Archive for 2025:

Instagram’s putting a ring on it (and by “it” we mean creators)

Instagram is taking a page out of Beyoncé’s book and putting a ring on it–and by “it,” we mean content creators.

We just wrote about how Instagram is trying out a more TikTok look with some users in India, continuing to chase the ByteDance-owned (at least for now) app’s success in short-form. But TikTok clearly isn’t the only competitor in Instagram’s eyes.

YouTube has long celebrated content creators by sending them flashy plaques when they reached certain subscriber milestones. It’s a core part of YouTuber culture that materially rewards creators who successfully build audiences to new heights–and you’ll see many creators who’ve gotten plaques proudly displaying them in the backgrounds of their videos.

Spotify, which is an aggressive YouTube competitor in the podcast space, started sending out its own creator milestone plaques early this year–but Instagram is taking a different approach here.

It’s not rewarding creators for reaching specific set milestones. Instead, it’s recognizing creators for their cultural power.

“Rings isn’t about honoring a specific type of content–it honors a spirit,” Instagram said in a company blog post. “One theme we hear from creators all over the world is the excitement and nervousness that come with making something and putting it out into the world. It takes courage to chase an idea, quiet that inner critic, and create anyway. This award is for the creators who don’t just participate in culture–but shift it, break through whatever barrier holds them back to realize their ambitions. Because every act of creativity, big or small, can lead to something great.”

To find the creators who got the spirit, Instagram put together a judging panel of “legendary creatives from around the world,” including…

  • Spike Lee
  • Marc Jacobs
  • Grace Wales Bonner
  • KAWS
  • Pat McGrath
  • Marques Brownlee
  • Yara Shahidi
  • Cédric Grolet
  • Ilona Maher
  • Tainy
  • Murad Osmann
  • Eva Chen
  • and Instagram head Adam Mosseri

Each judge nominated their favorite creators, then collectively voted for the ones they thought deserved a ring.

The first wave of selected winning creators hasn’t been unveiled yet–but we do know when they are, they’ll receive two things: a physical gold ring designed by Bonner, and a golden ring that shows up on their Instagram account.

“We know the profile is an important space for creators to show who they are and what they’re about–so when winners post a story, an exclusive gold ring will show up around their profile picture, in place of the usual Stories ring,” Instagram said. “This will show up across the app–on their profile and in the Stories section in Feed. Winners will also have the ability to customize their profile backdrop color and put their own twist on the ‘like’ button–helping fuel their creativity in the year ahead.”

As we mentioned above, Instagram’s creator awards are unique because of the selection and voting process. On YouTube, everyone who hits 1 million subscribers, 10 million, etc, gets a plaque. There’s no quality judgment; it’s purely quantity. Instagram, by contrast, is shooting for quality over quantity.

It’s also unique that Instagram is giving a digital reward coupled with the physical one. Again, as we said, YouTubers often display their plaques in their intros or on the walls in their studios–but they don’t have a digital complement on their channels that will instantly tell viewers which plaques they’ve received. (Obviously fans who know the plaque system will understand if the YouTuber has reached a silver or gold or diamond plaque, but still…We think the high-visibility digital nod is cool.)

It’s not clear yet if these will be yearly awards, but Instagram did list this panel of judges as its “2025 judges,” so that’s possible.

Either way, it’s clear that in an increasingly crowded market full of platforms trying to keep creators loyal, Instagram sees value in rewarding the innovative creators who are bringing cash through the door.

Top 50 Most Subscribed YouTube Channels Worldwide • Week Of 10/05/2025

[Editor’s Note: Tubefilter Charts is a weekly rankings column from Tubefilter with data provided by GospelStats. It’s exactly what it sounds like; a top number ranking of YouTube channels based on statistics collected within a given time frame. Check out all of our Tubefilter Charts with new installments every week right here.]

Scroll down for this week’s Tubefilter Chart. 👇


MrBeast dipped slightly this week to add only two million new subscribers instead of three. He’s now at 443 million subscribers, while his former frenemy T-Series is in second place on the list of Most Subscribed YouTube Channels of All-Time at 304 million. It’s wild that’s it’s only been one year, four months, and five days since both channels moth had 267 million subscribes. MrBeast passed T-Series on June 1, 2024 and hasn’t looked back since.

So another week and another few million subscribers for the biggest channel on YouTube. But what’s new in this seven-day stretch is a new upstart dedicated to K-Pop Demon Hunters almost had him beat.

Death, taxes, Reddit, and YouTube Shorts.

