Archive for 2015:

Spike Lee’s ‘Chi-Raq’ To Be First Film Distributed By Amazon’s Movie Wing

Six months after it launched, Amazon’s film distribution division has announced its first project. Amazon Original Movies has acquired the right to Spike Lee’s upcoming film Chi-Raq, which it will distribute both in theaters and online.

Chi-Raq’s title refers to an informal nickname for Chicago, where urban violence has ravaged the inner city. Lee’s drama will approach this issue through a young protagonist portrayed by Teyonah Parris (Dear White People). A strong supporting cast includes Jennifer Hudson, John Cusack, Samuel L. Jackson, and Nick Cannon.

“I’m honored to be part of the film that will launch Amazon Studios and to tell a story that is so important,” said Lee in a statement. “Please don’t be fooled by the title of ‘Chi-Raq’; this new Spike Lee joint will be something very special. We have assembled a stellar cast.”

Amazon Original Movies, which is led by Hollywood veteran Ted Hope, will bring Chi-Raq to theaters and will make the film available online for Amazon Prime subscribers. Amazon’s film wing also seems to have several other deals in the works; it is finalizing an acquisition of Elvis & Nixon, a historical picture starring Kevin Spacey and Michael Shannon.

In recent years, Lee has shown a great deal of interest in digital media. He used Kickstarter to raise more than $1.4 million for his film Da Sweet Blood of Jesus, which he ultimately released digitally via Vimeo On Demand one month before it arrived in theaters.

Amazon didn’t reveal an exact release date for Chi-Raq, though the film is expected to reach theaters “later this year.” That timing will help Amazon Video keep pace with its chief competitor, as Netflix has planned its own slate of films for release in 2015 and beyond.

The Fine Bros Interview Bill Hader, Amy Schumer With Their ‘Milly’ Puppet

In 2010, before Kids React and its resulting spin-offs had become the centerpiece of their online video presence, Benny and Rafi Fine debuted Milly, a hand puppet who vlogged in a high-pitched voice. Milly’s channel has been dormant since 2012, but on July 14th, The Fine Bros brought her back to interview a pair of special guests. Milly sat down with Bill Hader and Amy Schumer, the stars of the upcoming movie Trainwreck.

In the video, Milly sits down with Hader, Schumer, and Rafi Fine (who shows up to keep his “friend” in check). She proceeds to ask a series of risque questions that challenge her childlike purity. Hader and Schumer play along by delivering a steady stream of droll one-liners.

Hader and Schumer aren’t the first actors to promote a movie alongside The Fine Bros. In December 2014, a few weeks before the release of The Interview, Seth Rogen and James Franco stopped by Fine Bros HQ to play the Freaks and Geeks game Benny and Rafi created. That video was fun in its own way, but if you ask me, it had a serious lack of (not so) innocent puppets.

The Young Turks Reaches 2 Billion Video Views, Launches Political Competition On Its App

The Young Turks (TYT) has a couple of impressive milestones to celebrate. The progressively-minded news and commentary network has garnered over 2 billion total lifetime video views on its YouTube channel, and has launched its first-ever bracket-style political competition on its new mobile app.

The Young Turks position as one of the most popular news-based networks in online video has fueled its push to the two billion views milestone. The Young Turks currently boasts over 2.1 million subscribers on its YouTube channel. In addition, the progressive news network just launched its own studio thanks to generous contributions from its loyal fan base.

Along with a new studio, The Young Turks debuted its first dedicated app in April 2015 via app-building platform Victorious. Now, the network is using this app to host a NCAA-style bracket competition dubbed “The Freak Sixteen,” where TYT fans can vote on who they think will be the Republican candidate for the 2016 election. TYT CEO and host Cenk Uygur determined the competition seeding in a recent video. The top four Republican candidates will be revealed during TYT’s July 20 show, and the final nomination will be announced on the July 27 show.

Political junkies and TYT fans can download the network’s official app and learn more about “The Freak Sixteen” competition on The Young Turk’s website.

Friskies’ New Series Out To Prove ‘Life Is A Game’ Cats Play Better

Friskies has a new web series about how cats dominate the game of life, especially when compared to humans. The Purina-owned cat food brand, known for hit video content like the Dear Kitten series, released its newest video project, titled Life Is a Game, on July 14, 2015.

Produced by Matt Labate at creative agency Reach, the Friskies series Life Is a Game is based on the idea that cats can do everything better than humans. The 12-episode series uses voice-over artists and pulls from over 4,000 user-generated cat-centric clips, which were submitted to the brand’s annual cat video award show, to create short episodes centered around one common human problem or experience.

