Archive for June, 2024:

Top 50 Most Viewed U.S. YouTube Channels • Week Of 06/09/2024

[Editor’s Note: Tubefilter Charts is a weekly rankings column from Tubefilter with data provided by GospelStats. It’s exactly what it sounds like: a top number ranking of YouTube channels based on statistics collected within a given time frame. Check out all of our Tubefilter Charts with new installments every week right here.]


This week in the U.S. Top 50, there are two distinct categories: There’s the #1 channel in the ranking, and then there’s everyone else.

Even if every other channel in the Top 50 were to double its weekly YouTube traffic, none of them would have enough viewership to catch this week’s chart-topper. The U.S.-based channel that outpaced the field during the first week of June also outpaced all competition in our Global Top 50.

Chart Toppers

Let’s pull out some key stats from MrBeast‘s extraordinary week. Jimmy Donaldson now has more than 270 million subscribers on his primary YouTube channel, making him the most-subscribed draw on YouTube. He reached that mark after getting more subscribers in a single week than he ever has, and that surge brought him a viewership boom as well. He got 1.31 billion weekly views, which was the highest seven-day total of the year. That sum translates to 187.1 million views per day (which would rank 20th in this week’s ranking) and 2,166 views per second.

There’s a different channel in front of MaviGadget this week, but the Shorts hub is occupying the #2 spot for the second week in a row. With vertical videos that depict mechanical processes, Mavi Gadget has now collected more than 27 billion lifetime views on its primary YouTube channel. Its subscriber count has also passed another milestone by reaching 30 million. MaviGadget accumulated a big chunk of its stats during the first week of June, when it brought in 597.5 million weekly views. That was 12% more hits than it earned the previous week.

Top Gainers

It’s been over a year since Alexey “Boom” Gerasimov burst onto the scene with animated videos that depict long-necked heads that ride around in toilet bowls. Perhaps that sentence would have sounded absurd in 2022, but at this point, anyone who hangs around with a Gen Alpha-age kid is probably familiar with Skibidi Toilet, the iconic meme that has come to define an entire era of internet culture.

Once Gerasimov burst onto the scene on his DaFuq!?Boom! channel, it didn’t take long before he ascended to unprecedented heights in our Tubefilter charts. Boom’s YouTube traffic has cooled off a bit since his breakout, but he still has big plans. Bonkers Toys and Invisible Narratives recently revealed that they plan to roll out a line of Skibidi Toilet products in U.S. retail locations this fall.

With that upcoming launch in mind, let’s check in on Boom and see how he’s adapting to YouTube fame. The DaFuq!?Boom! channel rounded out the U.S. Top 50 this week with 114.5 million weekly views. While that total was not high enough to keep pace with the current chart leaders, it was good for a 74% week-over-week boost. Boom’s videos now reach more than 41 million subscribers, giving him a larger captive audience than longtime chart stalwarts like Nick DiGiovanni and YoesIan.

The interesting development on Boom’s channel, as far as I’m concerned, is the creator’s subtle shift toward long-form content. His rise was very much informed by Shorts (and YouTube’s major investment in the format), but he is also telling the story of his toilet-bound characters through drawn-out, narrative pieces.

Some episodes of Skibidi Toilet have gained more than 100 million views on their own, and Boom’s compilations are soaring even higher. The most-watched long-form clip on his channel is closing in on 150 million views.

So even though Boom is not ranked as highly in our charts as he once was, he is still a major cultural force. The launch of the Skibidi toy line should give him another boost, so look for him to reascend the rankings once fall rolls around.

Channel Distribution

This week, there are 38 YouTube Shorts channels in the U.S. Top 50.

Twitch’s DJ Program brings tracks from top labels to a musical category

DJs who want to spin a set on Twitch can now play popular songs in their streams. The platform’s new DJ Program is a revenue-sharing opportunity for disc jockeys who operate with the corresponding category on Twitch.

Twitch describes its recording industry agreement as the culmination of a three-year process that will give DJs a home for digital sessions. The Amazon-owned platform negotiated licensing agreements with Big Three labels Universal Music Group, Warner Music Group, and Sony Music, as well as “hundreds of indies” through Merlin.

DJs who join Twitch’s Program will be able to use music from the aforementioned sources. Twitch didn’t disclose the percentage of earnings that will go to the labels, but it said that it will split the cost 50/50 with DJ Program partners. To sweeten the deal, Twitch is offering a one-year subsidy to help existing DJs in its community cover licensing costs.

There are currently more than 15,000 DJs who are actively streaming on Twitch. One of those emcees, DJ Jazzy Jeff (yes, the same one), celebrated the launch of the DJ Program by collaborating with Twitch CEO Dan Clancy on the platform’s official account.

“One of our core values as a company is that we support creators of all types,” Clancy wrote in a blog post. “When DJs use music created by others, it’s important that any revenue generated on Twitch also be shared with those musicians. This is something many DJs have told us they agree with, but until now there has been no easy way to do so. To cover the cost of the music used in DJ live-streams, we will set aside a portion of earnings generated by DJ channels to be paid to musicians via music companies that represent them.”

DJs will also receive promotional opportuities through Twitch’s program. With this announcement, we can make a clear declaration: This weekend, the party’s jumping off on Twitch.

Whalar partnership brings creator vertical to this year’s Tribeca Festival

Creators are coming back to New York City’s most prominent film festival. The Tribeca Festival is partnering with influencer marketing firm Whalar Group to establish a creator-oriented vertical, beginning with this year’s event.

According to Deadline, the vertical will launch with a talk that will take place at the 2024 Tribeca Festival. On June 8, filmmaker Archie Gips will sit down with Brandon Edelman and Coco Mocoe. Both of those creators are Whalar partners who entertain millions of TikTok followers with comedic and trendy takes.

Deadline notes that the talk will span a diverse cross-section of topics that matter in the creator economy. Attendees can expect Gips, Edelman, and Mocoe to touch on engagement, fandoms, and storytelling, among other subjects.

Whalar will continue the conversation at the “creator campuses” it has set up through an initiative called The Lighthouse. At Lighthouse spaces in New York and Los Angeles, Whalar will establish a year-round series of talks and events.

“Creators are at the heart of everything we do, it’s woven into our DNA,” said Whalar Co-Founder and Co-CEO Neil Waller in a statement. “This partnership with Tribeca is a thrilling step forward, as they share our deep commitment to the art of brand storytelling.”

This is not the first time creator content has found a spot for itself at the Tribeca Festival. Nearly a decade ago, Tribeca presented a showcase of scripted projects led by digital native creators and startups. More recently, the festival served as the premiere venue for The YouTube Effect, a documentary directed by Bill and Ted co-star Alex Winter.

Tribeca Enterprises Co-Founder and Co-CEO Jane Rosenthal stated that the festival’s return to creator-centric programming is part of an effort to go “where our audience goes.” The other verticals at Tribeca are Film, TV, Music, Audio Storytelling, Games, and Immersive. More details about the annual gathering — which began on June 5 — can be found on its website.

Tubefilter x Creator Logic are giving away 2 VidCon Industry track passes

Want a shot at free VidCon passes?

Tubefilter has teamed up with newsletter Creator Logic to give away two Industry track tickets to this year’s convention in Anaheim. The winner will also get $1,000 to help cover travel and hotel. With Industry passes normally costing $999 each, that brings the total prize package to $2,698.

To enter, head over to this form and toss us your name and email by June 14. A winner will be selected at random and notified via email.

Industry track tickets will get you into all of VidCon, with access to its main stage, creator-centric presentations, activations/exhibitions, workshops, and more. On top of that, you get the Industry programming: more than 150 speakers on the theme “The Creator Economy Comes of Age.”

This year, VidCon leaned into having more creator perspective in the Industry track, and–as usual–also tapped speakers from creator-led companies and platforms like YouTube.

Confirmed speakers include MatPat and Stephanie Patrick, Colin & Samir, Cody Ko, The Roots frontman/podcaster Questlove, MrBeast President (and Tubefilter co-founder) Marc Hustvedt, Smosh CEO Alessandra Catanese, Mythical Entertainment President Brian Flanagan, YouTube VP of Product Management Amjad Hanif and YouTube Global Director of Culture & Trends Kevin Allocca, and Christian Tom, Advisor to the President and Director of the White House Office of Digital Strategy.

