Archive for 2015:

The Teaser Trailer For ‘Electra Woman & Dyna Girl’ With Grace Helbig, Hannah Hart Is Here

Watch out, Wonder Woman and Black Widow. Electra Woman and Dyna Girl are the newest female names in the superhero business. Fullscreen and Legendary just dropped a teaser trailer for their upcoming digital series Electra Woman & Dyna Girl, starring YouTube sensations Grace Helbig and Hannah Hart.

Based on a 1970’s show of the same title from producers Sid and Marty Krofft, Electra Woman & Dyna Girl tells the tale of Electra Woman (Helbig) and Dyna Girl (Hart), two crime-fighting caped crusaders from Ohio who move to Los Angeles to eliminate bigger problems in the City of Angels. In the teaser trailer, Helbig lightheartedly describes the show as “a survival of friendship in a world where survival is questionable.” The digital star also says Electra Woman & Dyna Girl is like “DuckTales meets Superman meets, like, an E! fashion review show,” a description with which Hart immediately agrees.

After announcing Electra Woman & Dyna Girl back in February 2015, Fullscreen and Legendary hadn’t yet clarified what format the project would take. But the superhero-themed title’s site now says it will be a digital series with multiple installments. Helmed by music video director Chris Marrs Piliero, Electra Woman & Dyna Girl will be distributed in the U.S. by Fullscreen, while Legendary Television Distribution will be responsible for the title’s release in other countries.

You can learn more about Electra Woman & Dyna Girl by visiting the series’ official website. No official release date has been announced for the series as of yet.

Nickelodeon Hosts Casting Call At VidCon

For many young consumers, YouTube and its cachet of homegrown stars provide the primary entertainment destination. One of the TV networks that has traditionally targeted that audience is aware of its circumstances, and as a result, it is looking online to find a new wave of talent. At VidCon, Nickelodeon held a casting call, through which it searched for fresh talent from among hundreds of assembled content creators.

Nickelodeon’s casting call expands the Viacom-owned channel’s relationship with the online video community. It has launched several TV programs adapted from web properties, including a variety show led by creators from within the AwesomenessTV network and an extension of The Fine BrosReact franchise called React To That. Other YouTube stars are set to appear on Nickelodeon in the future, too. GloZell Green, for example, will have a guest role on Game Shakers, a sitcom that will debut on September 12th.

When online video stars cross over to TV, they often bring their devoted audiences with them, and it’s those audiences Nickelodeon wants to capture. As Nickelodeon content development executive Russell Hicks told Business Insider, online video content creators “have a built-in following, and our audience are fans.”

While it’s obviously too early to know if Nickelodeon’s casting call will result in any more TV shows led by YouTube stars, the online video community seemed excited about the channel’s VidCon presence. “It’s really cool to see the crossover from digital media to actual network television,” said Brandy Melana Walker, a vlogger who stopped by Nickelodeon’s casting booth.

Photo via the Nickelodeon Casting Twitter feed

YouTube Now Gets Over 400 Hours Of Content Uploaded Every Minute

YouTube CEO Susan Wojcicki dropped a big data bomb at VidCon. On July 23, 2015 at her closing keynote speech for the annual online video event’s industry track, Wojcicki revealed Google’s online video site now claims over 400 hours of content uploaded every single minute.

It was only in December 2014 when YouTube claimed 300 hours of content uploaded every minute, as per a report from ReelSEO. The publication noted those 300 hours per minute were the equivalent of about 49 years’ worth of content per day. Based on the most recent stats, 400 hours of content comes out to 24,000 days’ worth of content uploaded to YouTube every minute and 65.7 years’ worth of content uploaded every day.

Wojcicki also said YouTube is getting fantastic watch time and visitors. The online video site’s watch time is up 60% year-over-year, which is the fastest growth YouTube has seen in the last two years. Additionally, the number of people watching content on YouTube each day is up 40% over last year, as of March 2014.

“We’ve gone beyond an era of passive entertainment into a renaissance of immersive entertainment,” Wojcicki explained. “Where the traditional rules of television—those 22-minute episodes or strict timeslots—are being rewritten in favor of new kinds of entertainment, interesting new faces and above all, engagement and community.”

Smosh Movie Hits #1 On iTunes Comedy Chart, #2 Overall

Smosh: The Movie is officially a top entertainment choice among digital viewers. On July 24, 2015, the feature film starring the long-time YouTube comedy duo comprised of Anthony Padilla and Ian Hecox peaked on the iTunes comedy film chart at #1, and on the service’s overall movie chart at #2.

Produced by both DEFY Media and AwesomenessTV, Smosh: The Movie follows the duo as they try to eliminate an embarrassing video of Anthony so he has a chance at love with his high school crush. With the feature film’s official release on July 23, right alongside VidCon and with a lot of press, it’s little surprise the movie managed to land such high positions on the iTunes charts.

