Archive for 2008:

Whatever 'Penn Says,' It's Entertaining

Penn Jillette is a funny man: raw, no-nonsense, tell-it-like-it-is funny.  That’s probably not news to those of you who are fans of his Las Vegas magic/comedy show Penn & Teller or his Emmy-nominated Showtime hit Penn and Tell: Bullshit!.  But for those of us who are seeing those wide-rimmed glasses and curly long hair for the first time, the guy’s quite fascinating.

If you ask anybody else to lug around some cameras on a daily basis recording any random thoughts or rants that occur to him, as Sony Pictures Television (SPT) asked Penn to do for their series Penn Says, you might get a lot of, well, crap.  Penn, though, manages to infuse each of his 1-3-minute clips with a compelling mix of humor and insight that you’ll want to keep watching. He’s not apologetic.  He’s not exactly PC.  But he’ll almost always have a point.

This is a show that requires a larger-than-life personality to stay alive.  SPT and Crackle (the video-sharing site/network that features Penn Says, among several other shows by up-and-coming filmmakers) have found the right man.


Launched in January 2008 and produced by Pete Golden, Glenn Alai, Penn Jillette, and Emily Jillette, the show arms Penn with four Sony HD cameras – one in his car, one at home, one in his dressing room at the Rio in Vegas, and one that he keeps with him at all times – and lets him speak his mind on anything that strikes his interest.

###According to Jonathan Shambroom, general manager of Crackle, “The idea [for the series] was created in collaboration between Penn Jillette and SPT, as the format of ranting in regular video diaries is uniquely suited to Penn’s distinctive point of view and outspoken position on topics ranging from politics to current events to celebrities.”

Yes, left to his own devices, Penn is free to sound off on everything from predicting the next president of the United States based on a Hillary joke; to ranting about MySpace deleting an atheist group; to justifying the “good” that comes from Britney Spears losing her underwear.  In an episode in which he talks about removing some facial lines by cosmetic surgery, he even muses about his before-and-after looks: “Penn Jillette. Brad Pitt. Penn Jillette. Brad Pitt.” Trust me, it’s funny when he does it.

The topics may vary, but you can bet they’ll all be delivered with uncensored candor. “Any topic that pops up, I’ll just say it off the top of my head. …This is just me. This is just Penn Says. And nobody else is around,” Penn explains in the introduction episode.

In addition to shooting all his own material, Penn also invites viewers to post video reactions or comments on Crackle, which he’ll occasionally answer on the show. Shambroom elaborates:

This series marks the first truly interactive experience Crackle is creating for its audience. Many of the episodes are shaped by viewers’ feedback. Penn will even post responses to the media and critics about his episodes. For instance, after a recent episode about Hillary Clinton, Maureen Dowd referred to the video in her column in the New York Times. Penn then posted a response to her article, noting how disappointed he was that her article suggested that his video may help get Clinton elected.

Expect more political ranting as the election kicks into gear as well as behind-the-scenes info from Penn’s upcoming run on this year’s Dancing with the Stars.

With Penn Says, you might not always agree, but you certainly won’t leave bored.

Josh Kelley Live@FYI!

Live video online has really taken off, as Sarah Meyers explored on her new show, Pop17, but truly interesting applications of this state-of-the-art technology are few and far between.  Using the ingenuous Mogulus platform, which creates a fully-functioning television studio within an internet-browser, For Your Imagination internet-TV studio has created the perfect noontime snack.

Live@FYI showcases some of the best and most promising bands and artists the music industry has to offer.  When you can’t make it to their awesome midtown Manhattan studio, at least you can hang out and chat from the comfort of your cubicle.

Catch the exclusive live performance of Josh Kelly (and a possible appearance from wifey Katherine Heigl) today from 12PM to 2PM EST liveatfyi.com

'Squeegees' Debuts for Disney's Stage 9 Studio

In a New York Times Magazine article from way back in November, 2006, author Matthew Klam discussed how super-cool it was that traversing the rigmarole of Hollywood was no longer necessary to gain stardom. With YouTube and the falling price of professional-grade production equipment, the talented and motivated could make a name for themselves on the web. He shouted out to a number of independent, “online auteurs” whose videos were worth a watch. In addition to Ask a Ninja and Ze Frank, Handsome Donkey was one of them.

Klam saw New Jersey brothers Adam and Brendan Countee and their college buddies Marc Gilbar and Aaron Greenberg’s Le Montage “375 times.” You think he’s exaggerating, but give the 9-minute marathon of movie-montage clichés a watch. Before you know it, you might find your own view-count escalating to triple digits:

So after Klum discover Handsome Donkey, studio exec and Academy Award-winning short-form producer, Barry Jossen discovered Klum’s article and gave the comedy troupe a call. He needed talent for Stage 9 Digital Media – Disney-ABC Television Group’s new media studio and foray into the ever-growing, online, original programming scene. A year-and-a-half later, after some slight delays, we have Squeegees.

