Archive for June, 2008:

RIP George Carlin

George Carlin died over the weekend at the age of 71. Like Steve says, none of the just uploaded tribute videos on YouTube have seen much traffic, probably because they can’t possibly capture the rabidly pessimistic, counterculture comedian better than his actual stand-up clips.

Here’s Carlin’s Seven Words You Can’t Say on TV:

And below is the opener from his 13th HBO stand-up special, 2005’s Life is Worth Losing. A carefully crafted spoken-word soliloquy that puts any slam poet to shame.

RIP, George Carlin. I know you didn’t believe in religion or an afterlife, but here’s hoping you’re chilling with Buddy Christ somewhere nice, watching a heavenly CNN.

###UPDATE:  I forgot about the Baseball and Football routine.  Genius:

Politicking, from Electronic to Digital

Tony Schwartz died last week.  He was a sound archivist who used his intuitive sense to appeal to the emotions of voting Americans; he created more than 2000 political ads and was a thought-leader of media in the electronic age.  Slate has created a thoughtful, neutral piece about a man who changed American politics.






Does the now commonplace mudslinging of presidential politicking downgrade the national debate, or does it force accountability? ### The advent of ubiquitous internet video has changed the way politicians campaign, or it should.  In many ways, it’s been the beacon of democracy we’d hoped.  In others, it’s made brutal process bloodier.  Candidates’ every words are monitored for potential internet broadcast, and the emotional appeals they carefully craft can now quickly backfire.  Take, for example, the now infamous Hillary Clinton phone ad…







I wonder how Mr. Schwartz would have played the game in a world where mashups and video responses can instantly change the effect of a political meme. 




They Might Be Giants Friday Night Family Podcast

If any indie rock group was going to host a “family podcast” featuring music videos teaching children the alphabet and basic arithmetic, it was going to be They Might Be Giants, the geek legends whose goofy, catchy pop tunes – Istanbul (Not Constantinople), Dr. Worm, the 2002 release No! meant for “the entire family) have always bordered on the childlike. 

They Might Be Giants Friday Night Family Podcast began airing monthly and then weekly in November 2007 on the Giants’ This Might Be a Wiki site and has the band’s two Johns (Flansburgh and Linell) starring as orange felted, green sweatered puppets providing intros to videos from their Here Come the ABCs and Here Come the 123s CD/DVDs.

Since the latter was released earlier this year by Walt Disney Records, the podcast, also under the Disney umbrella, feels a bit like a promotional tool rather than an original media excursion, but TMBG and their puppet avatars make the most of it with silly skits, holiday-themed episodes, and even, occasionally, an old Giants song performed in their new green screen surroundings.

Before getting to the fun stuff, however, a question must be broached: who exactly are these songs and videos aimed at?

TMBGFNFP is supposed to be a podcast “For kids, for families, for YOU,” but one wonders if songs like C is for Conifers which names various obscure tree forms (aired strategically for Arbor Day), and the same episode’s One Everything, about the reducibility of the world to a single entity (“we share the same omniverse”), will just go over kids’ heads for the sake of some clever lyrical whimsy. 

###Simply put, there’s a snarky, above-it-all quality to the Here Come the ABCs/123s project that tends toward the over-calculated precious aspect of TMBG’s approach.

For the Giants’ dedicated cult fan base that quality will likely prove these songs as endearing as anything else they’ve ever done, but for target “families” I can’t imagine even the most hipster parents actually using these songs and videos to school their organic-fed offspring. The whole thing smacks of TMBG attempting to justify their genre-bending experiments at the very extremes of twee by going so far as to perform in a children’s entertainment format.

Nonetheless, if you can tolerate a weekly overdose of cute, TMBGFNFP is your podcast.

Most episodes contain numbers (pun intended) such as Nonagon and the kid-voiced One Dozen Monkeys, both of which are damn – I’m sorry, darn – infectious. The mostly animated videos are top notch realizations of the songs produced by a host of different artists and range from the consciously retro (the dueling magicians of Letter Shapes who conjure memories of the live action wonder of Sesame Street) to the chicly contemporary (the advanced rotoscoping of Rolling O).

And Flansburgh and Linell hardly seem to need prodding to deliver off the wall wackiness, dressing like pirates, faking French accents, and getting down at Club Whatnot with the help of DJ Snookums.

It’s all so adorable it might very well melt your outer cynic. Heck, maybe there’re even some kids out there who’ll be cool enough to watch it over Dora and Diego.

