Archive for 2008:

Howard Kurtz, Tipsters, and Democratized Media in a Politicized World

At around 1:00 am on March 3rd, 1991, George Holliday, a plumber and general manager of a Los Angeles Rescue Rooter, was awakened by a chorus of police sirens. Peering from his apartment window, Holliday saw a helicopter, six police vehicles, a white Hyundai and a swarm of men in dark uniforms. Holliday grabbed his Sony CCD-F77 camcorder, a newly-purchased gadget, and filmed the commotion from his apartment.

Two days later, Holliday called the LAPD to inquire about the scene. Holliday identified himself as a witness, but the officer was curt and disinterested. Frustrated by the officer’s response, Holliday called his local TV news station, KTLA, and offered up his videotape. That evening, CNN aired KTLA’s report and Holliday’s 90-second tape became known as the recorded evidence of the Rodney King beatings.

Around that time, over 50 million Americans watched the evening news. In his new book, “Reality Show,” Washington Post’s media critic Howard Kurtz estimates that over the last 18 years, the number of nightly news views has plummeted to 25 million viewers.

In an interview with Tilzy.TV, Kurtz noted that, though their general audiences are dying off,  newscasts still serve a function as “giant amplifiers."

There are plenty of sites that serve up lots of videos of the days events so people can watch the raw footage for themselves. What the evening newscasts do, both on the air and online, is provide an editing function – classifying what’s important, from a political event to a medical study – and compressing it into an easily digestible chunk with a bit of analysis, for people who are pressed for time.

Traditionally, a citizen like Holliday, who provides the mainstream media (MSM) with some form of knowledge – a tape, a document, a juicy detail – is known as a tipster, or a leak. In the early 90s, when the networks were still the only show in town, Holliday had to approach the MSM to be heard. Some 17 years later, with the digital revolution underway, it’s more likely that a tip, especially a video will go straight to the web.


Enter Mayhill Fowler. ###She’s a popular blogger for Huffington Post’s OffTheBus (O.T.B), which organizes a small army of “citizen journalists” to cover the presidential campaigns. Fowler, who was chummy with Obama’s campaign’s staff, was invited by a personal friend to attend a ‘closed-door’ (no MSM permitted) fundraiser. On April 11th, 2008, Fowler posted an article about the fundraiser with audio from the event.
She noted that Obama strayed from his usual stump speech; she was shocked and even somewhat offended to hear statements like, “You go into some of these small towns in Pennsylvania, and like a lot of small towns in the Midwest, the jobs have been gone now for 25 years and nothing’s replaced them…And it’s not surprising they get bitter, they cling to guns or religion or antipathy to people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.”

Within 48 hours, Fowler’s post drew 250,000 views and over 5,000 comments on OffTheBus. The MSM seized the opportunity to exploit Obama’s comments and the campaigns took jabs at each other – all parties were trying to lay claim to the meaning behind “bittergate.”
On the web, “bittergate” evolved into a debate beyond political squabbling; bloggers weighed in on whether or not the rules of traditional journalism could, or should, apply to web reporting. The establishment called for a blogger code of ethics; if Fowler is a journalist, she should be barred from closed door events (with the rest of the press). The challenging team argued that because Fowler is a citizen journalist, she is unrestrained by tradition; the freedom to report isn’t hazardous anarchy, but a democratic openness.
Kurtz says that the political impact of user-generated material “is growing at an astonishing rate. The Jeremiah Wright videos changed the Democratic campaign in a fundamental way. After the ‘CBS Evening News broadcast a report knocking down Hillary Clinton’s claim of having come under sniper fire in Bosnia, it was viewed on YouTube 2 million times. That underscores the viral nature of the Net.”

On his personal website, Neil McIntosh, head of editorial development for guardian.co.uk, wrote, “I’m not sure how traditional journalistic rules of engagement (off the record, on the record, scratch my back and I’ll scratch yours) can be enforced when everyone has a camcorder in their pocket.”

Referring to “bittergate,” McIntosh continued, “This, then, is less an issue for journalism, more one for political campaigners and masters of spin…Thus, tragically, the only logical response is for the candidate to clam up; treat every moment as a moment on Newsnight or Meet The Press…The implication of all those could be that, ironically, candor dries up because this is an age when everybody can be a reporter if they want to.”

One could describe McIntosh’s prediction as the present-day relationship between politicians and the MSM; a candidate’s ability to be forthright is overpowered by his/her need to be censored. However the perfect storm, which has been brewing since the days of Holliday and his Sony CCD-F77, may soon enough ensure the disintegration of the current ‘news ecology.’

