Neil Patrick Harris, who Whedon brought in after learning about his musical theater chops, is fantastic as Dr. Horrible, and his recent career resurgence, including the self-mocking appearance in the Harold and Kumar movies, undoubtedly helped with the Dr. Horrible buzz. His character is a conflicted one, as an evil villain and the bearer of a puerile crush on Penny (Felicia Day), a plight I’m sure many guys can identify with.
Harris is great as a vlogger, and the vlog is well used in the series as a significant plot device in the second episode and in an emotionally evocative moment at the end. But the idea still comes off as a gimmick for a project that otherwise has little relevance to Internet media.
Dr. Horrible lacks the free form quality of video blogging that lends itself to complex characters through its haphazard construction of narrative. The series is way more plot driven and to a certain extent formulaic than any other show that uses the medium as a character device, and it shows by the end.
To me, the second two installments don’t quite live up to the first. Maybe it was the excitement surrounding the release, but the second lacked the energy and freshness, going through the plot without adding much depth to the characters. Dr. Horrible is the only one that’s compelling. Penny is a one dimensional do-gooder type who isn’t allowed to develop at all, while Captain Hammer (Nathan Fillion), has a bit more of a story arc, but the obnoxious egotism is predictable and gets old fast.
The third episode has an unexpected and tragic ending with a climactic scene well done, but it all feels unresolved. Perhaps Whedon is leaving it open ended for another mini-series, but this one leaves the viewer with a fairly nihilistic view of the superhero world, where the protagonist is doomed to be evil, and the superhero good guy is a douche bag.
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