Benjamin Franklin famously stated, “In this world, nothing is certain except death and taxes.” He was speaking in response to the hopeful, yet ultimately wishful durability of America’s newly drafted Constitution. If he were around today, I think there would be two more obvious additions to the list:  1) There’s a Subreddit for literally everything, and 2) someone will create a new YouTube Shorts channel featuring the odd-ball antics of adults dressed up in hyper-colored costumes featuring any intellectual property that’s popular among children.

Case in point for the latter is Rumi-KPOP. 

The South Korean-based channel was created in March 2025, but appears to have not uploaded any video until this September 2. The Short “Rumi saved everyone.#kpop#kpopdemonhunters#huntrix” now has over 13 million views and counting. The upload is reflective of all the other content on the Rumi-KPOP channel. Young adults are dressed up in Spirit Halloween quality level cosplay costumes of characters from the Netflix mega-hit K-Pop Demon Hunters. The adults engage in some form of battle accompanied by 1990s Mighty Morphin Power Rangers-level visual effects. And there’s also some lip-syncing.

Using the most popular piece of international IP as the basis for a YouTube channel is nothing new (see Spiderman and Elsa circa 2017 YouTube). I’m surprised this channel didn’t pop up sooner. K-Pop Demon Hunters has smashed streaming records, becoming Netflix’s most-watched movie ever and spending at least 15 straight weeks in the Top 10, never dropping below No. 2. It’s limited theatrical “sing-along” release pulled in over $19 million in a single weekend, giving Netflix its first No. 1 box office crown. The streamer is also reportedly considering at least two sequels, a live-action remake, and a stage show.

Data via Gospel Stats

Given the hype, it’s no surprise that a Shorts channel based on the IP and using tried and true tropes from viral YouTube Shorts channels (e.g. big physical movements, fast edits, lots of sound effects, bright colors, non sequiturs, et al.) is absolutely crushing it.

Channel Distribution

Here’s a breakdown of the Top 50 Most Viewed channels this week in terms of their countries of origin:

  • United States: 17
  • India: 1o
  • Brazil: 4
  • Hong Kong and Spaind: 3
  • Mexico: 2
  • Argentina, Australia, Austria, Bangladesh, China, Czechia, South Korea, and Ukraine: 1

This week, 41 channels in the Top 50 are primarily active on YouTube Shorts.

As always, keep up to speed with the latest Tubefilter Charts and all our news by subscribing to our newsletter. You’re going to love it. 👉  Newsletter.Tubefilter.com.

Sora soars to the top of app charts with its AI slop TikTok copycat

We already knew ChatGPT maker OpenAI wanted to make the next X/Twitter, giving itself a proprietary text-based social media app where it could milk users for new training data. But its latest product is an AI slop-maker copying TikTok–and it’s already at the top of app charts.

The official Sora app, which is still invite-only (though access codes can be found through community share threads on sites like Reddit), debuted Sept. 30. It mimics the swath of short-form video apps that spawned after the 2020 TikTok boom, but of course has an OpenAI twist–aka, everything there is generated by the company’s video LLM Sora.

Sora, as you probably remember, became somewhat infamous last spring after OpenAI’s then-CTO was unable to answer a very simple question: Were YouTube videos included in its training set, against creators’ consent? OpenAI has yet to answer that question (despite supposed pressure from YouTube, which is also looking to profit off the AI bandwagon), but creators like Marques Brownlee have made pretty compelling cases for why they think their videos may have been scraped.

The Sora app lets people text-prompt-to-slop-out short vertical videos and include generated versions of themselves and/or their friends. (OpenAI says you have to get permission from someone before including them as a “cameo” in your generated video.) These videos can be in any genre and style, including mimicking copyrighted content like TV shows and movies.

Users can also watch other people’s videos–and so can people who don’t have the app yet; they just can’t interact any further.

As Axios points out, OpenAI hasn’t yet contended with all the potential copyright issues involved in its Sora training, nor the new copyright issues allowing people to copy TV/movies will bring. Axios theorizes that maybe OpenAI hopes releasing the tool en masse will let copyright holders see what’s possible if they let their projects be ground into LLM sausage, or let users riff off their IPs in a way that could eventually be visually indistinguishable from the original.

We can’t predict how rightsholders will feel, but somehow we don’t think seeing a slop machine producing content that competes with theirs rising to #1 in app stores will make them less litigious.

This app debuts fresh off OpenAI CEO Sam Altman‘s wide-eyed-ingenue-flavored post last month where he said his company needs more infrastructure because without massive computing centers (which are seriously impacting the towns around them), it can’t do things like cure cancer or “provide customized tutoring to every student on earth.”