Peak Oil and Tay Zonday

Peak oil is “the point in time when the maximum rate of global petroleum production is reached, after which the rate of production enters terminal decline.” The theory was first posited by American geophysicist M. King Hubbert in 1956, and many believe – including renowned physicists, political scientists, geologists, and a handful of my depressive friends with apocalyptic predilections and A Crude Awakening in their Netflix queues – if the current rate of global consumption continues as we reach the peak, a world energy crisis and severe economic recessions could ensue.

During the Great Depression, when unemployment reached an all-time high, 60-70 million Americans still went to the movies every week. Hollywood had its share of financial troubles, but it was still able to pack people into theaters with escapist productions that gave the American people hopeful, two-hour respites from reality. In more recent recessions, the Box Office has also performed well.

Tay Zonday is the self-ascribed moniker of Adam Bahner, a former American Studies doctoral candidate (with a focus on the impact of performance) at the University of Minnesota. But instead of studying history, Tay created it, writing his own name in the history book of Microfame after his homemade Chocolate Rain video went viral. He also gives one helluva interview.

Given his background, when I saw Tay at the Webbys I thought it’d be interesting to get his perspective on a possible energy crisis and how online video would preform in a bad economy:

Read On…

YouTube's Screening Room


A virtual screening room, or online film festival, isn’t exactly a novel concept.  Remember iFilm, AtomFilms, StudentFilms, MediaThatMatters?  All are at least a half-decade old; most have since expired.  All promised the exposure, on-demand community and robust interactivity that only the internet could provide.  None, however, brought the potential promotional power of YouTube. 



Screening Room is "a platform for top films from around the world to find the audiences they deserve" and is the first of what we expect to be a collection of quardened off, curated, micro-YouTubes fostered by the promotional and technological power of the internet’s biggest video player.  The sheer ubiquity of the YouTube brand means its emerging collection of niche sites and initiatives is bound to attract some interesting work, and we can already see that with Screening Room. 



Love and War isn’t exactly the quintessential YouTube video.  The meticulously-created stop-motion Opera — likely the first of its kind — is certainly not for the unrefined palette. It won Best Animated Short from the 2007 Los Angeles Film Festival, and its creator has been described as "the Orson Welles of stop-motion opera cinema with puppets." 


###Not surprisingly, the award-winning art film has seen a measly few hundred views on YouTube.  Marina the sexy philologist gets 100 times that many views by smiling.  As NewTeeVee’s Chris Albrecht notes, "People prefer farts being lit on fire to artsy short films."  Not that Marina often farts.



But YouTube is intent on “creating new business opportunities for filmmakers” — for instance viewers can click to "Buy Film" — and Screening Room’s selectivity will make appearance on the site a feather in one’s cap.  If you’re a filmmaker with an artistic masterpiece that needs an audience, this is meaningful exposure. Interested filmmakers should email  ytscreeningroom@youtube.com.



I’m interested to see how this model will be applied to other video niches, like how-to videos, cooking videos or city videos.  Building parameters around community-created media is, in itself, an interesting undertaking. 












Webbys' Red Carpets and Costs

The media loves to call it the Oscars of the Internet, but it doesn’t yet have the same cachet. Or the same Red Carpet.

At the 2008 Webby Film and Video Awards entre de celebs there wasn’t a lightning storm of paparazzi photography, camera crews positioned around major media correspondents, or a parade of Hollywood’s A-list. But that doesn’t mean it was without spectacle or status.

A dozen or so representatives from various online and print media organizations, armed with handheld, prosumer cameras and SLRs equipped with short lenses lined up to meet, greet, and question stars of entertainment’s past, present, and future. Judah Freelander, Rosie Perez, Tay Zonday, Tim Heidecker and Eric Wareheim were a few of the recognizable faces who walked the line to stop and chat about online video and answer whatever ridiculous questions we reporters contrived.

It actually wasn’t totally unlike a toned down version of the Red Carpet at the 75th Annual Web Video Film Festival in the season finale of Viralcom. Check out below for an entraining visual and well-dressed Tilzy.TV cameo at around 1:45.

But there was one drastic difference that doesn’t come across in the reference. I doubt the winners of Viralcom’s awards ceremony had to pay an entry fee.

Read On…

TMZ Does it Live

AOL-powered online celebrity gossip rag, TMZ is one of the most successful blogging enterprises ever. Surged by a number of exclusives that the glacial mainstream media was unable to scoop – most notably, Mel Gibson’s Protocols of the Elders of Zion seminar DUI arrest – in three years the site has spun off a successful TV series and become one of the most trafficked destinations on the web.

