 5,566,105

Sam and Colby’s ventures into accursed locations often crack the top spots in our Gospel Stats Weekly Brand Report, and regular sponsor BetterHelp is typically the brand that benefits from that high level of exposure. The duo’s latest video features a video to a self-explanatory location called “doll island,” so if you can’t handle the Chucky franchise, turn away now. Sam and Colby have already collaborated with many of the top creators in their home country, so they’re now branching out with appearances alongside non-American standouts. Uruguayan sensation Fede Vigevani, one of the biggest creators in Latin America, co-starred in Sam and Colby’s doll-laden adventure.

#2 My First Time Playing R.E.P.O
Channel: SMii7Yplus
Brand: Gamer Supps
Views: 3,407,303

SMii7Yplus has recently achieved multiple milestones. The gaming-focused YouTube channel surpassed one million subscribers and made it all the way to the runner-up spot in the Weekly Brand Report. That achievement might say more about the game featured in the sponsored video than the gamers themselves. With its combination of a horror setting and co-operative gameplay, R.E.P.O. could be the next big thing in narrative gaming. Previous highlights from the SMii7Yplus feature once-trendy titles like Grand Theft Auto V, Warzone, and The Backrooms, so it’s not unlike this channel to have its finger on the cultural pulse.

#3 I Turned my Bunk Bed into a Race Car!
Channel: Drew Dirksen
Brand: Revolut
Views: 2,795,876

You probably know someone who slept in a racecar bed as a child, but what happens if you turn your bed into a literal car? Drew Dirksen found out when he took his mattress out on the road, and fintech brand Revolut helped him publish a sequel. This time, Dirksen has created a bunk bed car that has so much room for activities — just make sure those activities are hands-free, for the driver’s sake. It turns out that one of the most complicated parts of making a bunk bed car is assembling the bunk bed in the first place. If you’ve ever bought a bed frame from Ikea, you know the vibes.

#4 Weather Weapons & Worse | Tesla’s Stolen Tech and the New Arms Race
Channel: The Why Files
Brand: War Thunder
Views: 2,389,538

The Why Files is known for its investigations into history, conspiracy theories, and the lesser-known sides of famous figures. This time, the channel is looking into Nikola Tesla and his alleged involvement in the development of weapons that harness the weather. A few questions I have after watching: How much of this story can be verified? Can I grab one of those weapons during the coldest months of winter? And did this video get boosted because of that other Tesla and its founder who’s been in the news lately? We may need Mark Rober to come in and investigate what’s going on here.

BONUS #2,172 Firing Supertubos! Pre comp freesurf | MEO Rip Curl Pro Portugal
Channel: World Surf League
Brand: Corona
Views: 27,641

Speaking of cold weather, it’s still not warm enough to go out and enjoy the beach (at least not where I am). So what do you do if you’re Corona and you want to remind YouTube viewers about fun in the sun and your brand’s association with it? You sponsor surfing videos, apparently. Five Corona-sponsored clips from the World Surfing League showed up in this week’s Brand Report. When I watched them, I was transported to the time of year when sitting on the beach and enjoying a cold Corona is most appropriate. Is this what Angelenos feel like all the time?


…and there’s a lot more data where that came from. If you’re interested in learning more about Gospel – and which brands are sponsoring what creators on YouTube – click here.

Have you heard? BuzzFeed bets $10 million on BFIsland while TikTok colonizes YouTube Shorts

Each week, we handpick a selection of stories to give you a snapshot of trends, updates, business moves, and more from around the creator industry. This week, one platform is getting a substantial investment while another gets an influx of “colonizers.” Oh, and iShowSpeed is hobnobbing with celebs (again).

Platform headlines

BuzzFeed’s $10 million BFIsland hub is taking shape. BuzzFeed wants to build a social media platform that replaces divisiveness with harmonious discourse. During a recent earnings call, Jonah Peretti said that his company is allocating an eight-digit pool of resources to its ambitious project. Here’s hoping we can all be friends.