About the Sora app, Altman said, “Please expect a very high rate of change from us; it reminds me of the early days of ChatGPT. We will make some good decisions and some missteps, but we will take feedback and try to fix the missteps very quickly.”

The bottom line is, whatever people use the Sora app to create, you can bet OpenAI will be watching–and scraping a fresh round of data.

The UAE’s BRIDGE Summit wants 60,000 attendees to connect with entertainment, entrepreneurship, and policymaking in the Middle East

The United Arab Emirates is continuing its ambitious and expensive push to become a prominent hub for digital content creation with the BRIDGE Summit, which pitches itself as an event where “the future of media, entertainment, culture, and technology meets power, policy, and capital on one bridge.”

The first BRIDGE Summit plans to bring over 60,000 attendees to the ADNEC Centre in Abu Dhabi for a three-day conference that will offer a swath of programming tracks across multiple industries, including Creator Economy, Technology, Marketing, Media, Gaming, Picture/Film, and Music.

The event will feature over 400 speakers, including:

  • Reddit co-founder Alexis Ohanian
  • TIME CEO Jessica Sibley
  • Omar bin Sultan Al Olama, the UAE’s Minister of State for AI, Digital Economy, and Remote Work
  • Mo Abudu, Founder & CEO of EbonyLife Media
  • Anthony Scaramucci, former Trump administration White House Communications Director and current Founder & Managing
  • Partner at SkyBridge Capital
  • travel YouTuber Joe Hattab
  • podcaster Steven Bartlett

Organizers say attendees, ranging from Fortune 500 CEOs and government representatives/policymakers to investors, humanitarian foundations, academics, and content creators, will be able to connect for “inspiring talks and keynote speeches”; “mind-opening panel discussions”; and networking, collaborations, and deals. There will also be roundtables for policymakers, workshops and masterclasses, and new product launches and innovation showcases.

The summit is opening an official Business Office it says will give partners and VIP guests “direct access to leading local media and entertainment entities and free zones in the UAE.” That in turn will create “a perfect opportunity for stakeholders to launch new ideas, innovations, and businesses in the Emirates,” it added.

Each of BRIDGE Summit’s three days will have one core theme. Day 1 is Landscape, asking What is the state of media and entertainment?, Day 2 is Vision, asking How is the ecosystem being reimagined?, and Day 3 is Blueprint, asking What strategies and steps will take us into media’s next era?

Those interested in attending can apply here, and those interested in exhibiting can apply here.

The inaugural BRIDGE Summit will run Dec. 8-10 at the ADNEC Centre in Abu Dhabi.

 

BRIDGE Summit is a Tubefilter partner.

Top 50 Most Viewed YouTube Channels Worldwide • Week Of 10/05/2025

[Editor’s Note: Tubefilter Charts is a weekly rankings column from Tubefilter with data provided by GospelStats. It’s exactly what it sounds like; a top number ranking of YouTube channels based on statistics collected within a given time frame. Check out all of our Tubefilter Charts with new installments every week right here.]

Scroll down for this week’s Tubefilter Chart. 👇


It’s interesting that the biggest channel on YouTube in terms of viewership is not an English-speaking content creator, but a South Korean Shorts channel that engages almost perfectly in all the things that make Shorts channels go very, very big on the platform. That includes Mr. Bean-style physical movements, no dialogue, sound and visual effects reminiscent of 1980s cartoons, nondescript backgrounds, and bright, shiny colors.

If that’s the recipe for YouTube success these days, then KIMPRO is the Escoffier, bringing together all the elements in 14 to 20 Shorts a week with aplomb. This week the channel again took the #1 spot in the charts and added 1.331 billion views to its lifetime total of more than 112 billion. Those are nearly inconceivable numbers, but some channels are actually close to catching up.

Australian couple channels aren’t the only ones crushing right now.

Couples from Australia are clearly on a tear. Nick and Carrie are serving newlywed (and oftentimes sponsored) wholesomeness to hundreds of millions of viewers each week. Jasmin and James (#21 this week with 571M views), Double Date (#3 this week with 1.2 billion views), and Cadel and Mia (#31 this week with 476M views) have turned collaborative Shorts creation into a finely tuned machine. Together, these channels are flooding the upper ranks of YouTube’s charts and showcasing how powerful a tight, geographically localized creator network can be.

But it’s not just Australian couples who are crushing it. At least one African couple is commanding massive global attention, too. Jay Mondy and Isabell Afro have built some of the most-watched destinations on YouTube by blending East African dance, playful couple content, and global appeal.

