Archive for 2008:

'After Judgment' Reloads With KoldCast TV Deal

A few months back, After Judgment, the post-apocalyptic indie thriller web series from Captain Films launched with an ambitious multi-narrative format that meant running two separate web series simultaneously—After Judgment and its prequel series Before Judgment. It’s hard enough building an audience from scratch and getting people to notice one web series, let alone two. But people did notice, or perhaps the right people noticed. After Judgment Web series

Irvine, CA-based broadband television network KoldCast TV signed After Judgment to a revenue-sharing distribution deal and relaunched the series this week on its site, bringing its full marketing resources to bear to promote the series. Known for distributing such shows as Poor Paul and The Midwest Teen Sex Show, KoldCast has been aggressively building up its stable of quality web series, including a number of the new series from writers-portal Strike.TV. There’s also a soon-to-be announced distribution partnership with Tivo, which will bring KoldCast TV’s web series to TiVo’s 4 million subscribers (more on this coming).

For the re-release, the series is starting back with Episode 1 and 2 which are now up on KoldCast TV. From there, Episodes 3 – 8 will be released one at a time on each successive Tuesday and Thursday, through December 23rd. Beginning on January 6th Episode 9 will debut in sync with the other video partners, like YouTube and Metacafe along with the After Judgment site itself.

Producer Taryn O’Neill, who’s also one of stars in the series, raved about the chance to have KoldCast teaming up and putting its marketing muscle behind the show. “This is a really great opportunity for us,” she told us, “any time you find a distributor who is really passionate about your project it’s terrific.” That, and the audience numbers also helped seal the deal for O’Neill and her team at Captain. With some 400k monthly viewers of The Midwest Teen Sex Show, the idea of cross-promoting with some established web series certainly piqued their interest.

KoldCast CEO David Samuels told us, “[we] will be conducting banner ad campaigns and a variety of other marketing activities on behalf of After Judgment, at our own expense, to further introduce AJ to prospective viewers.” Apparently, since right before Thanksgiving they have removed all Google-served banner ads from the video network site and replaced them with banners to promote other KoldCast series. (See the After Judgement banner below.)

After Judgment banner

Samuels added, “The number one and two complaints among content providers that reach out to KoldCast are (1) lack of attention by their distribution partner, and (2) poor discoverability of their content.” In effect, it appears KoldCast is taking the hands-on approach to cross-pollination, something that fellow distributors like Revision3 and NextNewNetworks have found success with.

Taryn O'NeillI asked O’Neill what she would consider a success for the series out of this deal in terms of viewership, though it seems that wasn’t her primary focus for the partnership. “I’m not really thinking about a number—this is a test to see what it’s like to have your show professionally promoted with a a site that has an established audience behind it.” She adds that she has her sights set on growing the fanbase over time and bringing on a lead sponsor for Season 2. The second season has been written, director Mike Davies tells us, but at this point they will hold off production until the right deal is in place.

In a matter of months, O’Neill has become an active part of the thriving Hollywood Web Television community, making the transition from actor-model to actor-model-creator-producer and like many of the newly converted, learning much of it on the fly. “We love the digital web world, and in many ways more than traditional Hollywood.” O’Neill said. She now has an active Twitter account and regularly attends industry events like the Hollywood Web Television Meetup, which she relates to a form of “digital college.”

I wanted to know what words of wisdom she would have for those just starting out. “Find out what you’re good at, like Felicia [Day] did, and surround yourself with like minded passionate people who are in it for the long haul and not for instantaneous gratification,” she advised. She says she learned to have confidence in her work, without needing approval before relentlessly getting behind it. “You don’t need permission to go out and ask for something and you don’t have to have an agent to get a deal.”

Discover a Unique Brand of NYC Loserdom with 'Mimi and Flo'

Mimi and Flo, the two quirky twenty-somethings at the center of surprisingly addictive web series The Mimi and Flo Show, are the bizarre answer to the millions of Carrie Bradshaw wannabes out there who believe that all it takes to succeed in Manhattan is a healthy sex life, designer heels, and cringe inducing puns.

You see, Mimi and Flo are Midwesterners (Mimi is from a dairy farm in rural Wisconsin and Flo is from the Chicagoland area… Go Bears!) trying to make it in NYC. And they’re losers. Big losers.

But the genius thing about Mimi (Hannah Bos) and Flo (Frances Chewning) is that they are completely unique in their brand of loser-dom. So, while other girls about town may be conquering New York in conventional fashion, Mimi and Flo are starting new oven mitt fashion crazes, sharing an inflatable mattress, testing the limits of elevator flatulence, or whatever you want them to do.