The speed with which user-generated material is transferred to the mainstream via the web and back again, will continue to increase exponentially over time. An ever greater portion of the civilian population, armed with recording devices of ever decreasing size and ever increasing simplicity – gathers and distributes news.  In turn, the public gains less regulated access to elected officials, perhaps a clearer image of the character on screen. 

This newfound media democracy will empower voters to demand more candor, less caution, and a candidate who wasn’t made-for-TV.

Guys are Hot for Marina, Marina's 'Hot for Words'

I’m not about to hate on Marina, the pulchritudinous host of YouTube’s mega-popular HotforWords.  It’s too easy to find fault with her they-come-for-the-cleavage-but-stay-for-the-learning schtick.  Let’s just say if I wanted to know a word’s origin and definition, I would look it up in the dictionary, not check out Marina’s videos.  But I’m also not a heterosexual male with a subscription to Maxim. 

With over 40 million views on YouTube, I think it’s safe to say that Marina is probably the most popular philologist on the Internet. Not sure what a philologist is? Just watch Marina’s very first video in which she explains how the roots “logos” and “philos” magically combine to form the love of words, or as the buxom Moscow native charmingly says, “the love for the words.” Oh, Russians and articles! Can they ever resist using too many?  Or not enough?




As lore has it, Marina (yes, she’s a one-namer) came to the U.S. with not one, but two philology degrees to prepare for her Ph.D., and wound up staying this side of Siberia on account of the warmer weather. A former English and World Literature high school instructor (can anyone say Hot for Teacher?), the 27-year-old decided to hang up her head-of-the-class slacks and oxfords in favor of slutty schoolgirl wares and post educational videos about etymology. (So what do we call that? Etymotica? How’s that for a neologism?!)



In the past 8 months – after 43 million views and explaining sirens, geek, irregardless, and a 130 or so other words – Marina’s won Wired Magazine’s 2007 “Sexiest Geek” contest, appeared on Bill O’Reilly and hosted a regular, bi-weekly segment on Maxim Sirius Satellite Radio. Radio? Doesn’t that sort of…I don’t know…defeat the purpose?



###HotforWords has pushed up its production value a few notches since its early installments, with the inclusion of graphics, editing, games, jingles and cheesy sound effects, but it may have been better in the beginning.  With the unpolished early installments, one can’t help but imagine the impossibly beautiful Marina as a lonely, scantily-clad Russian import in a foreign land, closed off from the world in a little room with nothing but her video camera and love of words, desperate to share them with someone.




And yet, even though Marina does her darndest to share her linguistic prowess with the world, something tells me that we won’t be seeing a spike in SAT scores anytime soon. No matter what the topic of a particular episode, the overwhelming tenor of most of her viewers’ responses is something along the lines of, “Dam u sexy lol” or “nice boobs they real.” Perhaps Marina should require proper grammar and spelling for comments on HotforWords. Just an idea.



One of my favorite recent videos is a response to a fan (screen name KinGMuTeL8r) who asks Marina to tell him the origin of “the word” 420. Thankfully, Marina wastes no time pointing out that 420 is actually a number. Maybe she’s making a difference after all. Finally, an icon with the looks of Jenna Jameson and the smarts of William Jones.

LSD Plus Blow Equals Video Games

While it’s debatable if Lewis Carroll was high as a kite sipping opiates when he chronicled Alice’s trip down the rabbit hole, the mental state of software programmers during the video game industry’s infancy is beyond dispute: they were most definitely #$&@ed up.

Stories abound about Atari’s liberal drug culture, and Konami, Midway, and Namco must’ve cultivated similar care-free environments. Aside from way too much Jefferson Airplane and serious amounts of mind-altering substances, there’s no logical explanation for how these late-1970’s masterminds transcended to such levels of 8-bit psychedelica.

Those Aren’t Muskets shows us how it all went down:

FilmCow's Charlie the Unicorn 2

With new entrees surfacing faster than you can say, “Don’t tase me, bro,” it’s tough to choose an all-time favorite viral video, but after careful deliberation, I’d say the original Charlie the Unicorn is mine. Simple hypercolor animation, terribly annoying voices, Monty Python adventures, a children’s song, and urban legend make for entertainment worth millions of views:

FilmCow’s Jason Steele has been promising a follow-up for months. Last week, he finally let it loose.

You don’t need to have a degree from Tisch or UCLA, or watch Scream 2 to know that sequels are hard – by definition inferior productions that rarely surpass the quality of the their predecessors. You got the Godfather II, Terminator 2, and Aliens tops among a handful of notable exceptions that prove the rule. Unfortunately, you can’t add Charlie the Unicorn 2 to the list.