TikTok is doing it for the kids. Amidst a flurry of new security features, TikTok announced that it would start pushing out Amber Alerts on the For You Page. Between that partnership and the app’s spate of March Madness commercials, TikTok is clearly working to generate as much positive PR as possible.

Instagram is experimenting with AI-generated comments. If you’re a proponent of the “dead internet theory,” brace yourself. The internet is only going to get deader from here.

Creator commotion

iShowSpeed’s new friends are Tom Brady and Kevin Durant. Speed captivated viewers across the globe with a worldwide tour and enjoyed a starring role in the Sidemen charity match. Now he’s the star of a Dick’s Sporting Goods commercial that features a few all-star athletes. Speed may not match his co-stars in terms of athletic ability, but he makes up for it with unbridled moxie. The spot was developed and produced by OBB Media’s branded content studio, bolded.

Alex Cooper stays busy with new Unwell signings. The Call Her Daddy host announced her media company’s first reality series last week. Now, Unwell is souping up its influencer roster through climate activist Sophia Kianni and Bill Gates’ daughter Phoebe Gates.

Ubisoft assembles star-studded lineup of Siege X streamers. Twitch content has helped tactical FPS games become more popular than ever before, so it makes sense that Shroud, Ludwig, and HasanAbi are helping Ubisoft promote the next chapter in the Siege franchise.

The ad world

TikTok ad prices are way down. Uncertainty about the app’s future in the United States has led some advertisers to reallocate their budgets. As a result, TikTok CPMs fell 80% year-over-year over the period beginning in January 2024, according to one estimate.

Substack is the hot new marketing hub. The newsletter boom has brands wondering about the value digital periodicals can have for advertisers. Women’s wear brand M.M. LaFleur is one of those brands, and it’s making a big push on Substack.

Note to platforms: consumers want to shop on their TVs. A study published by LG showed that 70% of connected TV viewers would save items to a wishlist if given the chance. When the 2025 holiday season rolls around, look for this trend to impact high-level platform strategies.

Movers and shakers

Twitch vet Mike Aragon revs it up at Ford. Aragon, the former Chief Content Officer at Twitch, got experience with integrated technology during his stint at Lululemon. Now he’s heading to Ford to lead a team that will install digital services in cars.

YouTube strategists are in high demand. The latest data from digital hiring board YTJobs shows that demand for YouTube content strategists has more than doubled year-over-year. If any of those creators are interested in a journalist’s perspective, they’re welcome to hit me up. I’m full of ideas.

The internet is a strange place

TikTokers are on the march to “colonize” YouTube Shorts. The plan is to flood YouTube Shorts with brainrot content on March 25, thus resulting in a TikTokification of the vertical video feed. If TikTokers think YouTube Shorts needs more brainrot, they’re clearly not paying attention to the videos that already exist there.

Social media stylists are going fishing this summer. Hot girl summer is so five years ago. In 2025, the fisherman aesthetic will be in, so brace yourself for trout boy summer.

Is that a gun in that judge’s pocket, or is he just happy to see me? Circuit Judge Lawrence VanDyke took to YouTube to provide a visual aid for his opinion in a case related to the Second Amendment. Are justices about to be the “reply guys” of the 2020s? They might be too impartial to pull it off.

More than half of Americans over the age of 11 have watched a video podcast

Halfway into the 2020s, podcasting isn’t slowing down — in fact, the industry continues to gain momentum. The latest edition of Edison Research‘s Infinite Dial report found that podcasts have reached an unprecedented level of saturation in the United States, where more than half of consumers above the age of 11 have now watched at least one video podcast.

Infinite Dial is the longest-running annual report covering digital media trends in the United States. To glean insights about the habits of American media consumption, Edison Research surveyed 5,020 people split across three age brackets: 12 to 34, 35 to 54, and 55 and up.

The results of that data-gathering effort show that several digital media formats are reaching more consumers than ever before. 79% of respondents listen to online audio on a monthly basis. 34% of those listeners use Spotify most often, compared to 21% for YouTube Music.