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iTunes Best of 2008 Doesn't Match YouTube Numbers

The good people at Apple’s iTunes have released their annual top-seller and best of lists for 2008. Ask a Ninja topped out the Video Podcast list on the “Classics” side, while 60FramesWho What Wear came in close to #1 for the Video Newcomers in 2008 category.

Unlike last year’s YouTube list of most memorable videos, whose honorees were chosen via a mysterious “formula” that took into consideration “view counts, most shared, most discussed, top rated, and general popularity,” Apple doesn’t let you know how these programs made it on the lists.

There’s now way to tell if the series had high download numbers or whether they were simply the editors’ favorites.

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'Nirvana The Band The Show' Goes to Eleven

I’m astounded by the number of guys and girls making videos about trying to get famous. When I started watching Nirvana the Band the Show I thought, “Here’s another pair of these dudes giving fame a go.”

The series that premiered in mid-Decmember 2007 is quite reminiscent of Clark and Michael, but instead of Hollywood neophytes trying to make a sitcom, it’s a mockumentary about a couple of odd Toronto guys trying to make it as a band (which they naively name “Nirvana the Band”), who make all the wrong moves.

The first episode takes place entirely in Matt (Matt Johnson) and Jay’s (Jay McCarrol) apartment as they develop their act (which seems more like a vaudeville performance than a grunge rocker set, and, in fact, the only nod to the real Nirvana comes when Smells Like Teen Spirit plays while the credits roll) and try to get booked at a local club called Rivioli’s.

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Tubefilter Tuesday Picks – December 2, 2008

It’s safe to say that this week’s web series picks are the only place that gives you a tasty mix of John McCain-loving sexy neo-cons with a side of spooky Massachusetts high school girls and topped-off with a creepy middle-aged New Jersey man. How do we even begin to pull a theme out of that? We can’t. But we watched them, laughed, were creeped out a little, and laughed a little more. So here they are – Oldbury Hill, The McCaingels and The Speed Creeper.

Oldbury Hill

The premise of this thriller from OurTVSpace and creator Doug Kirkpatrick is like 90210 in reverse—a high school senior moves from Beverly Hills to a small sleepy town in Massachusetts (fictional Oldbury Hill) and tries to fit in to her new life and new school all while trying to figure out a “centuries old dark secret that threatens to change the world.” There’s a pretty active fan site where cast, crew and fans are refreshingly chatty about what’s going on in the series. Episode 4 was just released yesterday.

The McCaingels

Ok, so he lost the election and a web series about John McCain probably won’t tickle the fancy of many viewers any more, but this one was too good to not take another look. The McCaingels put out three delicious episodes this summer and fall, in what is Charlie’s Angels meets eager young Republican campaign staffers. We’ll be waiting for more from creator Mike Addis, who gave us “the sexiest Neo-Cons you will ever meet.”

The Speed Creeper

The Speed Creeper - Tubefilter Tuesday PicksFrom newcomer comedy site Manic Attack and creator Tommy Walsh comes a series we have been longing for ever since mustached middle-aged men paraded up and down our street in the wee hours of the morning. The Speed Creeper debuted October 31st, bringing the dedication of fictional NJ man Alan Benderhoven and his dream of becoming the world’s fastest speed walker. As he puts it, “Breaking Away could be one of my favorite films. It just doesn’t get any better than watching a bunch of underdogs turn on that determination trigger, and go for it.” New episodes come out every other week through March, so make sure you keep track on our Web TV schedule.

HBO Tests Digital with Flight of The Conchords and Funny or Die

HBO‘s hit series, Flight of The Conchords is a natural fit for the web: dopey irreverence with a wry wink is precisely the hip sensibility that most of my digital contemporaries seek (you may recall that last season Mel had a video blog), so the fact that its new season will premier early on Funny or Die is certainly no surprise.

It’s an interesting stunt for a premium network that needs young people and an internet-video property without a clear mandate.

The first episode of season 2, which is set to premier on HBO next month, will be available on  Funny or Die on Wednesday, December 17th at 12:00 p.m. EST.

But as HBO – which actively experiments with digal media – delves deeper into the abyss, it will face an existential crisis.

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'DadLabs' Snags Badass Six Figure Deal With BabyBjorn


Dad LabsLess than two weeks after For Your Imagination‘s Spring 2009 Web Video Upfronts on November 20, DadLabs, the parenting video network for dads and by dads, announced a a six month, six figure exclusive sponsorship with baby products manufacturer BabyBjorn, according to DadLabs co-founder and host Clay Nichols.