Isabell is a 25-year-old dancer and creator from Denmark who built her following around her love of African dance. She first traveled to Tanzania in her early twenties after falling in love with Afro-dance styles online. What was originally meant to be a short trip turned into a permanent move to train, collaborate, and build a life centered around dance and content creation. It’s worked out so far. Isabell’s got 6.9M followers on TikTok, 3.2M on Instagram, and 9.5M subscribers on YouTube.

Jay is a 27-year-old Tanzanian dancer and content creator who grew up in a small village before rising to global fame through viral Afro-dance videos. He began posting in his late teens, leaning into the energy and joy of Tanzanian street dance, and quickly found an international audience of 4.3M followers on TikTok, 3.1M on Instagram, and 7.9M subscribers on YouTube.

Jay’s channel isn’t a classic couple’s channel per se (i.e., the names of both individuals who star in the vast majority of the programming aren’t all in the name of the channel), but it does feature the regular trappings of other popular couples channels on the platform. Jay and Isabell engage in feel-good domestic spoofs, meme reenactments, and challenges. What they do that’s different from other couples channels, though, is dance. A lot. They’re good at it, too, in a way that’s reminiscent of early TikTok videos and the first generation of stars that gained notoriety on the platform for being able to move their bodies in mesmerizing ways.

Data provided by Gospel Stats.

Jay popped off in June and hasn’t looked back, regularly adding several hundred million views to his lifetime totals every week. This time he just snuck into the Charts in the #50 spot with 373.9 million views, a 52% increase over the week prior.

Channel Distribution

Here’s a breakdown of the Top 50 Most Viewed channels this week in terms of their countries of origin:

  • India: 14
  • United States: 11
  • Indonesia: 3
  • Australia, Canada, South Korea: 2
  • Austria, China, Germany, Egypt, Japan, Pakistan, Peru, Russia, Spain, Tanzania, Turkey, and Ukraine: 1

This week, 42 channels in the Top 50 are primarily active on YouTube Shorts.

As always, keep up to speed with the latest Tubefilter Charts and all our news by subscribing to our newsletter. You’re going to love it. 👉  Newsletter.Tubefilter.com.

Taylor Swift’s showgirl turn gets 20 million YouTube views, exclusive TikTok features on release day

In the world of social media content, Taylor Swift‘s album releases have become major tentpoles, and The Life of a Showgirl is no exception. As the singer-songwriter’s 12th studio LP hit streaming services, platforms like TikTok and YouTube launched activations to harness the energy and passion of Swifties everywhere.

Showgirl‘s October 3 release date has been circled on popheads’ calendars ever since the 35-year-old star announced the album during an appearance on then-boyfriend (and now-fiancé) Travis Kelce‘s New Heights podcast. That episode smashed viewership records, reminding observers that Swift is still as influential as she’s ever been.

TikTok has made a concerted effort to establish itself as the go-to platform for Swifties, and it is offering the most thorough Showgirl initiative out there. An in-app hub has been dishing out animations, themed profile assets, and other rewards since mid-September, and that’s only the tip of the iceberg. Easter eggs have been hidden across TikTok (type “Taylor Swift” in your search bar if you want to see one), and an interactive experience invites fans to explore “Your Journey of Following Taylor Swift.”

For TikTok, Showgirl mania is even extending into the real world. Between October 3-9, Los Angeles’ Westfield Century City will host an installation that lets Swifties take photos in front of Showgirl-inspired backdrops.

YouTube pulled out all the stops for Swift’s tenth album Midnights, but more recent releases have featured TikTok partnerships. Even if YouTube isn’t bringing a Showgirl pop-up to the mall, it is still playing a vital role in the distribution of T-Swizzle’s latest 12-pack of new songs. Visitors to the official Taylor Swift YouTube channel can find visualizers for all 12 tracks. At the time of this post, 17 hours since the album dropped, its visualizer videos have collectively accrued more than 20 million views.

Partnerships with Taylor Swift are valuable not just because they draw in the artist’s fans, but also because of viewership upticks that flow downstream to related channels. Maybe that’s why so many companies are buying into the Showgirl hype. TikTok is doing the most, YouTube is delivering the goods, and Rolling Stone debuted Taylor’s Version of its homepage. Even retail brands like Starbucks and Krispy Kreme are devising their own tie-ins.

Showgirl epitomizes album distribution as we understand it in the 2020s. The slow reveal of singles is eschewed in favor of the biggest possible release day spectacle. Of course, that doesn’t mean Showgirl‘s music videos will be irrelevant. The clip for “The Fate of Ophelia” is set for an October 5 premiere, and millions more views will surely follow.