The 12-34 age bracket is the most tuned-in on those platforms, with 90% of the cohort listening to audio online. The 55+ segment, however, has seen substantial gains in recent years. That group’s consumption of digital audio has risen 11% year-over-year to reach 63%. The 55+ crowd is also more likely to rely on YouTube. 33% of that demographic said they use YouTube most often for digital listening, compared to 26% for Spotify.

YouTube’s progress as a podcasting hub has helped it make inroads among American consumers. The platform’s audio shows reach more than a billion users, many of who are over 55. For that group, monthly podcast consumption is up 11% year-over-year, from 27% to 38%.

But it’s not just the old folks — interest in podcasts is up across the board. 70% of the U.S. has listened to a podcast, according to Infinite Dial, and nearly half (48%) of Americans have both listened to and watched a podcast. 55% of respondents said their podcast consumption comes on a monthly basis, and 48% of monthly consumers are watching video versions of their favorite shows.

“The reality is that the overwhelming majority of people who watch podcasts will say that they are podcast listeners. But as more people discover the platform via video, it’s smart to think about it as consumption instead of just listening,” said Edison Research VP Megan Lazovick. “That is not intended at all to undercut the magic of audio-only content. There’s room for both video and audio in the world of podcasts.”

The latest Infinite Dial report validates the media companies and advertisers that are investing millions in podcast development, distribution, and monetization. Though there are some questions about Gen Z’s interest in video podcasts, the industry’s penetration among older Americans may make those concerns moot.

In fact, nearly half of surveyed Americans feels that the country’s youngest consumers should be cut off from social media altogether. 48% of respondents said they would support an under-16 social media ban like the one that recently went into effect in Australia.

After generating billions of monthly views, Toys and Colors lands Sesame Street collab

If you want someone to tell you how to get to Sesame Street, you can ask the Toys and Colors gang for directions. The massively popular YouTube empire — which is affiliated with kid-friendly media company pocket.watch — is hanging out with Muppets like Grover, Elmo, and Abby Cadabby across a series of collaborations that will drop on both brands’ respective channels.

The videos feature some of the most recognizable characters among kids past and present. Toys and Colors has become one of the most-watched channels in the world, occasionally banking more than 850 million weekly views on YouTube alone. Two of the channel’s on-screen personalities, Ellie and Maddy, showed up in collabs that arrived on the main Sesame Street YouTube channel on March 20. The videos will drop on the Toys and Colors channel on March 27.

Eight-year-old pocket.watch recognized Toys and Colors’ potential in 2021, when it announced a franchise called Kaleidoscope City that would be based around Toys and Colors’ thriving digital channels. That decision helped the sing-songy brand push its YouTube traffic even higher, and pocket.watch now describes Toys and Colors as the “biggest kids creator in the world.”

“This partnership is a monumental moment for kids and family entertainment – bringing together the legacy of Sesame Street with the dynamic powerhouse that is Toys and Colors,” said pocket.watch Chief Content Officer Albie Hecht in a statement. “At pocket.watch, we thrive on blending the best of traditional and new media, and this collaboration is the perfect example of how iconic brands can unite to create something fresh, educational, fun and truly meaningful for today’s generation.”

Sesame Street may not generate quite as much weekly YouTube traffic as Toys and Colors, but when it comes to digital media, the 56-year-old brand is no slouch. Its YouTube channel, which reaches more than 26 million subscribers, has facilitated regular collabs with creators. Pentatonix, Rosanna Pansino, and Blippi are three of the social media standouts who have made videos alongside Muppets over the years.

With Toys and Colors’ Sesame Street cameo, pocket.watch is solidifying the multiplatform standout as a trusted name in family entertainment. If this collab ends up pushing Sesame Street back into our Global Top 50 charts, the long-running show will enjoy the power of the Toys and Colors bump.