Lionsgate obtained distribution rights to Smosh: The Movie when the film deal was first announced back in September 2014, and the movie’s trailer dropped a few months later in June 2015. AwesomenessTV and DEFY also took back the distribution responsibilities of the flick before the film’s release. You can now purchase Smosh: The Movie from the iTunes Store or Vimeo On Demand for $9.99. Presumably, the title title will be available on other pay-to-view and SVOD platforms (similar to the trajectory of Expelled or Camp Takota) in the not-so-distant future.  

Smosh currently boasts over 20 million subscribers on its main channel. For this accomplishment, Padilla and Hecox were just awarded the brand-new Diamond Play Button from YouTube.

Indie Spotlight: ‘Schlongologues’ Waxes Poetic About Male Anatomy

We receive a ton of tips every day from independent creators, unaffiliated with any major motion picture studios, television networks, new media studios, or other well-funded online video entities. The Indie Spotlight is where we’ll write about and shout out to a select few of them and bring you up to speed on the great (and sometimes not-so-great) attention-grabbing series you probably haven’t heard about until now.  Read previous installments here

Highbrow and lowbrow comedy are often framed as opposites, but in some cases, they pair up just fine. Schlongologues, a new web series, is a sort of gender-flipped Vagina Monologues that, in its debut episode, delivers a well-crafted soliloquy about male anatomy.

Schlongologues, as you might have been able to figure out from its title, is not for the faint of heart. Indeed, it can get pretty graphic. If your not the kind of person who can find a laugh in the line, “you can park a Virgin America 747 on that landing strip,” this probably isn’t the web series for you. The rest of us, though, are in for quite the treat. Writer Tanya Perez’s script is halfway between an Old Spice commercial and a raunchy romance novel, and performer Karin de la Penha’s delivery reminds me of the Poopouri girl: She’s British, she’s deadpan, and the words coming out of her mouth are filled with innuendo.

The first episode of Schlongologues is all about size, but we expect the other nine to show us that size isn’t everything. Stay tuned to the YouTube channel of production company Comedy High Productions if you want to stay up to date.

OTHER UNDER-THE-RADAR SERIES TO CHECK OUT

  • Drty Diana. An off-kilter young woman looks to set her life on the right track.
  • Musica Mundana. This spin-off of the literary web series Classic Alice offers new characters and new topics.
  • Pretty. Black women from cultures around the world talk about the topic of beauty.
  • First Dates. Actors dish out their awkward dating stories.

Got a series you’d like to see featured in the Indie Spotlight? Be sure to contact us here. For best coverage, please include a full episode in your e-mail.

YouTube Star Connor Franta Curates Third Album, ‘Common Culture Vol. 3’

A week after announcing his music label, Connor Franta has offered his fans a third compilation of up-and-coming artists. The YouTube vlogger, who is now a music entrepreneur thanks to the launch of his Heard Well label, has put together Common Culture Vol. 3, which spotlights 12 of his favorite artists.

As with Franta’s two previous compilations, Common Culture Vol. 3 offers an eccletic mix of young artists. It follows Franta’s first curated collection, 2014’s Crown, and his second, 2015’s Common Culture. Both of those albums sold well, and Vol. 3 seems equally likely to soar up the iTunes and Billboard charts. On the day of its release, it has already drawn dozens of positive reviews from Franta’s adoring fans.

“Through the Common Culture music series, I’ve been able to cultivate my passion for music. Music plays such an important role in our lives; it stirs powerful emotions in us and can transport us to a specific memory in an instant,” said Franta in a press release. “With my third album launching on Heard Well, I hope to bring people together to discover emerging talent – an experience that anyone can enjoy.”

Common Culture Vol. 3 can currently be purchased from iTunes as a digital download, and on July 31st, it will also become available on streaming music platforms. A physical CD version of the album will arrive on August 3rd.

Katie Couric, Ze Frank Talk The Power Of Social Video, How Motion Pictures Are Animated GIFs

VidCon 2015 featured a very high-profile interview conducted by Yahoo’s Katie Couric. At a fireside chat for the annual digital media event’s industry track, Couric talked to BuzzFeed Motion PicturesZe Frank about the social power behind BuzzFeed’s video content, the story behind the digital media company’s feature film division, and the future of the online video industry.

After joking about how old she felt at her first-ever VidCon among a sea of very vocal teenage girls, Couric launched into a discussion about BuzzFeed’s wildly successful video content and asked Frank if he was obsessed with the idea of popularity. Frank clarified he was more obsessed with the mechanics of popularity than popularity itself, like how a video can make someone say, “That’s totally me,” and then influence the individual to share the video with his or entire social sphere.

