Categories: Tilzy.TV

Can Someone Release a #$@%ing Track?!?!

A little less than a year ago, Hua Hsu studied the effects of YouTube on hip-hop’s beef.

“For most of rap’s history, one-upmanship has been hip-hop’s engine of change. Recently, however, beefs have lost some of their creative spark, as battles have migrated from albums and mix tapes to YouTube. Today, a rapper with wounded pride is more likely to cut a made-for-YouTube video than to bother penning a vicious rhyme. The result: videos with laughably bad production values showcasing sloppy dis tracks (or worse, no track at all).”

The most damning evidence he provided heralding the death of the art of the diss was Cam’ron’s poolside declaration to 50 Cent that he hasn’t been hiding, he’s been on vacay, wearing beaters, boxers, and ankle socks.

Subscribe for daily Tubefilter Top Stories

Subscribe

The video was a marked downturn from Cam’s previous diss – which wasn’t amazing, but good enough to get me to involuntarily shout, “Cccuuurrrtttiiisss!” whenever I hear a 50 track – though if Hsu were handling the case of the degradation of hip-hop beef today, he’d find a new smoking gun in the hands of Ice T and Soulja Boy.

Here’s a rundown: It started when Ice T ranted on a recent mixtape that Soulja Boy “single-handedly killed hip-hop.” Soulja Boy responded by figuring out how many ways he can call Ice T old in seven-and-a-half minutes. Ice T then apologized, kinda, while Kanye gave Soulja Boy props from the sidelines.

All of this through blog posts and YouTube clips, unedited, unimpressive, and unsung.

Ice T and Soulja Boy are musicians. Both of them have made money and history in a genre with a rich pastime of encouraging rivalries and talking mad trash. Why they wouldn’t take this beef into a sound studio and write actual music rather than rave in front of a handheld camera accompanied by ambient noise speaks way more about the changing state of hip-hop than this Bar-Mitzvah generation’s Electric Slide.

The ease and immediacy of the new medium is too enticing a replacement to creating something that’s at all attuned to their craft.

In his not-apology, Ice T says, “There’s kids that go in the studio and really try to rap. They really sit down with pen and write stuff. Ya know what I’m sayin’?…I’m feelin’ cats like that, that take time to go in the studio and really write something.”

Me too, Ice, me too. Now get the in the booth and cut a track. This talking $%^@ is whack.

Share
Published by
Joshua Cohen

Recent Posts

With 500,000 sellers in the U.S. alone, TikTok touts the safety features of its Shop

Amidst a chaotic week at TikTok, the app took some time to acknowledge its growing community…

11 hours ago

Wesley Wang’s viral short film got 4.4 million views. A feature adaptation is in the works.

Nothing, Except Everything is getting a big-screen treatment. That's the name of a short film that…

12 hours ago

Creators on the Rise: Giulia Amato on faith, finding her niche, and getting up at 4 a.m.

Welcome to Creators on the Rise, where we find and profile breakout creators who are…

14 hours ago

Newsletter platform beehiiv prepares for expansion with $33 million Series B

A major player in the burgeoning newsletter industry has made a sizable addition to its…

1 day ago

Meta promotes original content on Instagram, launches bonus program on Threads

Meta has kicked off the week with a pair of announcements that should make its creator…

1 day ago

Top 5 Branded Videos of the Week: MrBeast’s latest sponsored smash is fun for all ages

MrBeast continues to show us that he's in a league of his own as far as…

3 days ago