Discord introduced ads in 2024. They seem to be working.

Discord‘s year-old ad format distinguishes it from many of its competitors, and those spots seem to be delivering quality results. For the first time, an attribution and analytics company — AppsFlyer — has run a performance measurement test for Discord’s Quests ads.

AppsFlyer ran its Discord test in June, when it analyzed the results of a Quests campaign that promoted the Marvel Snap trading card game on behalf of developer Second Dinner. The topline numbers, according to Digiday, were quite strong. The Quests generated 15 million impressions, and 99% of the users who started a Quest received a reward for completing it. Second Dinner’s cost per install went down by 30% in the wake of the Quests campaign.

Discord has been steadily developing new ad formats since the start of the 2020s, when pandemic-era traffic led to increased user numbers for the server-based chat client. The first form of monetization to arrive was the server membership feature that debuted in 2021 and rolled out across the U.S. a year later.

Quests joined Discord’s array of ad formats in 2024. The interactive spots, which appeal to Discord’s core community of gamers, prompt users to play select titles in exchange for in-game rewards.

Since launching Quests, Discord has improved its gamified format by bringing it to mobile devices and measuring its impact. As AppsFlyer’s analysis went public, Discord revealed a new version of Quests that will reward players based on the amount of time they spend in sponsored game worlds.

Quests don’t just appeal to the gamers who populate millions of Discord servers — the format also connects brands to hyperspecific communities that are harder to reach through traditional ads. In an era when marketers are prioritizing efficiency within their creator campaigns, that level of granularity is crucial.

“It’s not just 15 million impressions; it’s 15 million eyeballs that are all there because of their passion for gaming, and their community surrounding the game,” said AppsFlyer Global Director of Gaming Product Adam Smart. “It’s 15 million eyeballs of a specific type, which, if you’re advertising your game on that platform, is hugely advantageous.”

Discord VP of Sales and Ad Solutions Adam Bauer added that his team plans to continue expanding the breadth of measurement options later this year. That is an important effort for the platform to undertake. Like YouTube, Discord owes much of its popularity to its ease of use and the robust nature of its free tier. That’s how the platform earned the responsibility of facilitating a national election in Nepal, and Discord’s future likely includes a mix of accessibility and wide-ranging ad experiences. If server users accept that balance, Discord will have completed its greatest Quest of all.

Have you heard? Skyrim Grandma’s next chapter, Spotify’s CEO shuffle, and a saxophone controller

Each week, we handpick a selection of stories to give you a snapshot of trends, updates, business moves, and more from around the creator industry.

This week, a legendary gamer puts down the controller, Spotify has two new CEOs, and Elden Ring gets jazzy.

Creator commotion

The 89-year-old “Skyrim Grandma” is moving on to new horizons. Shirley Curry has been one of YouTube’s oldest Skyrim players for more than a decade, but she’s grown bored of Bethesda’s hit RPG. In a video called ‘My Goodbye to Skyrim,’ Curry closed the book on her gaming exploits, though she didn’t rule out the occasional vlog in the future.

Keith Lee signs with UTA. The TikTok food critic is so influential that the so-called ‘Keith Lee effect’ drives restaurant sales and trends. He now boasts a new talent agency deal that will provide him with representation in all areas.

Forget the ’Talk Tuah’ podcast — Hailey Welch is Just Chatting. The ‘Hawk Tuah’ girl has taken up Twitch streaming so that she can have more manageable interactions with her audience. The resulting show, ‘Talk Tuah Live,’ will include some contributions from chat.

Platform headlines

Daniel Ek has a pair of replacements in Spotify’s C-suite. The platform’s founding CEO is transitioning to the executive boardroom. In his place, Spotify is taking a page out of Netflix’s book by appointing Co-CEOs. Gustav Söderström and Alex Norström have oodles of experience — and three umlauts — between them.

It looks like Adam Presser will take over the new U.S. version of TikTok. After succeeding V Pappas on TikTok’s leadership team, Presser led a reshuffling of the app’s operations. Now, he is being predicted as the head of the platform that will arise as a result of the U.S. TikTok deal. Let’s make sure the transaction closes first.

Threads wants to cater to your interests with Reddit-style communities. With its latest move, the Meta-owned social hub is incorporating current tech trends. Reddit-style content is surging in the era of AI, and Bluesky is pushing the industry toward community-based browsing, so Threads is doing what it can to keep up.