For example, one episode of Life Is a Game shows several cats reacting to Game of Thrones episodes, jaws dropped and all. Another episode of the Friskies series shows cats super reluctant to go to the gym, while a third episode covers the always-humiliating problem of sending a text to the wrong person.

Overall, the Life Is a Game series encourages human viewers to share episodes on social media that particularly resonate with their personal lives. In addition, various feline personalities such as Grumpy Cat and Waffles the Cat will be uploading and sharing select episodes of Life Is a Game on their social media accounts.

You can watch all of the new Friskies series on the brand’s dedicated YouTube channel. New episodes of Life Is a Game will be released every Tuesday and Thursday through August 20.

Key & Peele, 2Chainz, JASH Team Up To Form Ridiculous Wedding Band

Looking to find a band to play your wedding? In a new sketch, Keegan-Michael Key and Jordan Peele have you covered. The two comedians, whose Comedy Central series Key & Peele recently returned for its fifth season, star as the two frontmen of a wedding band Absorption in a new sketch produced by Jash.

Jash, which for the past two years has delivered comedy videos from co-founders Sarah Silverman, Michael Cera, Reggie Watts, and Tim & Eric, produced the Absorption video for release on its secondary channel, Buh. In the video, Key and Peele’s characters explain the process through which they turn songs like “Jack & Diane,” “Black Betty,” and “We Found Love” into wedding jams. They’re joined by their backing band, which consists of “the best wedding band musicians of all time…certainly in the Scottsdale/Phoenix area.” Rapper 2Chainz also makes a guest appearance, in which he shows up as Absorption’s sax-toting “Master Collaborator.”

The Jash video is the latest addition to Key and Peele’s strong presence on YouTube. The duo’s TV show is a huge hit on the Internet, where its individual sketches regularly score millions of views. 2Chainz has some online video experience himself, having hosted multiple seasons of the web series Most Expensivest S**t for GQ’s official channel.

As far as Key & Peele videos go, the Absorption sketch isn’t quite the ‘East/West Bowl,’ but it’s a fun addition to the online catalogs of both the comedians who star in it and the comedy network that hosts it. Check it out on Buh, and don’t hesitate to stick around to see the other videos Jash has to offer.

Vice To Create Original Programming For Verizon’s OTT Service

Verizon has a new content partner on board for its upcoming over-the-top subscription video service. The telecommunications giant has inked a multi-year deal with digital media company Vice to bring original, exclusive content to Verizon’s OTT offering.

Vice will develop, produce, and deliver both U.S.- and internationally-based programming for Verizon to deliver to subscribers to its upcoming video service. Vice will provide some original videos from its various digital verticals, including Munchies (which covers food), Motherboard (tech), and Vice Sports. Also on deck from Vice for Verizon’s OTT service is a celebrity-interview series Autobiographies.

The upcoming OTT service from Verizon will be yet another option for millennial cord-cutters and cord-nevers to purchase instead of traditional pay-TV subscriptions. And considering Vice content is aimed at the younger generations, Verizon’s VP of Content Strategy and Acquisition Terry Denson believes they’re a natural programming partner for his company.

“Vice is connecting with an entire generation in a way that no one else is, and Verizon will connect consumers to Vice in a way that no one else does by combining Vice’s storytelling with the most compelling mobile video platform,” Denson said to Variety.

Verizon upped its digital video game back in January 2014, when it bought Intel’s cloud-based TV service OnCue. Then, in March 2015, Verizon struck a deal with AwesomenessTV and DreamworksTV to contribute over 200 hours of programming to Verizon’s OTT service. The communications company also finished its acquisition of AOL this year. AOL will presumably provide video ad technology to the upcoming subscription service.

Verizon’s OTT service will be launched later in 2015.

Taryn Southern Dishes Out Selfie-Taking Advice On ‘Today Show’

Taryn Southern has some candid advice for the selfie-taking crowd. The singer, comedienne, and YouTube star appeared in a video for a series called Self-Help for Your Digital Soul for the TODAY Showand explained how to better master the art of taking selfies.

Southern, who boasts over 400,000 subscribers on her YouTube channel, begins by noting how not everyone can do selfies right, and she’s no exception. After asking her fans on Twitter about her most common selfie-taking mistakes, Southern enlists other popular digital stars (including Simone Shepherd, Davey Wavey, and DJ Flula Borg) to point out improvements she and viewers can make when taking pictures of themselves.

Southern is no stranger to the internet’s online video masses. The multi-talented digital star has hosted several different web series for brands like Look TV and Break. Southern also signed a deal with Vimeo back in August 2014 to release her first feature film on Vimeo On Demand; the flick, a thriller called Searching for Katie, debuted on October 24, 2014.