It appears that as TMZ’s popularity has increased, so has America’s appetite for insider celeb info, so, the site is experimenting with ways to feed the public more cultural junk food. One of those is live streaming.

Andy at Beet.TV reports, “with just a simple video camera, laptop and mobile phone connection, producers and reporters from TMZ are bringing live stories to its online viewers,” including footage of a parking lot where Britney spears was expected and inside the courtroom during Nick Bollea’s (aka Hulk Hokan’s kid) sentencing.

Here’s more from Andy with TMZ General Manager, Alan Citron.

###Such low production costs make this an incredibly easy play for TMZ and I’d expect to see a lot more live cams and surveillance-like coverage pop up on gossip news sites over the next several months. Celebrity-fueled, sensationalized “events” and “non-events” are tailor made for lifecasting and live streaming, and there are people out there who actually watch this stuff.  No doubt the content will be as profitable as it is disturbing.  

For more recent TMZ reporting, check out The Hollywood Reporter‘s interview with managing editor Harvey Levin and see him explain the site’s “importance.”

De-rez Brings Games to Life


De-rez, a show that parodies video games, got on TheEscapist.com by winning its film festival competition with a video that makes no sense to me and was probably filmed in creator Chris Slack’s back yard.  It’s a reenactment of video game called Ghost Recon, which was written by Tom Clancy, who I thought was a novelist.

The award winning video has a few funny moments, and despite zero production quality and little coherence, I kind of understand why it won.  Kind of.




De-rez comes at gaming from quite the opposite side of the fast-paced analysis of Escapist’s "Yahtzee" game critic.  Slack and the rest of his friends make these movies in what looks like their parents’ houses, garages and back yards, reenacting video game plots with elements of the real world thrown in.  You get the feeling that the melding of the gaming world into real life might be an accurate representation of their mind’s eye rather than a clever conceit.



###The only game they’ve done that I have played was Resident Evil, which is a bizarrely addictive zombie shoot-em-up with terrible game play.  Their parody is actually pretty accurate, even visually.




Slack and friends are very charming, but the show often loses focus, tending to digress into shenanigans after the  minute-and-a-half mark.  The most recent installment was by far the best, a mockumentary of "Clan Excelsior" (I’m sure this is some kind of gaming reference that I don’t get, but nothing revelatory on Google), which I suppose is a World of Warcraft team, and it basically makes fun of nerdy WoW players, but in a really good way



I lost a good friend to World of Warcraft for about a year, so I may be more susceptible to that kind of humor than some.




This latest effort is a departure from their formula of satirizing game plots to satirizing, well, probably themselves.  I think it’s a good direction.

'The Face Hunter Show' Takes You Around the World in 40 DayGlo Dresses

Recording most professional bloggers at work would result in a portrait of life more depressing than an Ingmar Bergman flick: hours a day spent alone in front of a glaring computer screen, forced to write witty little commentary about Britney Spears, Bush scandals or, uh, internet video, while leaving hands stricken with carpal tunnel and souls yearning for action.

The Facehunter Show is more suited for those who enjoyed Persona more for Liv Ullman’s wardrobe than the existential subtext. That’s because Yvan Rodic’s, a.k.a. The Facehunter, blogging responsibilities mainly involve taking photographs of sharply dressed people, but also include traveling the globe, attending parties, meeting artists of all types, and reminding women dressed as space station stewardesses that the object they’re caring down the street is not actually a phone, but an iron.

The series, presented by MySpaceTV, follows Rodic as he hunts for faces in a foreign city — in this episode Stockholm, Sweden — and the result is a show as valuable for inspiring your next trip as it is for selecting your summer wardrobe. It explores the colorful creative underclass of Stockholm by interviewing local fashion designers, musicians, artists, actors and random passers by who’s style catches the host’s eye.

Daphne Brogdon is a Cool Mom

There’s only one glaring issue with CoolMom, a new online series launched by DECA.tv and starring show creator Daphne Brogdon. If it’s true what they say – that moms are always on the go and never have time for themselves – then what makes anybody think that they can go online to watch videos? 

You have to wonder, with the influx of parent-oriented web series – most notably MSNBC’s (and now ABC’sIn the Motherhood and For Your Imagination’s DadLabs—where men and women with children find the time to tune in for regular anecdotes and advice, or a chance to relate to other parents and say, ‘Hey! That happens to me!’ It would seem that more so-called ‘traditional’ parents would still turn to sitcoms about the family on television, and that hipster mom and dads, who are in tune with online entertainment, would derive more pleasure from watching Mom Jeans than from CoolMom.

But I’m no parent, and the statistics seem to be moving against my intuition.  And episodes of CoolMom are usually under a minute. Surely, even the busiest moms have under a minute?

In every thirty- to sixty-second bit, Brogdon brings you into her home for benign comedic observations, such as the weird way women always refer to their pregnancies in weeks and their children’s ages as months – as if anyone without kids understands what it means to be 26 weeks pregnant. Just say four-and-a-half months and then we’ll get it.

###In addition to CoolMom, Brogdon is on the TV Guide Channel’s weekly series, The Fashion Team, a light-hearted look at celebrity fashion in which she hosts the segment, "Fashion Mommy Must Haves.” She’s a veteran TV personality who has had stints with CNN and FOX and who contributes regularly to Star Magazine. Yet, in spite of her impressive career in entertainment, Brogdon’s bread and butter in CoolMom is being remarkably down to earth.
 

For CoolMom, Brogdon turns the glamour down a notch; she dresses like a “mom” (though she’s not wearing mom jeans, per se) with very little makeup. She looks like a real person (granted a very attractive real person), versus a TV host. But unlike the everyday mom, Brogdon is polished in front of a camera, and her quips are a step above what you might overhear at a PTA meeting. She’s also a reminder that you can be a great mom without being a “perfect” mom. And let’s face it: most of us would take a Lynette Scavo over a Bree Van de Kamp any day.

While CoolMom and other parent-oriented series are filling a very marketable niche in the programming space, it’s interesting to think that those who would it enjoy it most probably have the least time to check it out. Of course, a truly “cool mom” would just stream it on her iPhone while pretending to watch Junior’s soccer game.

The ONN's Successful Audience Exclusion

Together, we’ll make reading obsolete!” a cute, female cheered into the microphone after claiming the Webby for best writing on behalf of the Onion News Network. If the moving picture side of America’s Finest News Source keeps producing poignant political critiques and uncanny, straight-faced satire, it could definitely give the written word a run for its money.

 


‘Warcraft’ Sequel Lets Gamers Play A Character Playing ‘Warcraft’

The fake news network was a crowd favorite at last week’s Webby Awards ceremony, taking home three Webbys and delivering some of the best speeches of the night. But what amuses me the most about The Onion and in its success in the web 2.0 world is its conspicuous rejection of audience participation.  While other sites and shows preach "community" and "interactivity"  as if it were gospel, The Onion has the following submission policy: 

The Onion neither publishes nor accepts letters form its readers. It is The Onions’ editorial policy that readers shall have no vice whatsoever and that The Onion newspaper shall be solely a one-way conduit of information. The editorial page is reserved for the exclusive use of the newspaper staff to advance whatever option or agenda it sees fit, or, in certain cases for paid advertorials by the business community.

It may be the exception that proves the rule, but the Onion News Network shows that not all successful video enterprises on the internet need be collaborative.

David Versus Goliath

I moderated a panel discussion yesterday at MediaPost‘s Omma Video Conference.

David Versus Goliath

Do indie Web producers stand a chance against the big guys? Can an Indy Mogul compete against ABC.com? Can DadLabs win ads, or will Hulu get them all?

Moderator: Jamison Tilsner, Founder, Tilzy TV

TS Kelly, SVP, Media Contacts

Randy Kilgore, CRO, Tremor Media

Kevin McGurn, Vice President National Sales, Hulu

Peter Naylor, SVP, Digital Media Sales, NBC Universal

Tim Shey, Co-founder, Head of Network Development, Next New Networks

The panelists had a lot of interesting insights, primarily about the state of online video advertising, which has barely scratched the surface of its potential, but one point spoke directly to the crux of our discussion.  From my  perspective, the biggest barrier to success faced by most video producers is access to visibility through marketing.  Hulu has emerged as the preeminent destination for professionally produced video on the internet, and Kevin McGurn acknowledged the power of its editorial voice.

…we use what our editors think is cool, and also what is popular on the site… Things on the web don’t have to be an instant success. In fact, they generally aren’t, unless they were popular somewhere else first.

I still wonder, can independent players gain access to the relationships that will get them on Hulu’s radar?  Josh once asked, Does Being Featured Matter?, and the consensus was an overwhelming yes.  We’ve seen Hayden Black and Gary Vaynerchuck achieve success despite their independence, but for most others, partnering with bigger players might be the best bet.

A paraphrased transcript of the entire  talk is available at Online Video Watch.

Thanks to conference programmer Daisy Whitney and MediaPost for the oppportunity.