Good Good just got $45 million to grow its YouTube golf empire

Golf has been having a real moment on YouTube for some time now–and one of its most prominent channels just scored a funding round with over 50 investors, including Peyton Manning‘s Omaha Productions.

The channel, Good Good, has nearly 2 million subscribers and gets around 10 million views a month. They started making videos in 2020, after founders Garrett Clark and Matt Kendrick met at a golf tournament. Typical content involves Good Good’s onscreeen members–Clark, Stephen Castaneda, Thomas Broders, and Matt Scharff–challenging other golf collectives on the course. Sometimes they even go toe-to-toe with PGA pros.

Good Good Golf, the media/lifestyle brand behind the channel, raised $45 million in its new round led by Creator Sports Capital, which was co-founded by former YouTube exec Benjamin Grubbs. Other top investors–aside from the aforementioned NFL quarterback Manning–include Manhattan West Private Equity and Sunflower Bank.

“Good Good Golf has seen incredible momentum as we continue to redefine what it means to be a modern golf brand,” Kendrick, who’s now Good Good Golf’s CEO, said in a statement. “This investment allows us to scale our media and commerce initiatives, bringing even more exciting content, products, and experiences to our rapidly expanding community. We’re harnessing the power of fandom to make golf more accessible, dynamic, and engaging for players and fans of all ages.”

Grubbs added, “We see Good Good Golf as more than just a media brand–it’s a movement that is reshaping the golf industry. […] Their ability to turn audience passion into thriving commerce, partnerships, and live activations is what makes them so compelling. We’re thrilled to lead this investment and support their next phase of expansion.”

Manning chimed in that he’s excited to partner with Good Good Golf, and that he’s “hoping they can help me lower my golf score.”

Over the past five years, Good Good Golf has used its YouTube foundations to grow into a multipronged business.

It expanded to apparel in 2021, and secured a retail partnership with Dick’s Sporting Goods. It also partnered with Topgolf Callaway Brands Corp. on an official line of Good Good golf balls, putters, and gloves. And, perhaps most crucially, it’s broken into live sports, collaborating with outlets like NBC Sports and the GOLF Channel on events like the 2024 Good Good Desert Open and the Good Good Desert Knockout.

We’ve written before about how more and more, live sports appear to be bulletproof for both digital content platforms and traditional TV. With its YouTube presence and live events, Good Good Golf is bridging the gap and getting on both.

The company told Bloomberg it plans to use the $45 million investment to build a sales team that will bring its products to more stores and golf courses outside the U.S. It also wants to hire people to translate its YouTube content into other languages, and establish brand deals with content creators based outside the U.S. And finally, since Good Good Golf is in fact a media company in the year 2025, it may be eyeing podcast development, too.

Promotion for ‘A Minecraft Movie’ hasn’t featured many creators. Enter Quackity.

As A Minecraft Movie approaches its April 4 premiere date, distributor Warner Bros. has enacted a wide-reaching marketing strategy. Promotional tie-ins have included a limited-time McDonald’s menu and a partnership with cosmetics brand Nyx. But amidst that promotional flurry, a nagging question has lingered: Where are all the creators?

The Let’s Play stars, machinima artists, and immersive storytellers who feature Minecraft in YouTube videos deserve places in A Minecraft Movie‘s promotional blitz. Without them, Minecraft wouldn’t be nearly the cultural phenomenon it has become. Across 15 years of activity, the blocky sandbox game has hauled in more than a trillion YouTube views (and counting). The game’s top creators have parlayed their passion into numerous off-YouTube ventures.

It’s fair to suggest that A Minecraft Movie wouldn’t exist without Minecraft creators, which is why it’s so odd that those tastemakers haven’t factored into the film’s pre-release hype. One of the only influencer partnerships Warner Bros. sought was a cameo appearance from streamer Valkyrae, but thus far, her planned appearance has resulted in as much on-set gossip as excitement.