VidCon runs June 26-29 at the Anaheim Convention Center. For more about our giveaway, go here.

Sidemen rake in more than 20 million views with influencer reality show ‘Inside’

The hottest new reality show can be found on YouTube. That’s where the Sidemen have dropped five episodes of Inside, which combines the energy of Love Island with the setting of Big Brother and the brisk pace of creator content.

Inside features a cast of characters that ranges from social media stars to traditional TV celebrities. The players — including creators like Joe Weller and Fanum and reality vets like Love Island‘s Chloe Burrows — live with one another in a house set and compete in regular challenges. Depending on how the group performs in the challenges, money is subtracted from a prize pool that begins at £1 million (approximately $1.27 million). By “buying” luxuries like hot showers, tea, and snacks, the contestants take even more money away from the ultimate prize.

The first episode of Inside hit the main Sidemen YouTube channel on June 2. Like most videos published by the U.K.-based supergroup, whose seven members collectively reach tens of millions of subscribers across their respective channels, the Inside premiere was an instant hit. It has garnered over nine million YouTube views thus far.

Further episodes have moved to the secondary MoreSidemen channel, but that shift hasn’t stunted the popularity of the new show. The five installments released thus far have hauled in more than 20 million views so far, and that’s just on YouTube. Additional traffic is coming through the membership service Side+, where fans of KSI, Miniminter, Zerkaa, TBJZL, Behzinga, Vikkstar123, and Wroetoshaw can watch bonus scenes and uncensored episodes.

Inside has one of the U.K.’s most prominent reality shows in its DNA. The presence of a Love Island cast member on the show continues an ongoing partnership between the Sidemen and the ITV-broadcast sensation. The group previously brought its cereal brand to the Love Island house, where residents can now enjoy the Best breakfast.

“We’ve always grown up in the UK and watched reality TV throughout our whole childhoods, from Big Brother to Love Island to I’m a Celebrity,” Sidemen member Vik Barn, who is also known as Vikkstar123, told the BBC. “We were thinking, ‘OK, this year, what is our new project?’ Why not have a stab at our own spin on a reality TV show?”

Inside combines that love for reality TV with the sort of polished production that has become common in the Sidemen’s MrBeast-inspired videos. That’s a marriage that makes more sense than most of the couples that met on Love Island — not that I’m a hater or anything.

MrBeast hires VC vet to lead the company now known as Beast Industries

Big changes are coming to the internal structure of MrBeast‘s company. Jeffrey Housenbold, an exec best known for his work on venture firm SoftBank‘s Vision Fund, is joining the business apparatus that supports Jimmy Donaldson‘s work on and off YouTube.

According to Housenbold’s LinkedIn profile, he is serving as the President and COO of Beast Industries as of May 2024. Previously, Donaldson used several different names to refer to his brand, including MrBeast, LLC. The fresh moniker reflects a company that is venturing beyond its roots on YouTube and moving into areas like consumable products and streaming television.

In a LinkedIn post accompanying his status update, Housenbold expressed his desire to “build an extraordinary media and consumer product & services company that has a positive impact on the world.”

“At Beast Industries, we believe in the transformative power of digital media and its potential to entertain, educate, and effect positive change,” Housenbold wrote. “Our commitment to innovation, creativity, and philanthropy drives us to explore new frontiers, create unforgettable experiences, and build a legacy that inspires future generations.”

Housenbold’s arrival at MrBeast HQ came around the same time as Donaldson’s decision to end his exclusive relationship with talent management firm Night. At the time, reports suggested that Donaldson broke from Night to take “increasingly personal control of his business.”

The Information notes that Household’s appointment to his new role will not affect the duties of MrBeast’s other President. Marc Hustvedt (who is also a Co-Founder of Tubefilter) will retain his current title and will continue to oversee operations in Donaldson’s media business, which includes videos on the MrBeast Youtube channel.

Outside of the YouTube world, Donaldson has made quality control into a major sticking point. The creator reformulated his Feastables recipe to ensure a better-tasting product, and he is suing former partner Virtual Dining Concepts over the declining quality of his MrBeast Burger chain. Bringing in an experienced exec like Housenbold will help Donaldson find the order he seeks, and it could usher in a new era at the company now known as Beast Industries.

Streamers on the Rise: Fitness streamer and nerdy sock enjoyer StreetGrind just had his most-viewed month on Twitch

Welcome to Streamers on the Rise, where we find streamers who are growing their channels, content, and audiences in extraordinary ways. Each week we’ll talk with a creator about what goes into livestreaming–both on and off camera.


StreetGrind is a lot of things. A Florida man, a fitness enthusiast, a full-time software engineer, the proud owner of over 120 pairs of nerdy socks–and, over the past couple of years, he’s become a regular fixture in the fighting game community on Twitch.

Life before Twitch was “monotonous,” Street tells Tubefilter. He graduated college in 2012 with a computer engineering degree, and at that time knew nothing about Twitch.

“If I knew it was around, would I have started streaming? Possibly, but there’s no real guarantee that I would’ve had success,” he says. “It would’ve changed my whole life outlook.”

Street has always been a gamer; for a long time, his group of friends would bond by getting together on their Xboxes and digging into games like Halo and Gears of War, with dreams of going pro. But he figured that while he was able to beat his friends up “pretty bad” in those games, going pro wasn’t really in the cards for him. So, he settled into working with computers, and in his free time, embraced another one of his major hobbies: fitness.

Then, in 2018, he was sitting in his office scrolling Facebook, “similar to how we all do sometimes,” he laughs. This time, in amongst the posts from family and friends, something new popped up.

“I found this person who was livestreaming a video game in real-time and people were interacting with it. I was like, ‘Wow,'” he says. “I never knew something like this existed. That origin story is a little bit different than other people who may have started with Justin.tv and they saw streaming there and really got incorporated into it. That was my real intro.”

Exposed to this whole new world, Street thought of his friends, who loved games but weren’t pursuing streaming, and also of other people “where maybe they’re afriad of streaming, maybe they’re afraid of putting themselves out there, or maybe they’re looking for somebody that can really give them the information and the energy that they’re looking for,” he says. He found the idea of jumping into streaming with no experience “nerve-wracking,” but also knew he wasn’t afraid to put himself out there.

So, he committed, and over the past six years, he’s been balancing his full-time career with a few streams a week focused on fitness and fighting games like Tekken. The reason we snagged him for Streamers on the Rise is because over the last six months, he’s embraced TikTok, and has seen that drive significant traffic to his streams.

He’s grown to just over 25,000 followers on TikTok, and just had his best month ever on Twitch in terms of average viewers, as you can see in that data from Streams Charts above. His streams have gone from an average of 29 viewers in May 2023 to nearly 120 viewers in May 2024.

Check out our chat with him below.

@streetgrindtv New Original Character in Tekken 8! Victor Chevalier! #tekken #tekken8 ♬ original sound – Street 🇭🇹

This interview has been edited for length and clarity.

Tubefilter: Very nice to meet you! To start off, imagine somebody’s reading this and they’re not familiar with you, they’ve never seen your streams. Give me a little bit of background about you, where you’re from, and what you did before you got on Twitch.

StreetGrind: Well, I’m based out of Orlando, Florida, and before I even started streaming on Twitch, in general, it was probably like anyone else, where I was playing games on my own time and going through the monotonous stuff in life, I guess. My real intro into streaming was, I remember I was in my office at work and I was scrolling on Facebook, similar to how we all do sometimes when we’re scrolling on social media, and I found this person who was livestreaming a video game in real-time and people were interacting with it. I was like, “Wow.” I never knew something like this existed. That origin story is a little bit different than other people who may have started with Justin.tv and they saw streaming there and really got incorporated into it. That was my real intro.

I started with variety-based content because I was trying to just treat it as a hobby and whatnot, but what really differentiated me within this whole space is my fitness content and being able to portray that and explain it in a digestible format where other people can understand it and being able to apply it through everything that they do. Whenever someone thinks about me, StreetGrind, yes, they know that I stream, they know me for the great conversations that I have, the motivational content that I put out, people look forward to it, but it’s really the fitness content where they’re like, yes, Street is one of the main fitness people that I look to for just basic advice or basic motivation, encouragement.