The latest tech

A developer figured out how to turn a YouTube playlist into a TV channel. Don’t like your choices on cable? Just make a custom channel based on your YouTube browsing activity. The instructions are here, though I can’t promise this method offers any utility that’s not available on the main YouTube app. It is cool, though.

AI bots are more likely to send referrals to YouTube than to any other platform. So claims a study published by BrightEdge. Google’s presence in the AI game via Gemini is certainly a factor here, though even ChatGPT is pulling more from YouTube than from any other source.

AI-generated Bollywood videos went bye-bye after a report called them out. Reuters located videos that resembled the uploads that sit at the center of a lawsuit filed by Bollywood stars Abhishek Bachchan and his wife Aishwarya Rai Bachchan. After the report came out, many of the offending videos were promptly taken down. Funny how that works out! 

Pop culture minute

Evan Shapiro brings a creator-led ‘Skit’ to Tubi. Shapiro’s EShap production company teamed with distribution company Filmhub to land a 30-day exclusive window at Fox’s FAST platform. ‘Skit’ is a comedy film led by a cast of content creators, including Nataly Aukar, Alise Morales, and Lukas Arnold.

For shy celebrities, long-form podcasts are the new press junket. As it turns out, socially anxious actors don’t love handling the rapid-fire question-and-answer setup of the traditional press junket. As an alternative, those wallflowers are now promoting their work via podcasts. I guess us pop culture journalists are chopped liver (or future podcasters).

Ice Spice is launching her own Twitch account. During Paris Fashion Week, the rapper kicked off her streaming career with a star-studded broadcast. I hope that fellow Bronx native and notable Ice Spice fan Kai Cenat is paying attention.

The internet is a strange place

A streamer beat Elden Ring by using a saxophone as a controller. When you go by the name Dr. Toot, what choice do you have other than using a woodwind as a gaming device? Toot is moving on to other games, but I’d like to see him try other instruments. The Any% recorder controller speedrun is right there for the taking.

Ore-Ida turned a TikTok trend into a new product. The food brand describes Croutots as “like croutons, but tater tots.” They look like someone threw normal tots on top of some greens, but I’m no food scientist.

Meanwhile, in Texas, a stray bullet caused an internet outage. 25,000 Spectrum customers in the Dallas area lost service after an errant shot pierced a fiber optic cable. The shooter had better watch out — in Texas, there’s always a chance the cables will return fire.

Tubefilter’s official guide to VidSummit 2025

VidSummit 2025 is upon us, and for those heading to the Irving Convention Center next week, we’ve put together an official Tubefilter guide to the event, packed full of must-see programming and a wide variety of creator-led panels.

VidSummit has been around since 2014, and was started by Derral Eves, a longtime video marketing strategy consultant who saw the need for a biz dev event dedicated exclusively to digital content creators. This is set to be VidSummit’s biggest year yet, with its largest number of attendees–4,100–and its most stacked schedule of keynotes, discussion panels, workshops, and more.

Since there are dozens of discussions and panels for attendees to choose from, we wanted to give y’all a heads up on what we consider VidSummit 2025’s must-see programming. Our selections hit everything from the big keynotes to multi-creator panels to workshops, plus case studies from creators and experts sharing their lived experience and hard-won knowledge.

Tickets for VidSummit are still available here. Folks who’ve already snagged some—we’ll catch you on the convention floor!

Here are our official picks…

TUESDAY, OCT. 7

  • 7-10 p.m.: Hit the Reign Maker Group Kickoff Party (and then get a good night’s sleep, because tomorrow is an early start!)

WEDNESDAY, OCT. 8

  • 8 a.m.: Make BIG Money from Your Channel (Beyond AdSense and Brand Deals) with Molly Keyser
  • 9:05 a.m.: Keynote – How to Build a Content Creation Business that Lasts with Linus Tech Tips
  • 10:45 a.m.: Panel – Building a TEAM Behind the Screen with HopeScope, Tyler Allen, Safiya Nygaard, Tyler Williams, and Kim Larson
  • 11:35 a.m.: Build a Loyal Audience with Shorts and Convert Them to Long Form Viewers with Mary Allyson
  • 12:25 p.m.: Keynote with Derral Eves
  • 2:45 p.m.: Workshop – The Creator IP Playbook: How to Build Enduring Franchises in the Creator Economy with Tobias Hoss
  • 3:35 p.m.: Small Changes That Cause Big Growth with Nick Nimmin
  • 4:25 p.m.: Workshop – Creator Law School: Redline Contracts Like Your Lawyer with Chelsey Mori
  • 5:15 p.m.: Panel – The Impacts of AI on Content Creation with Matt Wolfe, George Blackman, Roberto Blake, and Murray Frost 
  • 6:05 p.m.: Theorist Year One with Santi Massa, Forrest Lee Collins, Tom Robinson, Amy Roberts, Ash Curry, and Josiah Hritsko (aka the team who’s been producing/hosting Theorist’s multiple channels in the year since founder/longtime host MatPat decided to step down and educate Congress instead)