TODAY will release a total of six episodes of Self-Help for Your Digital Soul, covering topics like how how to remove unfavorable Google search results about you and how to stalk an ex. You can catch Southern’s entire selfie-advice clip (and a short post she wrote providing more comical guidance) on TODAY’s website.

Stream Con Headliner Al Roker Talks Live Streaming, New Media, And Crossing Platforms

On July 14th, Tubefilter and LeftField Media announced Al Roker as one of the headlining speakers at the first-ever Industry Summit at Stream Con NYC. The famous weatherman and long-time Today Show host may seem like an odd choice for an event focused on the world of web video, but Roker has recently established himself as a forward thinker with a keen eye for digital media. We spoke to Roker  about the most exciting developments he sees in the ever-changing media landscape.

[Editor’s note: This interview has been lightly edited for clarity.]

Tubefilter: You’ve spent a long time in the traditional media world, which many people (especially within younger generations) see as a “dying” industry. Do you agree with that viewpoint, or do you see things differently? 

Al Roker: Traditional media still is the place people go for a collective experience. Did someone say Women’s Soccer World Cup? Millions watched on traditional TV but simultaneously jumped on social media. When done right, they complement each other.

TF: What is the most important thing traditional TV networks, production companies, and studios need to do in order to stay current in an ever-changing digital media landscape? 

AR: You cannot be all things to all people. Know your core. Sure, there’s a lot out there, but if you’re trying to reach 45-year-old dudes, do you need to be on Pinterest? Who are you targeting? Know which platforms serve your folks best.

TF: On the flipside, what advice would you give to a new media star who is looking to break into TV? 

AR: Be you. Don’t try and be the next Oprah. Be yourself and stay consistent. My kids will tell you, I’ve been an embarrassment ever since they’ve known me. It’s who I am. Own who you are and make that an asset. 

TF: A lot of YouTube stars come on The Today Show as guests. What do you think has caused this trend? 

AR: I think it’s great two way street. The Today Show wants to tap into the huge, engaged audiences of these YouTube stars, and the YouTube stars in turn want to be mainstream, traditional personalities. I love it. They’re hip and happening and we love going to their spot downtown for the free grub.

Just like those of us who have gone in reverse order (TV –> digital), they are seeking new audiences and building relevance across channels. It’s once again an opportunity to build a surround-sound brand with an immediate, massive audience wielding tremendous purchasing power.

TF: The online video audience is still predominantly young. What do you think digital media companies need to do in order to attract the sort of older audiences that still primarily watch TV? 

AR: I think there are more baby boomers engaged and watching social media than you think. We’re just not that vocal about it. Let’s face it, who among your dad’s crowd is gonna say, “Did you see that cat playing the piano?”

We like story, character and longer arcs. Your millennial craves the same thing but in smaller chunks. Finding that nexus where they can co-exist is difficult but not impossible. I think Jon Stewart and Jimmy Fallon prove that every night.

They must offer something compelling and unique from what is programmed for television. If it’s simply content replay, behaviors won’t change, nor will the audience. You must have a cross-channel strategy that requires the audience to find you in digital spaces and obtain unique value beyond what they’ll traditionally get on the tube.

Millennials are traditional TV consumers, but they watch in non-conventional ways and frequently in off-hours. For older audiences, digital producers must be great at storytelling, and a great story will never go out of style.

TF: You seem to be bullish on live streaming platforms like Meerkat and Periscope. Why? 

AR: Live is fun. Live can also be boring. I love the challenge of taking the everyday and making it special. Anyone can be live. What do you, as a performer or a product bring to the platform that isn’t wasting my time?

It’s what we do for four and two hours respectively on The Today Show and Wake Up With Al on The Weather Channel. We augment that with behind-the-scenes, fun snack-size bits on Periscope and Meerkat. Again, complementing, not competing, because it’s pure, unscripted (for the most part), and organic. I believe live streaming is that connective tissue between traditional and social media.

I love being able to interact with my audience in real-time, unbound by subject or geography. It adds a personal touch to what we do every day on The Today Show or even Wake Up with Al. My audience can reach me directly and I can continue my conversation with them indefinitely. Though it’s highly complementary, it does require a unique skill set and a commitment to continual learning.

TF: Where do you see social media five years from now? What sort of new developments do you think will pop up? 

AR: Five years from now? How about five months from now? Six months ago, did you know Periscope or Meerkat? But whatever comes next, it will only stick around if it complements the conversation or advances it.