Actually, I was just at PAX not that long ago, and a couple people asked me fitness-related questions, because that’s what I’ve been able to build my brand around for the past five years or so that I have been streaming on Twitch. That’s the basic little bit of rundown about me.

Tubefilter: You said you were in your office scrolling. Do you remember what year that was?

StreetGrind: Yes, sure. I believe it was 2018. I want to say it was probably roughly around November of 2018, because I remember I started streaming December of 2018. I want to say late 2018.

Tubefilter: What was the impetus for you to be like, “Yes, I want to do this”? Because that’s a big jump to go from watching Twitch to streaming. 

StreetGrind: I always had a core group of friends where we was always in each other’s houses playing games together or online in the Xbox 360 era, and a lot of us wanted to go professional, especially in games like Halo and Gears of War. At that time, that was when social media was just growing. 

I don’t know. It just seemed like I could make a bigger impact on putting myself out there and showcasing to people who I am, and being an example for people where maybe they’re afraid of streaming, maybe they’re afraid of putting themselves out there, or maybe they’re looking for somebody that can really give them the information and the energy that they’re looking for. That is truly unique for myself and for anybody else.

It was nerve-wracking at first. I’m not going to deny that, especially when you’re starting off and there’s literally nobody watching you. You probably have yourself tapped up and whatnot just to get that extra viewer, but I would say it definitely has been an amazing experience so far for just starting off streaming to nobody, then actually having an engaging community where people look forward to the stuff that I have to say, the content that I have to share, and being like, “Yo, Street, you’re one of the people that I really come to for a great vibe, encouraging energy.”

Tubefilter: When you got on streaming, what did you first start streaming? Which games?

StreetGrind: The first one I want to say was Tekken 7 because I’m a big fighting game guy. I’m playing Tekken 8 right now, but it was something that was familiar to me. It was one of those genres where I did have those core group of friends that I would play with. I’m not going to lie, I’d beat them up pretty bad. [laughs] It just felt comfortable for me, even though I know that putting yourself out there and losing in real-time to people can be a bit discouraging, and you might have certain trolls that pop up and say, “You suck!” yada, yada, but you can’t really worry about that. You just got to focus on putting the best content you can put out there and continue being yourself and not allowing a specific game to change who you are and what you’re trying to bring.

Tubefilter: That’s definitely something I’ve seen–some streamers are worried that their audience won’t stick with them if they switch games too often.

StreetGrind: That’s something I think everyone has dealt with. I know I’ve dealt with it for sure because I’ve bounced around quite a bit in my career from doing action RPGs to a little bit of FPS and then now sticking into a couple of genres with fighting games, RPGs, and roguelikes, Metroidvanias. But I think was a major thing we all have to try to keep an account as truly being who you are and being honest with what you like to play, because I think one thing people can really see is when you’re trying to force something that truly isn’t there, and that’s not going to make people want to stick around.

If you truly focus on having the core community that knows that, hey, Street might be playing this today, or this another day, but I know that he’s still going to be the same person no matter what, I think that’s more important than trying to please people and you know that you’re not happy.

Tubefilter: So you approach it as, you’re the focus of your streams. People come in for you and not one game. I feel like some people still really struggle with that, with making themselves the center of it and saying, “You come here for me.”

StreetGrind: Right. Yes. I think it’s because people might see the success of other people where they might be playing a specific game or playing a specific category, because there’s a lot of information out there in terms of what’s the best way to grow, et cetera, et cetera, but everyone’s situation is unique. What may work for one person may not necessarily work for another person. You have to take that into account and really be in tune with how your journey is and what’s working and what’s not and take it from there, as opposed to trying to apply a cookie-cutter-based strategy for your content where it might not fit all of the X’s and O’s.

Tubefilter: I’d like to talk a little bit about your audience growth over the years. How did you first start growing?

StreetGrind: I think what helped me start growing is I was being active in a couple communities–and the thing is actually wanting to be there and not expecting anything in return. What ended up happening was people ended up being like, “Do you stream?” I was like, “Yes, I stream a little bit of so-and-so.” They say, “Okay, I’ll go ahead and I will check you out.” 

Then from there, sometimes it’s been a little bit of word of mouth, sometimes it’s been some content on Twitter that’s popped off and just says, “Okay, this guy actually is providing some great value. Let me go see in real-time if this person is exactly who they say they are.” It is something that people truly come back to, is that type of consistency where they know what to expect out of me.

I have to say definitely more recently, probably within the last six months or so, my TikTok content has also helped bridge the gap over to my Twitch audience where they might see me talking about fighting game stuff specifically, but they just notice my livestreaming presence is someone that is calm, that doesn’t really rage or anything and still is able to engage with chat and still able to provide great conversations, great value, and let people know that they’re seen as opposed to just playing something and not even interacting with chat at all because I think everyone’s community is different.

How they treat the community is different. Some people, they just have people watch them or they may have people that actively engage with their audience in real time whenever a new message comes in.

Tubefilter: Yes. I’d like to hear a little bit more about that particular aspect. You mentioned that you don’t yell, there’s not a lot of gamer rage. I’d like to hear a little bit more about that, because that I think is a really important aspect.

StreetGrind: Yes, sure. I feel that sometimes people focus on different aspects of gaming, right? Sometimes they want to be the best. If they want to be the best, they might end up losing, they might end up being, like you said, rageful or angry. We’ve seen occurrences where people actually break stuff. Last time I checked, peripherals are expensive. I buy all of my stuff, so I try to take care of it the best I can.

I don’t see there’s any needs for that type of anger, especially when it’s not something where you’re a professional or something. For me, I’m not a professional fighting game player. I’m just someone that’s really passionate about it. Why would I yell about something that I know at the end of the day isn’t going to change what I’m doing? Yes, you can get frustrated. Frustration is one thing. I’ve definitely been frustrated at times with maybe how a certain match is going. I never let that get to me in how I treat my audience or how I engage with them.

I’ve watched Tekken streams, because that’s one of the ways that I’m able to digest information about certain aspects of the game, and you can tell when someone gets angry. They might complain a little bit too much, and the energy just shifts a little bit. You can sense that. That’s something that I personally don’t like to absorb, that type of energy. I stay away from that and really focus on watching the people who are still able to keep a calm demeanor, still able to engage with their audience. If they do have questions, that’s what I stick to, because it aligns with me in how I do my content. I wouldn’t want to take something in that I know doesn’t really align with how I do things.

Tubefilter: You mentioned your TikTok content has helped your stream grow. What made you decide to approach TikTok?

StreetGrind: One thing that I think that stands out with TikTok as opposed to like a Twitch, for example, is the discoverability aspect. That’s mainly because Twitch is a livestreaming platform where you’re able to really see the content in real-time, as opposed to TikTok, you have consistent discovery, how your content is pushed to depths or certain audiences. For me, okay, I’m looking for something that’s going to help me put out short-form content that is going to be in the eyes of other people. I was like, “All right, I’m going to try TikTok. I really have nothing to lose at this point.” That’s how I feel.

I started putting stuff out a bit and trying to get my footing. One thing that really stuck that I noticed was working for me was the FTC content I was putting out. It’s one of those things where if you see something’s working, you want to try to double down on it as opposed to still scattering around a little bit of bits and pieces here and there. It’s one of those things where I found that it was working for me. I found people that were passionate about it like I am, people that were looking to me as a consistent and viable source of information.

Being that, especially in a space where there are so many other people that are doing the same thing in their own way, it’s nice to be able to try to carve out that little path as like, “Hey, Street is someone that I go to for this type of stuff. I really appreciate what he’s doing.” That’s how I’ve been able to utilize TikTok to make that avenue for myself as opposed to Twitch and YouTube, which I’m still working on carving that out and what exactly I want to be known for on those platforms.

@streetgrindtv 5 More Characters Revealed for Tekken 8! #tekken #tekken8 ♬ original sound – Street 🇭🇹

Tubefilter: Do you feel like you want to take a different approach to YouTube content instead of crossp-osting?

StreetGrind: I want to say at some point, I do. I think right now with my overall workload, cross-posting is like the best thing for me right now, since my YouTube and my TikTok, they’re pretty closely in alignment in the type of content that I do put out there. Cross-posting doesn’t necessarily hurt me in doing so. I think at some point I would like to, I’m not exactly sure what avenue that I would like to take with it. I think I still would want to stay within the same realm of the type of content that I put out on Twitch and trying to take it over to YouTube and not just take this livestream and chop it up into clips. It’s trying to create a separate and unique avenue, which I’m not 100% sure what I want to do with that at this point.

Tubefilter: Interesting. Is this your full-time thing?

StreetGrind: No, this is not my full-time thing. I actually do software engineering full-time. Doing this really is a side hustle right now, but it can be a bit demanding. It’s like having two full-time jobs, if I’m being honest with you. That’s why when I was, I mentioned a little bit earlier about the cross-posting is what works for me best at the moment, because try to factor in, you have a 40-hour work week, and then you factor in streaming three times a week for maybe three to four hours each. I mentioned the fitness aspect as well earlier. I’m training for roughly a little more than an hour, five to six days a week. That doesn’t even factor in just trying to take care of yourself and making sure that you don’t live like a slob and just trying to balance all of that together. It can be difficult. Yes, this is definitely just a side hustle, part-time thing that does require full-time hours, I feel like.

Tubefilter: Are you working toward being full-time? Is it something you’d like to do?

StreetGrind: It’s something I definitely would like to do, for sure. There’s definitely a couple pieces that I need to shore up in order for me to take that leap, but it is something that I would love to see on the horizon, especially with diversifying the multiple revenue streams and maybe having an online personal training business. That would factor into what my brand is known for. That would be something that I tie into it. “Street is someone that I know that puts great streaming content, but he also does a little bit of personal training and basic consultations to make sure if you need just some advice about certain health, exercise aspects, nutrition, you can go to him for that.” Being able to try to pinpoint that, trying to have that triad of what I’m known for, just the gaming, the fitness, and also like the motivation, encouragement, trying to have all those three pieces together and people know, sticking with that so people know me for that.

Tubefilter: This is a lot to do on top of having a full-time job. 

StreetGrind: Yes. I tried to get my online surfer professional training and I noticed that it just wasn’t really working out with all the stuff that I’m trying to pile on top of everything with the streaming and working full-time. I notice when I’m trying to put more on my plate than I actually can handle, so it’s something that I have for the future when things aren’t as hectic and I’m still in a growing phase of not being where I want to be yet at this point.

Tubefilter: You said you’re streaming three times a week, for a few hours. Do you have a set streaming schedule or is it just when you’re able?

StreetGrind: I would say right now it’s a set schedule. I usually stream Mondays, Thursdays, and Saturdays. I think this past month or so, I’ve been able to stream consistently, which is awesome. Probably the previous few months have been a bit of a struggle in trying to balance everything, to the point where sometimes it might be two days a week, sometimes it might be one day a week, sometimes it might be nothing, like nothing, at all. One of the major things that’s helped me with it is not focusing so much on the viewership aspect. We all know that is a core metric that a lot of companies look at. It’s something that, we can’t control that, but we can always make sure that we put ourselves in the right scenario to have that number grow up and have our growth be on an upward trend.

Tubefilter: You’ve got your work cut out for you in terms of time.

StreetGrind: Yes. That’s why I don’t try to compare my situation to anyone else’s because you don’t know what anyone’s living situation is. They might be living at their parents’ house, they might have a roommate. Everyone’s different. I make sure I handle what I can based on my scenario.

Tubefilter: Any other cool projects you’re working on or initiatives you’re working on? Not that I want to tell you to work on more. [laughs]  

StreetGrind: I’m honestly trying to think about it. I think outside of the ordinary stuff, I don’t think there’s anything that is coming to mind. I know I do have a charity stream that’s coming up in April to raise money for cancer. I usually do that every April. I’ve done it for, I believe, three to four years in a row. Can I swear? Because it’s in the name.

Tubefilter: Yes, you can swear.

StreetGrind: Okay, it’s for Fuck Cancer. It’s a nonprofit. I’ve been raising money for them for, I want to say like three, four years now. It’s something I always look forward to every April. I actually got to meet them at TwitchCon for the first time last year. It was awesome having that face-to-face interaction.

Tubefilter: How often have you been to TwitchCon?

StreetGrind: I’ve been the last two years. I know last year was in Vegas and then before that was San Diego. I’ve been a total of three times, two of those times as a partner. It definitely has changed my overall outlook on how I view TwitchCon, because it’s really a way to engage with people that you’ve seen on the internet for so long that you’ve interacted with and you see that who they are on the internet exactly who they are in person. That’s something that I think we all really hope for when we meet people that motivate us, that encourage us to be better or whatnot. TwitchCon is always an experience that I look forward to.

Tubefilter: Do you think it’s helped you with professional development as a streamer?

StreetGrind: Yes, because there are companies there that you want to create an active relationship with. After every convention, you can always take a little feedback to yourself and say, oh, is this something that I actively put my best foot forward on? You can always reach out to your creator friends as well and ask them maybe how they approach things. Because one thing that we shouldn’t gatekeep is help and trying to be able to grow your career. How I grow my career doesn’t necessarily affect how someone else may grow their own career. Sometimes people can just stick to themselves and not share with any other people, just in case of the fear of helping someone else, they lose what they have, which isn’t just the case.

@streetgrindtv This Reina tech in Tekken 8 is interesting #tekken #tekken8 ♬ original sound – Street 🇭🇹

Tubefilter: Have you worked with any brand partners or had any cool sponsorship opportunities yet?

StreetGrind: StreamElements has definitely been a major one, for sure. It’s also a fitness supplements brand, Evolution Nutrition, that I’ve been able to provide supplements for my audience, whether they’re asking for, hey, do you know a good protein powder or a possible pre-workout? I was like, yes, and I can recommend them, just tell them what it does, how I use it, and see if it aligns with them. Also part of a talent agency, GG Talent Group, which has helped me with great sponsorships and specific activations for games. Let’s see if there’s any other major ones that I’ve had in my career. I have worked with Bandai Namco as well, part of the creator program.

Tubefilter: That’s very cool.

StreetGrind: Yes. One of the major things I was so excited about is when Tekken 8 came out in January and being able to play it a little bit early was actually like sensational. I was so excited about that.

Tubefilter: How did you join the creator program?

StreetGrind: I think it was an application process and I just showcased to them about their specific games that they’ve developed and published that I was a fan of, just showcasing my passion for what they do. That’s when I ended up getting in. I think I’ve been a part of it well over a year now, I want to say for sure. Definitely well over a year.

Tubefilter: The fighting game community is so strong on Twitch. It’s so interesting.

StreetGrind: Yes, it’s one of the things that I love actively being a part of because there’s so much expertise and people love seeing others get better when they put the work in and you can see the progression of, “Hey, you started over here. Now you’re over here. You’re actually partaking in tournaments.” I think people love to be a part of that journey and say, “I saw the progression of this person”–and yes, the fighting game community, not even just for one specific game, but as a whole, you can see how much people really love that stuff, especially around special events. Tekken has events like EVO and Tekken World Tour, and you really see how much people really love that stuff.

Tubefilter: Yes! I’m a big gamer but fighting games are the one genre that’s bypassed me. In the last couple of years, we’ve seen just so much strength from that side of Twitch specifically. It’s been really cool to see.

StreetGrind: Yes. The streaming aspect has helped a ton with the overall exposure to fighting games. Now I think Twitch even had a Tekken Rivals event a few months back, and there up are some professional Tekken players that are coaching really popular streamers who, which helps that game, but then also the FGC as a whole, just letting know that we accept you being a part of this and it doesn’t matter about how good you are if you might suck in the beginning. It’s just…everyone just wants to be helpful.

Tubefilter: That’s huge. Just trying to think if there’s anything we haven’t covered. It’s rarer for us to chat with creators who are balancing a full-time career with streaming, so huge props to you there.

StreetGrind: Yes. It is definitely a more difficult road as well, trying to slowly make that leap, because when I graduated from college around 2012 or so with my computer engineering degree, I just didn’t know about streaming and whatnot and the state that it was in. If I knew it was around, would I have started streaming? Possibly, but there’s no real guarantee that I would’ve had success. It would’ve changed my whole life outlook. There could be a case where I might have not started fitness if I started streaming because streaming would take up a good amount of my life. Honestly, you just don’t know.

It’s a hard balance act, but it’s not something that I would necessarily change, because it allows me that creative outlook where I can put out the stuff that I want and I’m the one that’s in control. I’m the one that calls the shots as opposed to working for an employer and you have certain duties that you have to meet and whatnot to get paid and everything.

Tubefilter: Yes, absolutely. What’s the one thing you’re looking forward to most over the next year as a human and as a creator? 

StreetGrind: I would have to say actually putting myself first. That’s something that I’ve struggled a bit with, and because when you’re not putting stuff out, you feel that you might be falling behind with other people that are putting stuff out there and everything. I have to look at it from my specific situation and say, “If I’m not at my best, then I know that I won’t be able to put out my best.” I don’t want people to really receive that because who knows what may happen at that point.

I think putting myself first, understanding what I can handle. I’m definitely in the best place that I’ve ever been in, in that aspect. Also self-confidence, in general, it’s just been such a unique journey of not being afraid of what I put out and having people think differently of you because you’re not going to please everybody, because if you try to serve everybody, you just end up serving nobody. That’s the truth.

Tubefilter: I think creators need to hear that reassurance in general, that you should put yourself first and you should make stuff for yourself before anybody else.

StreetGrind: Yes, 100%. That’s helped me overall in my journey, where before I wouldn’t have frequent check-ins on how I’m doing personally because you’re just on go, go, go, and then when you actually have a chance to sit, you’re like, “Well, damn. All right. That was a lot more exhausting I thought I’d be.” I’ve had cases of burnout or you just stop streaming or just stop creating content for a while. It could definitely be a detriment on your success, but this journey is not quick. Everyone’s journey is different. You have people that are still in this industry for 10 years, 15 years or so.

I look at my journey, it’s been five, six years now. It’s still a long way to go for me. If I can continue to keep up with myself and my energy and my mental state, I think that’s going to help me a lot better in the long term, especially viewing this as a marathon and not a sprint.

Tubefilter: Definitely. Anything else you want people to know about you?

StreetGrind: We talked about fitness and the motivational stuff. Oh, I have a really cool sock collection. I probably have over 120 pairs of socks that range from anime to video games to superheroes. That’s actually another thing that people know me for as well. When I was at PAX East, a couple people was like, “Yo, Street, what kind of socks are you wearing today?” Then I have to roll up the jeans and be like, “Yo, this is what I got.” Everyone’s like, “Oh, shoot! Okay! You came prepared!” I always come prepared.

Tubefilter: How did you start collecting socks? I’ve got to know.

StreetGrind: I believe I received my first two pairs of socks from someone I was dating. It was Sonic the Hedgehog and YuYu Hakusho which is my favorite anime of all time, YuYu Hakusho. At that point, I really saw it as self-expression, where I would wear it out to the gym because I saw people that were just wearing the usual color palettes of black, white, and gray. I wanted to stand out and showcase who I was and not be afraid to show that to other people and be confident in it.

At that point, I went, “Okay, people are engaging with this. People like it. I like it. Which is the number one thing.” I just started going to different websites and seeing what they have, seeing what I don’t have, and adding it to my collection. Just grown into going into its own thing. The main thing is self-expression and just showing people, “Yes, I’m into this type of stuff,” and to let people know that I’m also not an intimidating person as well. 

It’s hard to see when you’re talking on a call like this, but I’m 6’5, 250. That’s why I try to wear the bright colors and be like, yes, I’m just a person like everyone else, a little goofy, into nerdy stuff. I think people, they definitely have noticed that like, “Yes, Street’s not an intimidating person. He might be a big person, but no, he’s not an intimidating person at all. Just like everybody else.”

700,000 live viewers tune in as YouTube groups AMP, Beta Squad hold charity soccer match

Another day, another high-profile soccer match featuring YouTube celebrities.

On June 2, members of the AMP and Beta Squad groups took the pitch at Selhurst Park, the home of London-based Premier League side Crystal Palace. Led by stars like Kai Cenat and Chunkz, the two teams contested an entertaining (if chaotic) 90-minute match that included 12 goals, a pitch invasion, appearances from pro footballers, and a live audience that included 700,000 concurrent viewers on YouTube.

Like the annual soccer matches put on by the U.K. creator group Sidemen, the showdown between AMP and Beta Squad benefitted a good cause. Viewers were encouraged to give to a fundraiser supporting The Water Project, which provides communities in need with potable drinking water.

To bring visibility to their charitable mission, the two groups assembled star-studded sides filled with some of YouTube’s biggest names. Beta Squad, a group of “ordinary” creators who entertain nearly ten million subscribers on their shared channel, filled out their roster with guests like Deji, JiDion, and team coach Mark Goldbridge. AMP brought in sports podcaster Druski to serve as its coach and put soccer creator ChrisMD in midfield.

Even with an uneven quality of play, the match still drew a huge crowd. Reed Duchscher, the Founder and CEO of management firm Night (which reps the members of AMP), shared some viewership stats from the event. In addition to the 700,000 live viewers, the match sold out 25,000 tickets in an hour and pulled in more than six million aggregate views on YouTube.

As for the match itself? After 20 goalless minutes, Beta Squad jumped out to a 5-2 lead, with both managers donning jerseys and joining the action. AMP fought back thanks in large part to a “Mystery Player” who wore a mask and displayed elite athleticism and skills. Beta Squad led 6-5 in the final minute before Daniel Sturridge — a former member of the English national team — netted the equalizer for AMP.

The match was meant to conclude with a penalty shootout, but a pitch invasion led to the suspension of the match. AMP’s biggest star is familiar with that type of disturbance. Last year, Cenat was charged with inciting a riot after hosting a chaotic giveaway in New York City’s Union Square.

The influence possessed by creators like Cenat has led to numerous opportunities within the world of sports. Beta Squad members like King Kenny have hopped onto the influencer boxing bandwagon, and groups like the Sidemen and Dude Perfect have forged their own connections with Premier League clubs.

Now that the excitement of the match has subsided, viewers are left with two questions: Will the two groups ever complete their shootout? And who was that mystery player anyway? The working theory among fans is that Djed Spence, who is signed to London club Tottenham Hotspur, donned an AMP kit to play alongside the creator crew.

Like Nastya and Viral Nation partner with high fashion agency Ford Models

Ten-year-old YouTuber Like Nastya is headed into the fashion world thanks to a partnership between her manager Viral Nation and prestigious modeling agency Ford Models.

Nastya–aka Anastasia Sergeyevna Radzinskaya–is one of YouTube‘s youngest and highest-paid stars. Her main channel has 110 million subscribers, brings in over a billion views per month according to Gospel Stats, and is estimated to help earn her and her parents around $30 million a year. Across her full digital presence, she has more than 350 million followers, and her family has parlayed that viewership into deals expanding the Like Nastya brand into toys and mobile gaming.

With Ford Models, which was founded 1946 in New York City and represents nearly 40 high fashion models, the plan is to “guide the beloved personality into new ventures and opportunities across the fashion and beauty industries,” Viral Nation says.

It adds that Nastya’s making this move because she and her fans are “maturing,” and fashion and beauty are “representative of hers and her fanbase’s evolving interests.”

“We are thrilled to partner with Ford Models to support Like Nastya’s growth and evolution in the fashion and beauty space,” Jonathan Chanti, President of Viral Nation Talent, said in a statement. “At our firm, we pride ourselves on providing comprehensive talent representation, and this collaboration exemplifies our ongoing commitment to presenting the best opportunities at all stages of their careers. Like Nastya’s journey into mainstream fashion and beauty is a natural progression of her passions, and we are excited to support her as she thrives in this exciting new arena.”

Craig Lawrence, Director of Business Development at Ford Models, added, “We are delighted to welcome Like Nastya to the Ford Models family. Her undeniable talent and global influence make her a perfect fit for our agency. With Ford’s pedigree in the fashion and beauty space, we look forward to working closely with Viral Nation Talent to cultivate Like Nastya’s presence outside of digital.”

Maybe we’ll see Nastya at next year’s New York Fashion Week…or in the 2025 Creators in Fashion lineup?

Creators on the Rise: Being “chronically online” helped Retro Avocado pivot when COVID crashed her industry

Welcome to Creators on the Rise, where we find and profile breakout creators who are in the midst of extraordinary growth. You can check out previous installments here.


Janine DeMichele-Baggett had big Broadway dreams. And it seemed like the universe was falling into place: she’d done an internship at the Atlanta Shakespeare Tavern, was doing a lot of community theater, was on some children’s shows, and suddenly, when her husband needed to relocate for work, had the chance to move to New York City, Broadway’s big hub.

So they took the leap and moved.

Right before COVID hit.

“Everything just came crashing down,” DeMichele-Baggett tells Tubefilter. She’d been smitten with performing since she was a kid, and had built her whole career up for the stage. Now the theaters were shuttered. No shows were casting.

Luckily, she’s “chronically online,” she says, and had picked up a job working in marketing and social media to help pay the bills when her car was stolen during a performance. She knew she enjoyed social media before the job–she had a YouTube channel way back in 2007. was on Vine, and kept her eye on up-and-coming platforms–but in that role, she learned she was good at it, too.

All that is to say when TikTok began rising in popularity, DeMichele-Baggett was ready to roll.

“I would say TikTok really changed the trajectory of my life, which sounds dramatic to say, but it was really through that app that I discovered a love for creating short-form content and video content,” she says.  “I think I always was looking for that as an outlet. The acting world is very harsh. It’s a lot of rejection, and it’s a lot of waiting around on people to cast you. What I found with content creation was, ‘Hey, this is an avenue to cast myself.'”

With unlimited possibility for roles, which did she choose to play? Her account named, Retro Avocado, might give you a clue. As an actor, she’d done a lot of work on period pieces, and was fascinated by vintage costumes and makeup styles. On TikTok, she figured she’d put that knowledge to work, and started a long-running video series where she captured a look, outfit, and song emblematic of that year. The series began in 2019, and stretched all the way back to the ’60s.

“People really, I think, gravitated toward that,” she says. “The ’90s stuff, people really, really gravitated. […] I really think there’s something about the ’90s, especially for my generation, that just evokes so much comfort. I think that we’re all seeking that.”

Now, DeMichele-Baggett balances content creation with a day job in marketing, and though the possibility of going full-time on content is “scary,” she says, it’s something she’s aiming for. The more her audience grows–she’s up to nearly 280,000 followers on TikTok, has over 200,000 on Instagram, and just got picked up by Viral Nation–the more it’s apparent that getting creative about the retro past is helping build her future.

Check out our chat with her below.

@retro.avocado Moms in the 90s and honestly me today as well minus the giant rooster 😂 #90s #90smom #nineties #90saesthetic #90sthrowback #90skid ♬ оригинальный звук – Anastasia G.

This interview has been edited for length and clarity.

Tubefilter: Hello, very nice to meet you! To give you a little intro about Tubefilter and Creators on the Rise, I interview creators who are growing their audiences and their content and their businesses in interesting ways. I checked out your website and I know that you do this combo of being a marketing professional and making content, so I’m really interested to get to talk to you.

Retro Avocado: I’m happy to chat. It’s always fun to talk to other people who understand what I’m doing because it’s like most of the time, people I run into, they have no concept of what goes into everything. Always happy to have a chat about it.

Tubefilter: Fantastic. For people reading this who aren’t familiar with you, give me a little bit about your background, where you’re from, how you ended up in marketing originally.

Retro Avocado: Yes. My background, I grew up in a really tiny town in Georgia called Grovetown, Georgia. My high school was like a one red-light town. It was a very rural situation. I quickly realized this is not my vibe, I do not mesh with this at all. 

I’d always been performing. I’ve been doing plays ever since I was a small child. Ended up doing theater in high school. Was really invested in that and decided to pursue theater in college as well, and acting. I have background in all of that. After college, I did the starving artist thing, waiting tables, all of that, and auditioning, and I did some film. I ended up really developing a great community and worked with professional theaters. I ended up getting an agent. I did some film and TV, not a ton. I mainly did theater. I did a lot of classical theater as well, Shakespeare, which is maybe surprising. I learned how to sword fight, all kinds of things relating to performance. That was really what I thought. I was like, “Yes, I’m going to be an actor. That’s it. I’m going to move to New York eventually.” I didn’t really know when that was going to happen because I was living in Atlanta.

I ended up moving to Atlanta the day after I graduated college. It was like I went to college in Columbus, Georgia. Even then, I was like, “I got to get out. I got to get to a city.” I ended up living in Atlanta for eight years, and like I said, pursuing acting in theater. It was at that point I actually– 

This is actually a funny story. I don’t know if it’s funny, but I was doing a show. I was in the middle of a performance, and I come out after the show and my car is stolen. This is at a theater. My car got stolen. I was working a catering job, and I was doing an internship at the Atlanta Shakespeare Tavern, which is a popular Shakespeare theater in Atlanta. I was freaking out. I’m like, “What am I going to do? I’m broke. I’m in this theater internship, which doesn’t pay a lot, and doing catering.” I’m like, “What the heck am I supposed to do?” My now husband, my boyfriend at the time, he was like, “You’re really good at social media. My boss needs some help with that.” This was in 2012. He’s like, “My boss needs some help with that. Would you be able to help him out?” Because I was always an early participant of any social media network that ever existed.

I was an early adopter–or, should I say, chronically online since the day that AOL came out. Even back then as a kid, I was always interested in computers and social media and whatever iterations that existed from the beginning of time. Anyway, he was like, “Yes, you’d be good at social media, I think.” I was like, “Yes, maybe, we’ll try it out.” Basically, that job led me to where I am today, really, it’s like a domino effect. I ended up meeting my current boss for my day job, which is my marketing job. I ended up realizing I had a knack for social media and marketing and all of that. 

Of course, in the meantime, I was also performing, doing a lot of theater. I did some children’s shows and all that. It was an even blend. Then, the pandemic happened, and we ended up moving to New York right before the pandemic for my husband’s job. Yes. I was like, “Great.” I was killing it in the Atlanta theater scene. I was like, “This is my time. I’m going to go to New York.” It’s Broadway dreams, right? It was like COVID hit and everything just came crashing down, naturally. 

Around that time, TikTok came out. I would say TikTok really changed the trajectory of my life, which sounds dramatic to say, but it was really through that app that I discovered a love for creating short-form content and video content. I’ve always been drawn to video, too. Even in high school, when we had to do group projects, like video projects, my little digital Kodak camera, I was obsessed with that. I took it so seriously, and I loved that. There was not a lot of opportunities back then. I had a YouTube channel in 2007, and I put up little skits and things. Nothing really came of it. I was on Vine. It didn’t really lead to anything. 

I think I always was looking for that as an outlet. The acting world is very harsh. It’s a lot of rejection, and it’s a lot of waiting around on people to cast you. What I found with content creation was, “Hey, this is an avenue to cast myself.” Not only that, but I’m a very creative person. I’m a creative director. I like to conceptualize. I like to do the editing. I like to have creative control. That’s something you don’t get as an actor. You’re like the bottom of the totem pole. You say the lines on the page and that’s it for the stuff I was doing. Obviously, if you’re really famous, then you have more leeway.

To be able to create my own content and my own stuff was so liberating for me and very empowering. I really just delved really deep into that. That turned into my creative outlet, and I was having some success there. That’s what I’ve been pursuing because it’s like you go where the doors open, and it’s just interesting how it all comes full circle. I’ve done campaigns for Broadway. It’s just interesting how that works. Working with brands and creating a commercial. For me, I’m like, “Oh, and I’m getting paid more to just do this myself than I would if I was doing a nonunion commercial as an actor.” Not only is it more empowering because I’m creating and have the creative vision, it’s even more profitable than acting can be. It’s a very harsh industry. It’s been really empowering. 

I feel like I just literally word-vomited so much at you.

Tubefilter: No, no, no. That was great. You said you had some success on TikTok early on. When did you know that it was going to be something you continued doing?

Retro Avocado: It’s interesting. I started around 2019, actually, and I just had so much fun with it. I was doing this retro series. This series, when this took off, I really started feeling like, “Oh, this really could be something there.” Since I have an acting background, I’m also really into costumes and hair and makeup. Every time I was doing a show, if I did a period piece, I’d be obsessive about the authenticity of the makeup I’m doing and the hair and how that fits in, and doing all this research. I always loved that aspect of it as well, and creating a vision aesthetically. 

So I created this series. I was like, “I’m going to go back in time every year and just see how far I can go.” Every video was a year and had a specific look and it had a specific song. It was like if TikTok existed in this year, because in that era, it was a lot of just the lip-sync videos, and it was a little more simplistic. TikTok in that era was different, a lot of the lip-syncing and aesthetics. I would go back in time, and I think I started in 2016, and then I went 2016, ’15, all the way to the ’60s, and every single video had a different look completely, just using wigs and costumes and doing that and creating the vibe for each year and researching what was the top song that year and things like that, that was really fun for me. 

People really, I think, gravitated toward that. The ’90s stuff, people really, really gravitated. I think around this era, you think about what was going on in the world. Millennials and everyone else were troubled, and there’s a lot of distressing things happening. I really think there’s something about the ’90s, especially for my generation, that just evokes so much comfort. I think that we’re all seeking that. For me, too, sometimes I try to revise my past. I grew up in a very fundamentalist church, and I wasn’t allowed to actually participate in a lot of pop culture while it was happening. In a way, I get to almost relive things, if that makes sense. I find that very comforting and healing for myself as well. There’s just something about it, the memories that you evoke and trying to find the pleasant ones among the bad ones and trying to focus on that. It’s interesting.

@retro.avocado And you can’t forget the Readers Digest, potpourri, and I promise you those bath oil beads are in the bathtub too 😂 #90smom #90snostalgia #nostalgia ♬ Wide Open Spaces – The Chicks

Tubefilter: It’s an interesting approach! Most people who do nostalgia content are like, “This was my childhood and I’m sharing it with you,” but it seems like you’re using this as a healing journey.

Retro Avocado: I wouldn’t say 100% is like that. There are some things that are very accurate, like the ’90s mum’s kitchen. That’s not really pop culture. That’s what I’m trying to do, is transcending even pop culture into capturing that feeling that you had while you were living at that time beyond just, “Oh, what was the popular music?” Or, “What were we wearing?” I don’t know if that makes sense, but it’s…

Tubefilter: It’s the vibe.

Retro Avocado: It’s something about capturing the feeling and seeing certain images and the aura and combining with the music and the brown lipstick and this and that. I can capture that moment in time that I remember. It’s like a flashback, and it does that for other people, too. It’s been really interesting to see how people react to some things. Some people are like, “Oh, my mother died, and you remind me of her, and it’s comforting,” or “I didn’t have a peaceful childhood, so this is really comforting to me.” You think you’re just doing some silly stuff just to be silly, but there’s deeper things you can glean from that sometimes. I would say a year or two ago, I did a lot more where it was me as a kid or as a teen skits, which is more similar to what other nostalgia creators tend to do. I think in those scenes, I absolutely was revising and creating that healing journey for myself because I really didn’t experience some of them. I have tapped in and done a little bit of stuff revolving around the church, but it can be really triggering for me sometimes. I tend to not delve into that too, too much, but I know there are other people that also identify like me.

I found ways to get my pop culture fix, even though I was forbidden. I was always very fascinated by it. This is a very common experience in a Christian household where you’re watching MTV until your parent walks in the room and you quickly flip the station to, I don’t know, Disney channel or something. [laughs] It’s always on the down low. You can’t really be open about it, but you’re definitely finding ways to consume it. My friends would have the new Britney Spears album, which I wasn’t allowed to have because she was like spirit of Jezebel or something.

Tubefilter: [laughs]

Retro Avocado: I listened to a lot of contemporary Christian and Celine Dion. Celine Dion was okay in my household. I always loved her, although she had an album one time where it looked like she was topless. My dad was not happy about that, but he ended up letting me listen to it. It was like, “It’s weird the things people got fixated on.” My dad was very strict, so it was by the book.

Tubefilter: What is your current mix of pursuits that you have in terms of what does your daily schedule look like?

Retro Avocado: I have my full-time job, and I don’t know how much you want to publicize about this because I’ll just tell you my true feelings. Anyway, it’s not like my dream career. It’s not marketing. I feel like in my soul core, I’m a performer, I’m an entertainer, and I’m a creator. That can take a lot of different forms. I feel like I’m just the type that’s not going to be able to do just one thing. In my dream world, I would love to get back into acting and writing. Right now, I’m in sketch comedy classes, and I’ve done improv. I actually have a show next week, a sketch show. It’s been really fun because I write, sometimes, for my sketches. A lot of times, it’s improv or it’s just set to music. Sometimes I write out scripts for brand collaborations, but I’ve never sat and wrote a whole sketch comedy scene or stuff like that. It was the first time I really got a chance to do that. I’m really realizing that I’m loving it. I feel like I have a natural inclination for that because it’s a perfect blend of what I do online and what my acting background is, because it’s not a full play, but it’s not a three-second video. It’s in between. 

I’d love to explore more of that and bring this to the real world because that’s the one thing I do miss about content creation, is it’s very isolating, and I work from home. I work from home, and then it’s a typical day. I’m here on my computer working from 9:00 to 5:00, and then I’m married, I got a dog, doing all your typical things. Then, I’m like, Hopefully, I can spare an hour or two to do some editing and post. This is probably something that is unusual, but I don’t film a lot. I actually maybe film once every two weeks or so.

@retro.avocado In the 90s, if it was fat free it was automatically the pinnacle of health no matter what the replacement was. Ya’ll remember the Olestra craze? People found out really quick that was NOT gonna work 😅 #90s ♬ original sound – retro🥑avocado

Tubefilter: Oh, interesting. You batch film?

Retro Avocado: Yes. I batch things, but I also, I don’t actually know of anyone else that is doing this, so I don’t know if I’m pioneering something, but I’ve created a thing where I turn myself into a meme, if that makes sense. You know those CapCut templates where people reuse these templates? A concept that I do is I create my own template like that. I will use a same clip, and if you really pay attention, you will notice it’s the same clip in a lot of videos, but I change up the background to match what I’m trying to show, and I change the music. It’ll be like a ’90s mum putting on lipstick. You’ll start to see. A lot of the kitchen ones, it’s the literal exact same clip of me, but everything around it is different. I’ve used that CapCut template process and turned it into a thing that I can use for myself. That really makes it so much easier for me to balance everything because it can be really difficult to work full-time and do this to the point where it’s gotten now and just have a life and have a social life. In New York, it’s like there’s always stuff to do, so it’s hard. I found batching, but not only batching, but reusing things, not just reposting, but reusing clips that I can just put the same clip over and no one notices.

That’s what’s actually hilarious about it. It took maybe 10 of them before someone was like, “Oh, I just realized this is the same clip.” This was like the kitchen mum series that had been viewed millions of times. I’m all about working smarter and efficiently for myself. If I had my dream life, I’d love to do really more intensive everyday videos. I just don’t have the time. I do what I can. I also find it fun. It’s like a creative challenge as well. Sometimes that’s the thing. As a creative person, you can be so overwhelmed with there’s so many things you can do or talk about or create a video about. For me, having this umbrella of the nostalgia theme and even getting really specific with the ’90s mum series, it’s just fun to see how many things you can create out of that. It’s just like you end up being more creative because when you have a limitation, it forces you. Excuse me. I’m always wanting to evolve, and I’m not 100% what the future of everything is. I do enjoy having a character thing, and it’s not just about me as myself and my life. That’s what I enjoy about it, is it’s very much a separation. People don’t actually know much about my life if they follow me.

I want to do more stuff that’s different characters, and as I’m getting more in the comedy scene and trying to find ways to incorporate that as well, and doing some more collaborations as well is what I’d like to do more of.

Tubefilter: Have you thought about going full-time on content?

Retro Avocado: Yes. I’ve definitely thought about it. It’s definitely a goal. I consider it a part-time job at this moment in time. It’s such a tricky thing. It’s kind of a scary thought. I think when the time is right, I’ll know. The time is not right currently, but I definitely would like to. I feel like that makes sense for me, it’s just a matter of when, and I just going to keep on keeping on. I’d like to crack into YouTube more. I know that’s a really good– For creators, YouTube really has a little more stability, should I say. It’s like TikTok can get banned next week. I don’t know. Stuff like that is scary as a creator. Yes, I definitely would like to, it’s just a matter of making sure that makes sense for me and is viable.

Tubefilter: Do you have any other plans or goals for the future? I know you talked a little bit about how you want to get on YouTube and you want to start experimenting with other types of short-form as well.

Retro Avocado: Yes. A big goal is, I would really love to write either a short film or, hey, even a movie, I don’t know, or TV pilot or something. I would love to get into that realm, and I’ve seen that happen with other creators. I’d like to just learn more about it and get into that. That’s something that the sketch class really showed me that I like doing is writing comedy and not just doing it just me. Of course starring in whatever I’m creating for myself. I’d love to get back in the traditional acting world again. I don’t have a New York agent, so that’s something that is a big goal, so anyone out there, I’m out there and I’ve got real footage, but it’s tough to even navigate that world too. You have to decide where you put your efforts in, and I’ve taken a little back burner to that, but I’d love to get back into that. I would say an ideal world creating content, doing acting as well, but I would say primarily comedic stuff and writing. I think that would be a big goal for me, is to get back into that world.

Tubefilter: What has been your favorite part of this whole being on TikTok experience?

Retro Avocado: It’s really validating and nice just to have people like the stuff that you put out, which can be dangerous too because sometimes not everyone does like it. I think just being able to create something and make something that is 100% me, that I didn’t have to depend on anyone to help me with. I kind of did it all on my own. Everything I do is a one-woman show. I don’t have anyone helping me really. Maybe every once in a while, my husband will help film something if it’s outdoors. It’s so incredibly rare that I do that because I don’t like to film outside because I don’t want people looking at me, but I’ll put out stuff and I don’t care if millions of people see it, but sometimes I’m like, ah, the influencers in the wild sort of thing. Anyway. I forgot what I was saying. What was the question?

Tubefilter: What’s been your favorite part of being on TikTok?

Retro Avocado: Oh, yes, favorite part. Just creating stuff that I think…The world is so crazy, and there’s so much depressing stuff. I find it really fulfilling to be able to just be a safe, comforting place for someone to just feel the warm and fuzzy feelings and just have a smile and a laugh. At the end of the day, if I can bring that to somebody, sometimes I downplay it in my head, I’m like, “Oh, I’m just making stupid little videos or whatever,” but I think I’m very hard on myself. I think it really does bring a little spark of glimmer of joy to the world. That is probably the best part about it. Just being able to connect with so many people. I’ve made a lot of good friends in real life and online through doing this, had so many cool experiences that I wouldn’t have otherwise. 

I also really like that I can share the wealth with my friends and family and take them to some cool events maybe they would’ve gotten to go to. When I can really share that with others, I find that really fulfilling. Yes, ultimately just the connection. I think everybody wants to be heard. If I can make people feel that, feel heard, or feel seen in some way, or trigger a comforting thought or memory, that’s what it’s all about for me.

EYstreem’s YouTube production company just landed a $5 million investment. What’s it gonna do with all that cash?

Jordan Barclay uploaded his first YouTube video when he was 10 years old. The one-minute and 39-second clip is a shaky, zoomed-too-close camera recording of his laptop screen as he plays Minecraft.

When he posted it, he had no idea that four years later, his channel EYstreem would be generating enough traffic to become a full-fledged business.

In 2012, he filed to have The EYstreem Company incorporated. “And from that point, I was mostly running a business,” he tells Tubefilter. “I filmed maybe three days a week and I would run the business for the rest of the week.”

“Running the business” meant developing “a really robust system” for content production, he says. That system grew his own channel to nearly 10 million subscribers and over 125 million monthly views. But he wanted to see that same success across a swath of channels–which is why, in 2010, he launched Spawnpoint Media, a family-friendly content production studio that builds Minecraft and Roblox-centric YouTube channels from scratch and casts up-and-coming Australian actors to host them.

“That was the aim, because it’s kind of every YouTuber’s dream, but very few manage to pull it off,” Barclay, who’s now 21, says. “Especially across mediums, with totally different actors.”

Spawnpoint Media now has over 80 employees and produces 30+ videos a month for its six proprietary channels, EYstreem, EYstreem Reacts (1.25 million subs), Firelight (2 million), FirelightGamez (164K), Sponty (110K), and Milo and Chip (782K). The channels have collectively generated more than 3.5 billion views, and every year since 2021, they have been responsible for YouTube’s top-watched Australian-produced gaming content, Barclay says.

Spawnpoint also just snagged a $5 million investment from Spotter, which it plans to use to open a multimillion-dollar studio in Melbourne.

That studio will allow Spawnpoint to expand its unusual production process, which involves the core production team thinking up video concepts and writing scripts, then tapping the virtual design team to build sets in either Minecraft or Roblox. That’s when the actors come in.

“Normally when people play video games, they’re reacting to the game they’re playing,” Barclay says. “But for us, it’s quite different. The entire game moves around them based on what the script says the game is going to do. So the virtual sets team will set this all up beforehand, and the actor will come in and they will basically follow what the set makes them do.”

Once the actor’s done filming, their part in the process is over. The Spawnpoint team handles all post-production, packaging, and posting to the channel.

Spawnpoint’s new studio will facilitate this process with gaming booths and automated camera and lighting rigs set on an overhead grid, like in a television production studio. It’ll also have offices and an IRL space with a kitchen set and a cyclorama.

“Because our videos have clear formats, they follow the same types of camera styles and lighting,” Barclay says. “So with our new system, it will be as simple as a gamer jumping into one of the booths, or an IRL actor jumping into the IRL space. They’ll click a button, and all the lights, cameras, are automatic, and then they can just start filming. There isn’t any of that bump in, bump out, which will allow us to be more efficient and capture a lot more footage so that we can really focus on enhancing, and the actors can do a better job.”

 

Barclay says talent support is a central focus for Spawnpoint, because its actors are usually amateurs. When he was first getting the company off the ground, Barclay sourced school friends he knew had “big potential” as hosts. Now, when looking for fresh talent, he often looks to TikTok.

“The bar for our entry is actually pretty low, because the talent in Australia is so few and far between,” he says. “We do heavy training work.”

For example, the actors for Spawnpoint’s newest channel, Milo and Chip–launched in December 2023–trained with the studio for nearly a year before their channel’s debut.

“I usually have a rule that I don’t expect anything from a team member for the first three months,” Barclay says. “In a year, all I’m expecting to see is improvement. It doesn’t have to be that they’re doing everything we want them to do. It doesn’t have to be X amount of improvement. We just want to see improvement, because we believe that people improve at different speeds. That’s why they’re so loyal to our team, because we invest in them like crazy.”

Spawnpoint is currently developing two more channels, both of which it intends to debut sometime this year.

Barclay says the investment Spawnpoint received from Spotter was instrumental in being able to grow the business.

“We’ve always wanted to do this project, but [the investment] allowed us to do it a lot bigger and better than we would’ve been able to do it otherwise,” he says. “It’s given us a lot more security in the sense that, traditionally, people like us have to rent spaces, but we were able to purchase this space and build it ourselves. It really contributes to optimizing every single bit.”

In addition to purchasing the studio space, Spawnpoint poured cash into salaries and bonuses for its cast and crew, which Barclay thinks is one of the biggest things it can do to ensure continuing quality of its content.

“We really, really, really value putting our team members above everything,” he says. “They are the lifeblood of the company. That’s what makes the videos so special.”

BENlabs lays off “many” staffers, appoints new CEO

Influencer marketing agency BENlabs has laid off “many” staffers and appointed a new CEO as part of a “strategic restructure,” it announced June 4.

The agency, whose core business involves using artificial intelligence to match brands and creators, said this restructure will allow it to “return to our client-centric roots” and focus on the three main things it offers: influencer marketing, product placement, and TubeBuddy, the YouTube analytics platform it acquired in 2020.

Former CEO Ricky Ray Butler has been replaced by Ted Sheffield, who’s been with BENlabs for over a decade and previously served as its Chief Operating Officer and general counsel.

Other executive appointments include Erin Schmidt as General Manager of Product Placement, Jake Maughan as General Manager of Influencer Marketing, and Tyler Folkman as Chief Technology Officer and General Manager of TubeBuddy.

As for the layoffs, BENlabs was not specific about how many employees were cut. “Given the significant shifts that have been required, this restructure has also resulted in a reduction in our workforce and the need to say goodbye to many amazing colleagues and friends,” it wrote on LinkedIn.

According to its website, it has around 400 employees.