I expected internet culture/infotainment a la Rocketboom (Tilzy.TV Page) or Epic Fu (Tilzy.TV Page), but what they’ve got appears to be haphazard and cheap. Does anyone spend time researching and writing these shows? Day in and out, it feels like a thrown-together Rocketboom field report or a series on VideoJugg (Tilzy.TV Page) produced in an afternoon.
I don’t care how to make a grilled cheese sandwich – even if I did, it appears to be self-evident – and the instructions on avoiding a hangover were as dull as they were useless. Mahalo’s got all the ingredients for a great show, and they need to focus them on interesting content. ###
My guess? Too few resources. Maybe “Executive Producer” Tyler Crowley spends too much time producing the CalacanisCast, and not enough time producing Mahalo Daily.
It’s only been about ten days, so I should cut the team some slack. It takes some time to catch a groove. Here’s to hoping they figure it out soon – they have so much potential to pull off something unique.
These days, with YouTube and TikTok the entertainment space for all ages, one-third of kids…
CAA and TPG want in on the creator economy spending spree, so they're linking up…
On September 14, creator economy professionals will gather in Venice, California to celebrate a handful…
One day before the first match of the 2026 FIFA World Cup, a YouTube blog…
It is indeed a beautiful day on YouTube, because Mister Rogers has taken up residence…
Accenture is making a big move in the creator economy. The global consulting firm, which…