THURSDAY, OCT. 9

  • 8 a.m.: From Skits to Series: How to Build Episodic Content that Hooks, Grows, and Pays with Tiffany La’Ryn
  • 9:55 a.m.: YouTube is the New Hollywood with Jordan Matter
  • 10:50 a.m.: Micro-storytelling for Social Media with Sun Yi
  • 11:40 a.m.: YouTube’s 30+ NEW Features – Explained! with YouTube’s Creator Liaison Rene Ritchie
  • 1:45 p.m.: Panel – USCREEN – The Creator’s Community Blueprint: Own the Relationship, Own the Revenue with Zach Katz, Kyle Fuller, Allison Yazdian, Kevin Daigle, and Jeven Dovey
  • 2:40 p.m.: The Storytelling Method That’s Gained Millions of Returning Viewers with Daniel Norton (the producer for Deep Pocket Monster)
  • 3:30 p.m.: Suing Paypal/Honey For All Creators with Devin Stone (aka LegalEagle)
  • 4:20 p.m.: How to Win Attention with Milad Mirghahari
  • 6:30 p.m.: Creators in Fashion, which you can catch our preview of right here…
  • …followed by the official afterparty at the Rayleigh Underground, with exact timing to be announced.

As for Oct. 10, head home and crash for a good long nap. Then get ready for VidSummit 2026.

See you there!

 

VidSummit is a Tubefilter partner.

A UK agency’s TV-style YouTube metrics revealed childrens’ shows get big ratings

In August, U.K.-based measurement nonprofit Barb announced that it would provide Nielsen-style ratings to track YouTube viewership on TV screens. The theory behind the move was sound: YouTube’s TV traffic is ballooning, but marketers are still complaining that available measurement options are not up to snuff.

Seven weeks into its initiative, Barb shared the first results from its YouTube-based human panels. The key findings will not surprise those who keep an eye on Google’s video platform: Children’s content is king. Among the 200 channels included in Barb’s TV set analysis, the official hub of Peppa Pig consistently ranked #1 in viewership by averaging about one million weekly viewers during the early days of Barb’s analysis.

Among the top 20 channels in Barb’s data, at least 12 are classified as hubs aimed at young audiences. Viewership data indicated that those channels are hitting their targets. During an average week, approximately one in five U.K. children engaged with the 200 channels Barb measured, and a viewership spike around 3pm confirmed that many school-age kids turn on YouTube on their TV sets once they get home.

Some kid-friendly videos like a KPop Demon Hunters clip uploaded by the JoBlo Animated Videos channel, got comparable audiences to traditional TV shows like Chicago Fire, according to Barb Head of Insight Doug Whepdale. Peppa Pig‘s YouTube reach compared favorably to its audience on terrestrial broadcaster Channel 5 and streaming hub Netflix.

Despite those accomplishments, Barb found that traditional channels are still outpacing YouTube in some ways. If public broadcasters were to be included in Barb’s ratings, then ITV1, Sky Sports, Sky News, and GB News would have all ranked among the top ten channels in terms of weekly reach. The overall YouTube audience on TV sets during the final week of August — which came in a little bit below 22 million people — was “significant, for sure, but not quite as large as the reach for BBC One, ITV1, or Netflix for the same week on a TV set,” Whepdale said.

Whepdale therefore argued that young viewers are “disproportionately important” for YouTube, since their Q2 viewing time was about 12% higher than their representation in the U.K. So Ms. Rachel and Blippi won’t be leaving British living rooms anytime soon, much to the BBC’s chagrin.

At least one key player isn’t on board with Barb’s findings: YouTube itself argued that the ratings are limited and not necessarily representative. “In the UK we have an integration with Ipsos/Iris which provides accurate reporting on YouTube watchtime, and we also partner with third parties including Nielsen, Audience Project and ISBA’s Origin measurement service,” stated a YouTube spokesperson. “In May 2025 Ipsos found that 47.9 million people in the UK aged over 18 watched YouTube including spending 36 minutes a day watching YouTube on Connected TV.”

Instagram’s journey to become a TikTok clone is nearly complete

How would you feel if the Reels feed was the first thing you saw when you opened up the Instagram app? In India, users are getting a taste of what that layout looks like.