I can’t predict what’ll be the next best app, the next Periscope, Meerkat, or Snapchat. But if you boil them all down, they’re really only slight variations on human dialogue. I suspect the changes we’ll see will be consistent with what is happening today – more speed, higher-quality media, and ubiquity across devices. 

TF: What do you hope attendees take away from your Stream Con presentation? 

AR: Besides the sheer animal magnetism and unconventional good looks, I want them to realize that what makes for compelling, interesting mainstream media is the same thing that will bring people to whatever screen they are watching. People like watching people, connecting with people. It’s how we’re wired. 

I hope they pick up a few tips and tricks on how to engage an audience with live video. How to ensure your message and subject matter are authentic so live streaming doesn’t become another flash-in-the-pan trend. Perhaps they’ll leave inspired by a guy who didn’t settle, an adapter whose fascination with new media and technology has helped him connect with audiences his age, his kids’ age, and everyone in between.

TF: Finally, what’s next for you? What digital projects do you have planned? 

AR: We (Al Roker Entertainment) have some big plans on the horizon. We love creating original programming and branded content for television, but we’re also always exploring innovative concepts designed specifically for digital media and live streaming channels. We are going to have some fun in this area soon, so keep up with me on Twitter, Periscope, Meerkat, Tumblr, Facebook and smoke signals, telegraph and carrier pigeon and be the first to know!

Video Marketing Network AnyClip Closes $21 Million Funding Round

AnyClip Media has a nice, new chunk of change to use for service improvements. The video marketing network, which targets and places video content and ads across partner websites, pulled in $21 million in a new funding round led by both previous and new investors.

Limelight Networks and Russia’s Ervington Investments are among the newest investors in AnyClip. Existing investment partners in the video marketing network include Jerusalem Venture Partners, GTI Capital Group, iHeartMedia CEO Bob Pittman, and Global Technology Investments CEO Michael Schulhof.

AnyClip’s platform analyzes and places videos into 50 different categories and 200+ sub-categories, adding in metadata for improved search functionality. AnyClip also allows the custom creation of video playlists (known as Sense and Match), and uses its SafePlay viewability tool to verify views on delivered video ads and content.

AnyClip will use its recent influx of financing to further develop these current technologies. The video marketing network will mostly focus on improving its TripleMatch tech, which works to pair video ad and content playlists to related websites and their audiences. AnyClip also wants to expand globally and offer its ad services to clients worldwide. It currently operates out of two offices in Israel and one in New York.

“We are impressed by AnyClip’s leadership, cutting-edge technology built for all screens, and forward-looking vision for the future of online advertising,” said Gadi Tirosh, General Manager of Jerusalem Venture Partners and AnyClip chairman, in a statement as reported by Variety. “The platform not only serves audiences with relevant, targeted videos but also ensures brands that the content will actually be seen by viewers in a brand-safe environment.”

AnyClip currently delivers premium Hollywood and TV-related video content and ads to at least 200,000 websites. In turn, these clients attract anywhere from 40 to 80 million unique global views per month.

Relationship Drama ‘Anyone But Me’ To Add ‘Lost Scenes’ To Its Run

Anyone But Me, which gained a cult following across three web seasons, remains popular with its fans despite airing its final episode more than three years ago. In order to thank those fans for their loyalty, series creators Susan Miller and Tina Cesa Ward have planned a little gift: They will share ten additional scenes, which they will release one at a time under the title Anyone But Me: The Lost Scenes.

The Lost Scenes will be designed to fit into Anyone But Me’s story arc, which follows the lives of a pair of young, lesbian protagonists. The series’ two primary actresses, Rachael Hip-Flores and Nicole Pacent, will both reprise their roles for The Lost Scenes. As Miller explained in an e-mail to Tubefilter, the goal is to create new material that can relate to previous episodes without depending entirely on them:

“The new scenes can truly stand alone in terms of their emotional charge, but we loved the idea that they could have been written and shot for existing episodes from our past seasons. In a way they enlarge our show and broaden our reach. When we air, at the end of each new one we’ll put up a link to a particular episode for the fans to watch and see for themselves if they agree with where we thought a scene might belong. Meanwhile, we hope they’ll watch every season so they can enjoy playing detective when the new scenes launch.  And, that newcomers to Anyone But Me seeing these scenes out of context will be enticed to watch the entire series.”

The Lost Scenes will be a big treat for fans who have followed Anyone But Me since its 2008 premiere, but as Miller explained, the series still brings in new viewers, even though it ended its run in 2012. “We hear from new fans all the time,” she said. “So many people are still finding the show for the first time. And it’s because of our fans’ continuing passion and loyalty that we decided to give them something they’ve always wished for, but I’m sure never expected – more ABM!”