BabyBjornDadLabs had been working with BabyBjorn on the sponsorship for over a month, according to For Your Imagination CEO Paul Kontonis, though the FYI upfronts—where the DadLabs shows were highlighted among the slate of web shows presented to New York ad execs and brand managers—may have catalyzed the deal’s closing. BabyBjorn, who has been a repeat advertiser since the relaunch of the DadLabs network in October 2007, will be the exlusive sponsor on the four current shows, leaving an opportunity for other brands (including past sponsors Graco, One Step Ahead and most recently Hasbro) to get in on the action. “We are developing new web series to be part of the DadLabs community to meet the needs of new advertisers as demand continues to grow,” said Kathryn Jones, Vice President of Branded and Sponsored Entertainment at FYI.

For Your Imagination Spring 2009 Web Video UpfrontMarkedly absent from the DadLabs deal is the involvement of advertising agencies, traditionally the gate keepers of brands. The DadLabs active and highly engaged viewership, although not huge compared to other parenting networks, may have appealed to BabyBjorn while the relatively low numbers were passed over by ad execs. “The brand to audience relationship is what’s at the heart of this deal,” Kontonis told us. “Clay, Brad, and Troy are the best ambassadors for the brand—this deal was not just about numbers but also about delivering the right content in the right context. DadLabs is advertiser-friendly and has a unique voice that differentiates it from other parenting content.”

The sponsorhip deal follows the current trend of grassroots niche audiences capturing the attention of major brands, like Felicia Day’s The Guild’s recent sponsorship by Microsoft and Sprint. We look forward to brands waking up to the still untapped potential of web series to connect with targeted audiences.

Aaron McGruder Puts Live-Action 'Boondocks Bootleg' on YouTube

More people should watch The Boondocks.

Aaron McGruder‘s comic strip/Adult Swim cartoon blazes a sinuous trail on top of the fine line that separates critical racial commentary and racial controversy. The creator is unapologetic for his often hyperbolic representations of African Americans, as seen through the eyes of one big-haired, angry-eyebrowed, radical ten year-old Chicago South Sider – displaced to the suburbs and in charge of his eight year-old brother who loves the hip hop and thuggish ruggish image – who is disillusioned by the perverse ways American politics have shaped black culture.

It’s dry, cynical, and looks awesome. Here’s an example:

Given his prowess in creating an animated program, you’d expect at least some of McGruder’s talents to translate to a live-action sketch comedy series. If you take a look at his recently rolled out side project, Boondocks Bootleg, you’d be right. Some of his talents do translate to a live-action sketch comedy series.

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Did McDonald's Dollar Menuaire Go Bust?

Big brands have to make bold moves to defend their position in the market and McDonald’s, one of the biggest brands in the world, is no exception. In September the world’s largest fast food chain launched its first ever web series, The Reality House Show, an animated series following the goings-on at a fictional Real World-style beach house, populated by a tawdry cast of tried but true reality genre caricatures. But now the show, which has racked up less than 1,400 views on YouTube at the time of publication, has all but disappeared from the net.

Back in 2007, McDonald’s and its interactive agency of record Tribal DDB Worldwide wanted to launch a new campaign focused on attracting the coveted 18-34 year old demographic to eat on the cheap from its Dollar Menu. So they created Paul, the Dollar Menunaire. Reminiscent of a character you would find on Cartoon Network’s late night Adult Swim, Paul lived in his parents’ basement, and sustained himself exclusively on, you guessed it, McDonald’s Dollar Menu items.

The Reality House Show

Fast forward to summer 2008. Tribal DDB and McDonald’s decide to take Paul out on his own—but they don’t want to see him starve, so they toss him into a reality show with fellow inhabitants Mike, Paul, Chloe, and Tiffany, and generously feed them all, you guessed it, Chicken Sandwiches, McFries, and cheeseburgers. They wanted Paul to have a good time, so they made some major commercial buys on sites like Hulu, EPSN and IGN, hyping Paul’s and the show’s impending September 8 launch, and ensuring that he wouldn’t be living out his Big Brother fantasy all alone.

McDonald's The Reality House ShowThen, just as fast, the show was gone. Two of the three episodes remain on MickeyD’s YouTube Channel, but the site WatchRealityHouse.com now redirects to a static Dollar Menu advertisement on McDonalds.com. Oddly enough, as of today, the ads on Hulu (watch one below) are still running strong—sometimes two or three per show, all tail-slated with the show’s now defunct URL, which is still accessible, but only if you know the precise address of the page you are trying to access.