Finally, with about two weeks to go until A Minecraft Movie‘s premiere, the film’s lead scored some face time with one of the biggest Minecraft stars on the internet. Quackity, who reaches 6.4 million Twitch followers with his gaming streams, teamed up with Jack Black for a collab that went live on March 19.

Black prepared for the team-up with a unique form of method acting: He played more than 100 hours of Minecraft on set. For his trip to Quackity’s stream, he was accompanied by fellow Minecraft Movie cast members Emma Myers and Sebastian Eugene Hansen.

A Minecraft Movie can still fit in more collabs like this one, but time is running short. Warner Bros. could improve upon the film’s projected opening weekend box office of $58 million by turning creators like Aphmau, Preston, and DanTDM into promotional vehicles. Perhaps partnerships with stars of that caliber are in the works — or maybe the biggest names in Minecraft have embraced the sense of skepticism that has dogged this adaptation from the time it was first announced.

The success or failure of A Minecraft Movie could determine whether future creator-friendly properties get big-screen adaptations. If you want to see A Roblox Movie next, you can buy a ticket come April 4.

Roblox cozies up to creators with promises that it’ll recommend their games

Discovery is one of the most vital aspects of digital content platforms. YouTube and TikTok‘s recommendation algorithms have attracted a lot of flak, but without that discovery tool, creators’ content wouldn’t be surfaced to people who weren’t already actively following them and/or actively searching for the topic they make content about. Conversely, one of the reasons creators have been hamstrung on Twitch is its relative lack of dependable discovery.

Enter Roblox, which has increasingly become a hub for game developers and content makers. It pays out hundreds of millions to devs each year, but recently faced allegations that it’s choking studios’ earnings by not introducing them to brands for sponsorship deals.

Now, Roblox has published a post letting devs know just how much it does (and plans to do) to recommend their games to its playerbase of ~380 million monthly active users.

“We understand that connecting your experiences with the right users is essential for your success. That’s why we’re committed to providing you with actionable insights and powerful tools to thrive within Roblox’s evolving discovery system,” the company’s discovery team wrote on its developer forums. “Our focus for 2025 is to refine and expand our discovery systems to better support your growth.”

Roblox’s plans are separated into two categories: ongoing improvements, and upcoming launches.

As for ongoing improvements, it plans to…

-Update its Home page, where it says 90% of game traffic begins, to “be even more dynamic and personalized.” That includes introducing new content shelves and expanding existing ones. “This will increase the visibility of your content to targeted audiences,” it said.

-Make improvements to its recommendation algorithm, “optimizing for long-term user retention by prioritizing organic recommendations.” It says it will update devs’ backend analytics to show them how the algorithm is functioning, and teach them how to optimize their content for it. It also promises that “in the coming weeks, we will provide you with a deep look” into the algorithm.

-Improve search and genre-specific discovery. The new search will “blend results” from across Roblox categories like games, avatars, people, and forums. It also now has a “Recently Visited” shelf, so players can see what games they played last (and maybe be more likely to click back into them).

-And finally, like YouTube, it wants to deprioritize low-quality content. “We are continuing to focus on reducing the visibility of low-quality content, such as experiences with misleading titles or thumbnails or content that violates community standards,” it said.

Upcoming launches include: a friend referral system where developers can reward players for getting their friends to try games; the ability for players to submit user feedback directly to devs; and a “major upgrade” to devs’ ad manager system.

The ad manager system is particularly worth noting because, again, devs’ recent concerns with Roblox are over monetization and feeling like they’re competing with the platform for brand deals. The fact that Roblox is giving them “more engaging ads, objective-focused setup, smarter tools, and more intuitive reporting” to make money through advertising could help smooth the dev x platform relationship.

It’s worth noting that people who develop games for Roblox’s platform are still expected to do the majority of marketing themselves. Unlike with a traditional publisher-developer relationship, where, for example, EA published Respawn‘s Apex Legends and now markets the game, Roblox developers have to be their own marketing teams. But these discovery features do show that Roblox is putting effort into helping devs find and retain new players.