It’s not bad, it’s just more of the same, with the electric kool-aid acid quotient bumped up a notch. Worth a watch? For sure. But like most part twos, it’s not nearly as good as the first:

Josh and Me on IFC

IFC Lunchbox, the daily online show for Independent Film Channel fans produced with ForYourImagination, whose launch I covered here, recently invited Josh and me to talk about Tilzy.TV with Aimee Carlson of DailyMotion.  We had a good time and, hopefully, were able to shed some light on the haven of talent, ingenuity and creative freedom that is internet-tv.

Good job Josh and Amy.  Thanks IFC! 

To see the show, click the image below.  IFC still hasn’t enabled video embeds.  C’mon guys.

Waverly Films Wins YouTube's Sketchies 2

Even before you watched all the vids from the 10 finalists, you kinda already knew who’d win. It’s not that the other competitors aren’t talented (they are), or that they didn’t have a chance (they did), it’s more a testament to the crazy good creative sensibilities and production capabilities of Waverly Films.

The modesty of their About Us page belies their experience. “Filmmakers who live in Brooklyn” comprise Waverly’s crew, but that bio doesn’t hint at a client list including Comedy Central, FatBoy Slim, MTV, Sprite, Sony, and the New York Times (watch that one to induce old school Nintendo nostalgia). These guys know what they’re doing.

I thought POYKPAC’s tribute to Jack and Those Aren’t Muskets’ Bourne Ultimatum spoof each had a shot, but nothing could top the adolescent, robomystery gone awry, Sherlockbot & The Case of the Purloined Piggybank:

Waverly already gave a big Thank to the YouTube community and takes home $25K in cash, $15K in production gear, a meet and great with United Talent Agency, and the indubitable privilege of producing next year’s Sketchies III informational and how-to videos. 

'Beyond The Rave' is Frightfully Good

You know that sweet blood bath scene at the beginning of Blade with the badass techno beat and the sprinklers raining down vampire candy on a sea of hypersexual, e-ed up, body bumpin’ undead?

 

 

Well, the good people at MySpace, the heavyweights at Hammer Films – who gained fame with anglicized, goth interpretations of 1930s classics The Curse of Frankenstein, Dracula, and The Mummy, but haven’t produced anything in over 30 years – and new media production co. Pure Grass Films expanded upon those best five minutes of any nouveau-vampire story and created a whole new series.

Just replace Wesley Snipes’ title character with a soldier in the Queen’s army, set it in backcountry Britain instead of an American metropolis, make the acting a helluva lot better and you got Beyond the Rave.

 

 

Exclusive to MySpace, and inspired by the founders of Pure Grass own rave experiences (people still go to these things?), the creators promise suspense, plenty of blood, and a kind of sexy that’s shy of “gore-nography.” The first three episodes dropped last night and they don’t disappoint. We follow Ed on the beginnings of a 24-hour debauchery that will go horribly wrong when his girlfriend, Jen is captured by a group of hardcore partiers that suck on blood instead of pacifiers.

The 20 four-minute episodes (released Mondays and Wednesdays) will be packaged together as a DVD feature once the online series is complete, presumably to make some cash and because Beyond the Rave is one of the most entertaining things I’ve seen on the web.

Why? Lots of internet TV shows boast “character profiles” and “interactive elements,” but none of them have suck up chunks of my time investigating back story like this. If I’m impelled to revisit my all but defunct MySpace account to friend someone fictional, the show their in gots to be good.

Naked: Still Horny After All These Years

Ah, yes. Baby Boomers and sex.  

In Naked, Rachel Dretzin’s Webby-nominated series produced by the New York Times Magazine, ten New York-area consenting adults, whose vintage falls somewhere between Tony Soprano and Hilary Clinton, bear it all – but, thankfully, only literally.

The candid succession of interviews passes from one Boomer to another in one-minute excerpts, as each of the participants speaks openly about his or her sex life – or sad lack thereof. And really, I guess it’s no surprise that the generation who championed free love is still gunning to keep its motor running.

Spanning the philosophical to the primal, the testimonials are quick glimpses at a lot of history, but the most striking is a confessional by a woman named Lyn Neeley, a 57-year-old biology teacher – a high school biology teacher.

Can you imagine if your high school science teacher was online talking about her sex life? It doesn’t help she exposes that she’s in a sexless 6-year relationship with one of her co-workers – a man – after two long-term relationships with women. I’m sorry, but if I were fifteen and a student in Ms. Neeley’s biology class, that video would go viral faster than you could say, “lesbian gym teacher.”

###Another vignette that stands out, for a serious reason, is about John Hockenberry, an award-winning journalist and book author from Brooklyn who has been in a wheelchair since surviving a car accident when he was 19. In what would be considered a major case of TMI under any other circumstance, Hockenberry, who is married with four children, speaks about the first time he goes all the way – I mean,really all the way – with his wife of 11 years.