So, what happened to the show? Was McDonald’s displeased with the fact the site only pulled in four-thousand visitors in all of September and October? Was it the dismal reception on YouTube? Probably. But the real question is why audiences didn’t resonate with a character that, in other mediums, had been the public face of McDonald’s wildly successful Menuaire campaign for nearly two years. Most likely because the show didn’t make sense and plugged McDonald’s products five or six times per two and a half minute episode.

The Reality House Show is a prime example of why big brands need to source ideas from web television creators, not agencies. The world of web television isn’t anything like the world of television commercials, and it shouldn’t be treated as such. You’d never build a television show around a product, and you shouldn’t do that with a web television show either. Product integration, a la Vitamin Water in Ashton Kutcher’s BlahGirls or Adobe in Agency of Record is great, but you have to divorce the content from the advertisement, or integrate it in a way that actually makes sense. So, listen up brands—if you’re planning to finance your own shows, hire someone else (not your agency!) to create it for you. Not only will you save loads of money, but in a landscape full of sophisticated audiences who can sniff out a commercial shill in two seconds flat, I guarantee that you’ll actually find a tribe of viewers who care—and if you’re smart, you’ll know that that’s exactly what you should be looking for.

Dorota to Star in 'Gossip Girl' Web Series Spinoff


Who watches Gossip Girl? Not me. (Aside: I have no idea why anyone uses Yahoo Answers.) Despite relatively lackluster ratings, I feel like I’m the only one. The sense of isolation is compounded by the fact that I live in New York just a few subway stops away from Serena van der Woodsen (Blake Lively) and Blair Waldorf’s (Leighton Meester) stomping grounds on the Upper East Side. And that everyone talks about it.

I should watch. I know. It’s just one of those things I never started and subsequently missed. Sometimes, that works in your favor (I never owned a pog), though in the case of Josh Schwartz‘s tweenage drama, I think I’m missing out on a significant cultural and entertainment phenomenon.

But I’ll start now, especially considering I just found out Wallace Shawnthe best character actor this size of Warwick Davis – makes multiple guest appearances. And there’s going to be an online spinoff.

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'Saw' and 'Slither' Directors Get Funny in Xbox's 'Horror Meets Comedy'

Like an alien plague that turns people into monstrosities in a peaceful South Carolina townJames Gunn has been on a tear. 

The director of Slither (and writer of Scooby Doo and Scooby Doo 2) currently instructs better-than-average looking females with worse-than-average acting abilities on how to be a horror movie star in VH1’s Scream Queens (an episode on ‘How-to Take Off Your Top” hasn’t aired…yet). His online, safe-for-work PG Porn series, which features actual adult starlets opposite actual actors (though, nowadays, it’s hard to tell the difference), has been racking up an insane view count on Spike.

And now you can catch him and his sanguinary director pals hack away at their funny bones in another online series that looks like it will get as big an audience as a George Romero flick’s body count. 

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Fine Brothers Make 'Lost Parodies' Sequel With Canuck Comedy Site

Lost ParodyWeb comedy pioneers The Fine Bros have been signed to produce season two of their original web series Lost Parodies for Montreal-based video comedy site Just For Laughs. The Fine Bros’ popular web series parody of ABC’s Lost is a live action satire drama starring action-figure puppets. Benny & Rafi Fine have produced online comedy videos for more than four years racking up over 20 million combined views, including the banned-from-YouTube G.I. Joe parody Epic Saga featuring the Hasbro brand action-figures.

Easily one of the brothers’ most popular series, Lost Parodies has garnered over 4 million views across the internet, so it was no surprise that Just For Laughs, which prides itself on its commitment to finding and partnering with established internet comedy brands, took interest in the series. “Just For Laughs ended up being the perfect match to give the show a home beyond our usual destinations, and give them a series that can get them a lot of exposure and awareness to Just For Laughs becoming an online destination and not just a great comedy festival,” said The Fine Bros.

Fine BrosAs for the series, The Fine Bros tell us that Hurley is going to die at least five times. “We know it’s not usually a good idea to reveal character deaths like that, but we are just so broken up about it that we had to let everyone know.” And especially now that the Lost action figures are no longer being produced, Benny & Rafi are resorting to some creative ways to get the stories across. “There also will be quite the array of chaos on the Island as the castaways deal with even more unlikely people showing up.” No release date has been set yet, though it should be some time in the next year, according to the brothers.