“Identity is one of the vectors for how we use media,” Frank noted. The video veteran also said BuzzFeed works hard to serve the people typically underserved by traditional media. Frank noted niche audiences inform the company’s video creation as much as possible, and BuzzFeed even relies on its own staff members for niche community ideas.

Frank used his company’s “Weird Things All Couples Fight About” video as an example of BuzzFeed’s ability to connect to its audience on a human level. Frank said the reason that video was shared so often is because people didn’t relate to the video itself, but rather used the video as a vehicle to consider their own relationships. “It’s not the perfect video about relationships,” Frank explained, noting the clip couldn’t possibly contain every single argument between couples. “It’s the perfect opportunity to talk about [your relationships].”

Couric then asked Frank why BuzzFeed chose such a traditional name for its feature film division, BuzzFeed Motion Pictures. Frank responded by clarifying that a “motion picture is really a kind of “animated GIF.”

“The retro term ‘motion picture’ has actually now been appropriated to mean something very, very specific, and almost arbitrarily so, like a movie that lasts this long, or has a theatrical release, or whatever,” Frank explained. The BuzzFeed Motion Pictures President said his company is trying to take back and “re-appropriate” the term, because “we are experiencing the greatest time in the history of media for images that move.”

Couric then posed the question to Frank about why even go into traditional media at all. In turn, Frank reversed the question back to Couric, as the former news anchor and reporter moved away from traditional media to get into the digital space. Couric explained how she’d done all she could in her offline career; likewise, Frank said his video team had hit a threshold in their digital realm.

Couric finished up the interview with a question about where Frank thinks the future of the online video industry is heading. Frank responded by saying ultimately, there will be a difference “between the media you watch…and the media you get lost in…where [the content] and your social existence are exactly the same thing.” That difference is manifested in something like consuming an episode of CSI versus watching an episode of Game of Thrones, getting lost in the story, and posting about the show and your reaction to it on social media.

“I think that second usage is going to be bigger and bigger,” Frank said, “And more and more people are going to choose to be in those spaces.”

 

Lilly “Superwoman” Singh Drops Trailer For Her Tour Documentary

Lilly Singh will soon have her own feature film, and thanks to its new trailer, we’ve received our first look. The YouTube star known as “Superwoman” has shared a preview for A Trip To Unicorn Island (AT2UI), which will follow her on recent world tour.

The documentary, which is produced by Astronauts Wanted and directed by fellow YouTuber Scott Winn, details Singh’s interactions with her fans and her adventures on the road. The trailer shows off a few interesting scenes, including an interview with Singh’s parents and a few emotional interludes that will balance out the celebratory atmosphere of her live events. There’s also an appearance from Dwayne “The Rock” Johnson, who, according to a press release, is one of Singh’s “biggest fans.”

AT2UI doesn’t have a confirmed release date yet, but it will surely gather plenty of viewers from among Singh’s six million YouTube subscribers. In the meantime, Singh continues to tour; she recently hosted two shows in California ahead of her attendance at VidCon.

YouTube Spaces Are Coming To Toronto And Mumbai, Getting 360 3D Video Cameras For Creators

With the first day of VidCon 2015 coming to a close, YouTube CEO Susan Wojcicki took to the stage in front of a packed ballroom to deliver the closing industry keynote. After re-emphasizing YouTube’s dedication to its creators, Wojcicki revealed the online video site’s plans to open up two new YouTube Spaces in Toronto and Mumbai, complete with support for 360-degree 3D video filming.

After briefly discussing YouTube’s focus on mobile improvements, Wojcicki discussed how Google’s online video site has opened up three new Spaces in the last year, including sites in New York City, São Paulo, and Berlin. YouTube’s CEO then announced “we’re not stopping there,” and revealed two new YouTube Spaces will soon open in Toronto, Canada and Mumbai, India.

In addition to the new production locations, Wojcicki again circled back to the theme of creator development when she explained all YouTube Spaces would start providing full support for 360-degree 3D content. “Later this year we’re going to launch support for 360-degree videos in 3D, which is what will enable truly immersive virtual reality experiences,” Wojcicki said. “And we’re going to make sure all our Spaces are outfitted with the latest Jump cameras that capture 360-degree video in 3D in unprecedented quality.”

YouTube Spaces around the world already helped to facilitate filiming in the 360-degree format as of May 2015. With the addition of 360-degree 3D capture options, creators will have even more opportunities to wow their audiences. “We’ve seen big name artists like Avicii and Bjork do some breakthrough things with 3D video but we want to empower all of you to chart this new frontier,” Wojcicki noted.

YouTube’s CEO ended her keynote by affirming the vital relationship between YouTube and its creators. “YouTube succeeds only if you, our creators, succeed,” Wojcicki explained. “You’re the reason that we’re all here today; you’re the reason that VidCon exists in the first place.”