If you thought middle-aged guys talking about Viagra was a bit embarrassing, then you’ll be sure to squirm at Hockenberry’s unflinching description of how he’s able todo it, but, at the same time, it’s really quite enlightening. (Still, each time he says ‘nipples,’ I get a little giggly.)

Some of the people in Naked present an affirming attitude toward mid-life copulating, while some have lost the verve for it, and in one all-too-real instance, one 60-something woman speaks unabashedly about hearing form her husband that she’s let herself go and that he’s not attracted to her anymore. It’s touching, and you hope that some wealthy, single New York bachelor will be equally touched and sweep her up off her feet to make all well, good, and sexy again.

Naked poses an interesting dichotomy. If you’re young, chances are, you have little to no interest in hearing about the sexual habits of your elders, particularly the 55+ crowd, and yet, there might just be a part of you that feels somewhat relieved that the AARP demographic thinks about sex just as much as the Laguna Beach generation.  

Tilzy Seeks Contributor

We’re seeking an engaging writer, an opinionated media junkie familiar with cool stuff like Blip.tv, Revision3, NextNewNetworks, Rocketboom, OnNetworks, ForYourImagination and MyDamnChannel. We want someone who has ideas about the future of entertainment media and digs watching web TV. 

If this is you or someone you know, get in touch – jamisonATtilzy.tv.  We’d love to talk.

A Look Inside Viralcom's Premiere

If a Hollywood production studio had been charged with the task of producing this…



it’d probably look something like this…




Joey Manderino and David Young, the minds behind those zany videos on JoeyandDavid.com, just launched Viralcom, a journey behind the scenes of the imaginary, high-stakes world of viral video production.  It’s a timely concept ripe for sharp parody of an entertainment industry that takes itself too seriously, and its impending collision with a internet video culture marked by absurd narcissism and young girls in low-cut shirts.  That’s the funniest concept I’ve heard this month!



###The show has the feel of a big studio production and it should, considering it’s by Warner Bros Studio 2.0.  It’s well done too, if a bit spot on.  We see the world through two earnest writers, Joey and David, who, when casting an upcoming vid, must choose between the guy who’s taken his picture every day for six years and those dudes humping furniture. Remember them? When Mentos can’t be used due to legal holdups for an exploding coke bottle, the imagineering duo must experiment with other noxious compounds.  And when a studio exec scoffs at an unruly10-page script, they hand him one really long page. HA! 



Here’s the thing.  This was entertaining, but it was EXPENSIVE and, as with Vuguru’s The All For Nots, I wonder how (if) it pays off. Jake and Amir are ridiculously hilarious with just their desks and a hand-held camera.  Sometimes those forced constraints encourage creativity.  They have for Joey and David. 



It begs the question: can ephemeral, (relatively) big-budget series (brands) like this one garner the numbers that substantiate their costs?  I know they will, but can they yet?



I’m still waiting to find out.

The New Yorker's Animated Cartoons

Drawn from a roster of talent consisting of macabre Charles Addams (who later inspired the Addams Family) to cartographic Saul Steinberg, the tome of The New Yorker’s cartoons is the greatest American contribution to sketched, intellectual wit and irreverent socio-political commentary outside of Gafield minus Garfiield.

And the greatest contribution to The New Yorker’s cartoons, outside of Gawker’s fantastic but disappointingly short-lived fauxtoon column, are RingTales’ moving adaptations of the drawings, bringing the static sketches to simple, animated life.

In February 2007, the production company founded by Jim Cox and Michael Fry (you know, the two dudes behind Over the Hedge?) was awarded the “exclusive license to animate and distribute the New Yorker library of over 70,000 cartoons.” Originally produced with only iTunes in mind, over the past several months The New Yorker RingTales have quietly made their way onto YouTube.

A weekly delight of erudite cosmopolitans and suburban intellectuals, I understand wtf is going on in about…oh…55% of New Yorker cartoons, so it’s good to know Ringtales is sticking true to the originals and not making them any more accessible. You either get ’em or you don’t, but they’re quick enough where, either way, you don’t care. Watching 15 seconds of over-my-head esoterica beats labored explanations any minute of the day.

Read On…

Gary Vaynerchuk, Now in Book Form!

Following in the deadly metaphorical footsteps of Ask a Ninja (or should that be “absence of footsteps”?), videoblogging’s new age sommelier, Gary Vaynerchuk is releasing a paper and ink version of his emphatic wine recommendations through Rodale publishers on May 13th. 

Preorder your copy of Gary Vaynerchuk’s 101 Wines: Gauranteed to Inspire, Delight, and Bring Thunder to Your World, a book that promises to be the best word of mouth, virally marketed title this side of Celebutantes.

And here it is straight from internet’s most passionate source: