Categories: Uncategorized

Coronavirus Shutdowns Could Increase Viewers’ Content Consumption By 60%, Per Nielsen Data

As coronavirus-caused social distancing and quarantine policies take effect around the world, people stuck at home are finding ways to entertain themselves. Marble racing, music-making–and catching up on all the backlogged streaming service content they’ve been meaning to watch.

According to measurement firm Nielsen (as reported by Variety), media consumption rises by 60% during major events that force people to stay indoors. The most commonly watched types of content are feature films and news programming, it found.

The firm arrived at this figure in part by looking at two fairly recent shutdown events: the particularly nasty nor’easter blizzard that dumped three feet of snow on mid-Atlantic and northeast U.S. in January 2016, and Hurricane Harvey in August 2017.

Subscribe to get the latest creator news

Subscribe

Nielsen’s data showed that during the nor’easter’s most devastating weekend, Jan. 23-24, usage of TVs in New York rose by 45% compared to the previous weekend. During Harvey, which affected southern states, viewing rose 56% in Houston. Nielsen additionally found that during these events, the amount of streaming service content being watched on TVs rose by 61%.

It’s likely homebound people will tune in to streaming services because around 91% of U.S. adults subscribe to at least one streaming service–and one-third of that 91% subscribe to three or more, per Nielsen.

Streaming services and media companies have, like many industries, been affected by the COVID-19 pandemic, which has sickened more than 182,000 people worldwide and killed nearly 7,200 of them. Last week, Netflix suspended filming on all U.S.- and Canada-based scripted series, citing concerns for cast and crew as well as California’s new guidelines barring gatherings of more than 250 people. Warner Bros. Television Group, Universal TVSony, and Disney have all suspended filming as well. Disney also decided to postpone the release of its $200 million Mulan, and this past weekend released Star Wars: The Rise of Skywalker and Frozen 2 for digital viewing early–though noticeably not on its own streaming service, Disney+.

Share
Published by
James Hale

Recent Posts

“We didn’t anticipate how strong the IP had become”: How EYstreem’s Spawnpoint Media is building global brands on YouTube

These days, with YouTube and TikTok the entertainment space for all ages, one-third of kids…

32 minutes ago

Talent agency CAA and equity partner TPG launch company to spend $250 million on creator companies

CAA and TPG want in on the creator economy spending spree, so they're linking up…

3 hours ago

2026 Creators In Action benefit gala to honor Colin and Samir, Whalar Group Co-Founders

On September 14, creator economy professionals will gather in Venice, California to celebrate a handful…

5 hours ago

YouTube has revealed its lineup for soccer’s biggest stage. Who will take home the Creator Cup?

One day before the first match of the 2026 FIFA World Cup, a YouTube blog…

6 hours ago

On a new channel, Mister Rogers is now YouTube’s neighbor

It is indeed a beautiful day on YouTube, because Mister Rogers has taken up residence…

1 day ago

Accenture’s acquisition of Whalar brings a global consulting firm into the creator economy

Accenture is making a big move in the creator economy. The global consulting firm, which…

1 day ago