YouTube Gives New Diamond Play Button To Channels With 10 Million Subscribers

YouTube has a new way to officially recognize content creators who’ve reached the incredibly impressive nine-figure subscriber count. At VidCon on July 23, 2015, Google’s online video site revealed its new Diamond YouTube Play Button for channels that have crossed the milestone of ten million subscribers.

spinnin-records-diamond-play-buttonYouTube’s VP of Product Management Matthew Glotzbach took to the industry stage at the end of YouTube CEO Susan Wojcicki‘s closing keynote. Glotzbach explained how YouTube previously created Silver and Gold Play Buttons (the Silver one is given out at 100,000 subscribers and channels receive the Gold one at one million subs). At that time, his team hadn’t quite foreseen the need for a physical representation of YouTube success beyond those numbers. But now, Glotzbach noted over 35 different YouTube channels have ten million subscribers or more and it was time to call them out with a shiny object. Hence, the Diamond Play Button was born, and Glotzbach had Wojcicki unveiled it on stage in all its sparkly glory.

Glotzbach then asked all ten-million-subscriber creators who were present at the event to come on stage to be presented with their awards. Spinnin’ RecordsBenny and Rafi Fine of the Fine Bros. and React channels, Peter Shukoff and Lloyd Ahlquist of Epic Rap Battles of History, and Ian Hecox and Anthony Padilla of Smosh, all took home a Diamond Play Button (and nearly all of them commented on its hefty weight).

With the way the online video industry is going, we wouldn’t be surprised if a few years down the road at another Vidcon, YouTube reveals an award for creators with 100 million subscribers (PewDiePie’s at least 38% of the way there).

Univision Launches Multi-Channel Network To Reach Bilingual Viewers

Univision is best known for its TV channel, but the Hispanic-American network is getting serious about the web. At VidCon, it announced the launch of the Univision Creator Network, a multi-channel network (MCN) whose launch partners include several big names across online video platforms like YouTube and Vine.

The Univision Creator Network is its parent company’s attempt to reach a larger number of bilingual Millennials, which a press release colloquially refers to as “billennials.” The MCN builds off Univision’s previous digital efforts, including Flama, a Latino-focused online video channel it launched alongside Bedrocket in April 2014.

“We are leveraging the best of the Univision portfolio with the appropriate audience and advertising base to build an influential network of content creators to target these ‘billennials’,” said Steven Benanav, Univision’s VP of Content Partnerships & General Manager of Flama, in the release. “For more than 50 years, Univision’s mission has been to inform, entertain and empower Hispanic America. Therefore, the Univision Creators Network is a natural extension of our portfolio, offering a 360° value proposition for consumers and advertisers alike in this targeted market.”

Univision’s MCN will offer a number of services for its creative partners, including production facilities, sales opportunities, support for collaborations, and the potential for cross-platform expansion onto TV and beyond. This package has already attracted a number of recognizable names to the network’s roster of talent. Hispanic-American YouTube star Eric Ochoa is on board, as are popular Vine personalities like Ronnie Banks and Louis Giordano.

More information about the Univision Creator Network, including instructions on how to apply to join it, can be found on the MCN’s website.

Angelina Jolie To Direct Drama About Cambodia’s Khmer Rouge Regime For Netflix

As Netflix prepares to distribute its first feature films, it is making sure to keep its upcoming schedule well-stocked. The streaming video platform has announced a film adaptation of Cambodian writer Loung Ung’s memoir First They Killed My Father, with Angelina Jolie set to direct.

First They Killed My Father chronicles Ung’s life during the brutal reign of the Khmer Rogue, when an estimated two million Cambodians are believed to have died. Ung details the many atrocities committed during this time and recalls her own experience in a camp for child soldiers.

It will be up to Jolie to adapt this upsetting source material for the screen. The veteran actress has recently added a number of directing credits to her filmography, including her 2014 film Unbroken. “I was deeply affected by Loung’s book,” she said in a press release. “It deeped forever my understanding of how children experience war and are affected by the emotional memory of it. And it helped me draw closer still to the people of Cambodia, my son’s homeland. It is a dream to be able to adapt this book for the screen, and I’m honored to work alongside Loung and filmmaker Rithy Panh.”

Jolie joins other well-known Hollywood celebrities, such as Leonardo DiCaprio and Edward Norton, who have worked on projects with Netflix. Her husband, Brad Pitt, is also involved in a high-profile movie that will be distributed by the streaming platform. He will star in an upcoming picture based on the story of United States Army General Stanley McChrystal.

After first bringing it around the film festival circuit, Netflix plans to release Jolie’s film for its subscribers sometime in the fall of 2016.