News came down this week that legal tussles are already breaking out between the callow kids claiming crucial roles in the creation of the highly hyped TikTok Hype House, just a few weeks after its existence first became public knowledge.
About 20 creators now call the house a home, along with goodness knows how many cease-and-desist orders. But more importantly, the increasingly popular concept of a House Full Of Influencers has me thinking about its potential in so many other parts of our lives, all documented by short karaoke videos, IGTV streams, and the occasional still image or Twitter post.
Of course, putting a bunch of perhaps slightly self-absorbed people into close quarters together, ideally with little opportunity to escape each other, and then letting cameras roll is a tradition that goes back a long time in mass media.
One early example was the U.S. space program, where Right Stuff astronauts spent most of their time beyond Earth’s atmosphere under constant video surveillance from millions of viewers. By the mid-1990s, the space program had become rather passé, mostly focused on quick jaunts into near-Earth orbit to deliver supplies to the International Space Station.
For that matter, we didn’t even need to strap astronauts to a million pounds of rocket fuel and send them beyond the ionosphere anymore. We had the Biosphere II, where landbound “bionauts” spent a year in a sealed structure, learning to deal with the pragmatic issues of living semi-permanently with someone you’re not quite sure you can stand.
Around the same time, reality TV got hold of the idea, beginning with the pioneering Real World series on MTV. Biosphere II is credited with helping inspire John de Mol‘s substantially creepier Big Brother franchise, which used the nascent Internet to stream live video from multiple cameras inside the house 24 hours a day. That begat Justin.TV, which later pivoted to Twitch, and livestreaming for hours eventually became a widespread thing.
These days, seemingly anyone who can put up with anyone while putting up a social media feed has a house full of always-online roomies, this generation’s version of Friends, minus the unrealistically spacious Manhattan apartments for the chronically underemployed Joey, Monica, Chandler, et al.
Esports/merch design/social-media powerhouses such as FaZe Clan (that new $10 million mansion looks like quite something) and 100 Thieves gather at least some of their talent in big Los Angeles houses. Even pop superstar Rihanna launched her own collab house, filling it with influencers talking about her beauty brand Fenty. That’s the kind of entrepreneurial spirit we’ve come to expect from RiRi, and a much better use of her valuable time and talent than ruining former boyfriend Matt Kemp‘s focus on his once MVP-caliber baseball career.
And there are plenty of other such hype houses across social media. A few years back, The New York Times was astonished to discover a Hollywood apartment building at 1600 Vine Street was chock full o’ influencers, collaborating the bajeesus out of each other.
Heck, even my old North Hollywood apartment complex was a de facto Hype House while I lived there. I wrote about the business, had one influencer living next to me, another on the first floor, and a third secretly housing as many as a dozen other influencers in his two-bedroom apartment directly beneath the building manager. Now, that’s
a Hype House, or possibly the setup for an NBC sitcom, if anybody who cares about influencers still watched broadcast TV.Anyway, TikTok influencers have now taken the concept to a new level of intensity, as with so much else that platform touches. But I’m waiting for this approach to expand into the rest of pop culture. I see many opportunities ahead, if we just apply our imaginations and self-promotional instincts to the task:
There are lots of other possibilities, if we just use the kind of imagination that led to the creation of the TikTok Hype House, and especially, all of its resulting legal maneuvering. Isn’t social media grand?
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