The first new scene will debut on September 1st on Anyone But Me’s Hulu channel and will arrive two weeks later on the show’s YouTube channel. The Lost Scenes will release across ten weeks, with one new installment each week. While these scenes will add new material to the Anyone But Me canon, Miller and Ward have no plans to create any more full episodes of the series. “I’m still very proud of how we ended it,” Ward told Tubefilter. “It’s a gift to be able to walk away feeling that way.”

Al Roker Leads Stream Con NYC’s Inaugural Slate Of Industry Speakers

Between October 30th and November 1st, 2015, the first-ever Stream Con NYC will bring high-profile online video content creators to the Big Apple’s Jacob K. Javits Center. As with other online video conventions like VidCon, Stream Con will begin with a day-long Industry Summit. Some of the speakers who will talk during the Industry Summit have been revealed, and they’re an intriguing bunch. Legendary newsman Al Roker will be there, as will new media luminaries like Vimeo’s Kerry Trainor, Frederator’s Fred Seibert, and New Form Digital’s Kathleen Grace.

Roker is best known for his work on TV, but he has also dived into the digital media world through ventures like Al Roker Entertainment and Roker Labs. His noontime keynote address on October 30th will be complemented by other presentations that will show off the incredible scope of the online video industry. Beyond Trainor, Seibert, and Grace, the lineup also includes Stephanie Horbaczewski (CEO, StyleHaul), Alejandro Burato (CEO, FAV!), Georgina Levitt (Publishing Director, Weinstein Books), and Justin Rezvani (CEO, theAmplify).

Stream Con was born out of a partnership between Tubefilter and Left Field Media. “We couldn’t be more excited with our initial roster of Industry Summit speakers,” said Greg Topalian, Stream Con NYC Show Director, in a release. “With diverse thoughts and positions, they represent the breadth Stream Con NYC’s Industry Summit will present, and they’ll be joined by further speakers across brands, agencies, networks, and platforms throughout the summer.”

While online video professionals will be most interested in hearing what speakers at the Industry Summit have to say, the following two days of Stream Con will give fans a chance to interact with their favorite YouTube stars. Confirmed attendees include Alexa Losey, Bart Baker, fouseyTUBE, Lance210, Mikey Bolts, Paige McKenzie, Shira Lazar, Sprinkle of Glitter, and Timothy DeLaGhetto. More details about the event–including ticketing information–can be found on its website.

YouTube CEO Susan Wojcicki Talks Facebook, Music Key In Latest Talk

YouTube CEO Susan Wojcicki delivered her latest talk at Fortune’s Brainstorm Tech event on July 13th. Among other topics, the top executive at Google’s online video site discussed the upcoming public launch of the YouTube Music Key service, the increasing number of viewers who watch YouTube on mobile devices, and the recent challenge presented by Facebook and its increased focus on video.

While Wojcicki did not provide exact details about Music Key’s launch, she did specify that the digital music streaming service, which was released in beta last November, is set to arrive to the public before the end of 2015. “Based on feedback, [Music Key] plans to launch later this year,” she said. Wojcicki’s comments echo those of YouTube Head of Business Robert Kyncl, who previously noted that the four-month extension to Music Key’s beta period was “nothing too serious.”

One of the more concrete statistics Wojcicki offered concerned YouTube’s presence on mobile devices, where it now receives half of its total views. Based on that figure, which seems to be hovering near where it was last October, Wojcicki said YouTube’s top three priorities are “mobile, mobile, mobile.”

As it continues to scale up, YouTube must constantly negotiate challenges from other online video platforms. Recently, the most significant competitor has been Facebook, which has upped its video output to four billion views per day while also turning itself into an attractive platform for video advertisers. Nonetheless, Wojcicki made sure to remind her audience that Facebook’s videos, which play automatically, are very different from YouTube’s. “We want our users to engage. We want them to not be channel surfing,” she said. “We want them to say, ‘I saw a video, I cared about that video, I commented on that video, and I continued watching it.’”

Other competitors, such as Vessel, have looked to break into the market by appealing to the community of stars who serve as YouTube’s most high-profile users. While some of these stars have begun posting their videos on Vessel 72 hours before they arrive elsewhere, Wojcicki believes YouTube stars are loyal and does not see them leaving the site entirely. “Sure, exclusivity would be nice, but I don’t think it’s necessary,” she said. “YouTube is their home – it’s where their fans were, where they were born. They know that medium. It’s where they’re connecting with their audiences.”

All in all, Wojcicki painted a confident picture of the site she leads. Its competitors are establishing strong business models, but at the end of the day, it’s still clear that YouTube remains at the top.