A “small group of people in India” now have access to a redesigned Instagram that puts Reels and DMs front and center. Those two tabs are the first ones the test subjects see when they open the app, though a visit to the Home tab will offer access to friends’ photo posts.

It’s no coincidence that Instagram has emphasized Reels and DMs at the expense of other content formats, including its traditional photo posts. That shifting focus has been widely understood as Meta’s attempt to match TikTok by copying some of its signature figures.

Users have not been happy with that pivot to video, and Instagram Head Adam Mosseri knows it. That’s why, after the launch of the experimental redesign, Mosseri took to Threads to get ahead of the inevitable criticism. He returned to his usual defense of Instagram’s TikTok-style features: They prioritize the types of consumption that are most common among the app’s users.

“A great way to get a lot of heat is to redesign an app used by a few billion people, so I don’t take this idea lightly,” Mosseri wrote. “Reels and DMs have driven most all our growth at Instagram over the last few years, so we are exploring making them the first two tabs. This is just an *option* available to a small group of people in India starting today. Photos from accounts you follow are still in the home tab. If you do opt-in, you can opt right out if you’re not into it. We’ll see if anyone is into it…”

It’s hard to say whether Mosseri’s claims about user behavior are accurate, since Instagram has pushed Reels so hard that the format has become hard to avoid. But even after admitting that Instagram has “overfocused” on videos in the past, Mosseri and his team are doubling down. If Reels are not going to get their own app, then they’re going to take up prime real estate on the main Instagram feed.

On another note, the redesigned layout — which, to be clear, is nothing more than a test at this point — could be a sign that Instagram doesn’t think TikTok’s regulatory troubles are far from over. Though it looks like the U.S. ban threat will be averted, the Trump-ified version of TikTok might not sit well with many Americans. In that case, Instagram could be in line to claim some displaced users, but only if it makes its experience as similar to TikTok as possible.

In the “era of efficacy,” creator marketers are making their millions work harder

This year, influencer marketing is projected to be a $10 billion business that will involve more than half of all U.S. advertisers. That’s a lot of money flying around, but brands are arguably using more prudence than ever before when it comes to their influencer budgets.

The latest trends in so-called “creator marketing” are explored in a new data dump from CreatorIQ. The platform published its annual State of Creator Marketing report, and one notable year-over-year change concerns the metrics brands are using to evaluate their influencer partnerships.

CreatorIQ teamed up with Sapio Research to query 1,723 brands, agencies, and creators about the strategies that are informing their current sponsored partnerships. The overall mood among those respondents is a tightening of the proverbial belt: Creator marketing is not the “wild west” it used to be, and advertisers are demanding more from their influencer spend even as those budgets skyrocket. The result, as CreatorIQ dubs it, is an “era of efficacy.”

The evidence for the spending uptick is clear. 71% of surveyed organizations increased their influencer marketing investment year-over-year, and 98% of the brands in CreatorIQ’s sample said that they repurpose creator sponcon on other channels, such as company websites, social channels, and email campaigns.

Creator marketing is so hot right now — but a volatile economy has its own effect on that industry. 51% of the brands that responded to CreatorIQ’s survey cited an “increased focus on ROI” as a primary result of adverse economic conditions. To that end, metrics like return on ad spend (ROAS) are becoming more common advertiser benchmarks compared to raw viewership. Only 8% of respondents cited follower counts as the most important factor informing their creator-related decisions. For comparison, “creator suitability” came in at 22% on the same axis.

Even if brands want to make their creator budgets work harder, they don’t always have the tools on hand to accomplish that mission. Accurate measurement continues to be a boogeyman for the industry, with 26% of brand respondents dubbing measurement difficulties as a “top roadblock.” On the agency side, increasingly risk-averse attitudes led 36% of respondents to describe creator vetting as a “top challenge.”

“Creator marketing is no longer a side tactic—it’s become the growth engine where content, community, and commerce converge. We’ve seen the impact of creator marketing, and increased investment has followed. But the story now is how maturity brings new responsibility and complexity,” said CreatorIQ CEO Chris Harrington in a statement. “The next era isn’t just about bigger spend; it’s about proving ROI, safeguarding trust, and building the infrastructure to scale responsibly. That’s how we push the industry forward and ensure creator marketing delivers lasting value for brands and consumers alike.”

Five years from now, CreatorIQ projects that 85% of enterprise organizations will increase their investments in creator marketing. But if the latest State of Creator Marketing report tells us anything, its that the titular industry is constantly shifting and being shaped by see-sawing market forces. By the time 2030 rolls around, who knows where we’ll end up?