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It’s a less than squeaky clean, PG-13 comedy about a budding entrepreneur trying to run a successful window-washing business despite his employees’/friends’ inability to wash windows. The ridiculous premise mixes well with a production quality you’d expect from Disney/ABC and a sophomoric, Malcom in the Middle-ish wackiness. The Squeegees crew drinks on the job, works their quads while dangling 60 stories high, makes terribly creative Usual Suspects references, and bloodies their mouths with snow cones. Quality entertainment. Seriously, it’s good.

And true to their earlier title of “auteurs,” Aaron Greenberg told the LA times that the group was given a great deal of autonomy in creating the series: “In terms of the day-to-day, we were left on our own to sink or swim…We may have dipped below the surface once or twice, but we’ve come out on top.”

Squeegees is the first of 20 series currently in some stage of development for Stage 9. Dropping this Spring is the sci-fi action thriller Trenches (check out the trailer – looks friggin’ sweet), and in April the studio will launch the second season of ABC’s first original series, Voicemail (based around a co-creator Michael Wilde’s 10-year old collection of actual voice mail messages).

Check out Squeegees on ABC.com, but if you want to bypass half-minute pre-roll ads for the Toyota Corolla (that car seem to be sponsoring a helluva lot of online video), YouTube is the place to be.  Of course, embeds for the show are currently disabled, so you’ll HAVE to go to one of those spots to watch.  Just when you thought big corporations were all web savvy with their own online original series, they pull these tired, old media shenanigans.

10 Questions for Jeannie Tate

Jeannie Tate, the boisterous soccer mom who hosts a talk show from her minivan, has single-handedly given new meaning to the idea of “mobile entertainment.”  The self-proclaimed super-mom incoporates a talk show into her daily routine as she whizzes around town picking up her dry-cleaning and dropping the boys off at soccer practice.

The brain-child of Liz Cackowski and Maggie Carey from the Head in the Oven production company, and created with Warner Bros Studio 2.0, The Jeannie Tate Show launched in September 2007 and has hosted a handful of celebrity and musical guests against the backdrop of cloth bucket-seats, a Curves-style gym, her kids’ soccer game and the Burger King drive-thru. In her most recent post, Jeannie shoots on-location at a Hillary rally. In light of her rising popularity (Jeannie’s, not Hillary’s) Tilzy.TV decided to ask a few questions of the world’s only soccer-mom-in-a-minivan-hosting-an-internet-talk-show star. Through email, we interviewed the “real-life Jeannie Tate.”

TILZY.TV: Your show is really something. Even though the format breaks the mold in a lot of ways, would you say that you’ve been influenced by any so-called “traditional” talk show hosts?

JEANNIE TATE: Even though my show is shot during the day, I like to think of it as a late night talk show. Like Leno! He’s so funny. I have my jokes, my interviews, my musical guests or stand-ups. I’m just like him, except in a minivan. Or like Ellen, maybe I should start dancing up to my van.

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TTV: Some of your celebrity guests seem a little put off by the show’s “set.” Has that impacted your game plan for the show moving forward? (Even though Rob Riggle was obviously psyched to be in the minivan, both Bill Hader and Rashida Jones seemed less-than-thrilled with their interviews.)

JT: That’s Hollywood for ya! No I would never change my studio to fit their needs. If you can’t be comfortable in a minivan, you can’t be comfortable anywhere!

TTV: Speaking of your show’s unconventional backdrops, we learned that you recently shot at a campaign rally for Presidential hopeful, Hilary Clinton. How’d that go?

JT: It was life changing. I love her so much. I can’t wait to say “Mrs. President!” And I love her hair. I tell my hairdresser, “Give me the Hillary.”

TTV: Has seeing a woman like Hillary (incidentally, who was also publicly humiliated by her unfaithful husband) run for a big political office given Ms. Jeannie Tate any ideas?

JT: I would love to run for something. I think I’ll start with PTA next year. And I will banner the heck out of my town. And for the record, I was not “publicly humiliated.” He was.

TTV: So, it looks like choosey moms choose Burger King. Any chance they might sponsor your show? If you were a spokesperson for them, would you have a particular sandwich you would want to plug?

JT: My sandwich at The King would be The Queen and it would have zero trans-fats!

TTV: Your kids, Oliver and Max, are often with you in the show. Are you ever worried that they might grow up too fast, being flung into the entertainment world at such a young age?

JT: I do worry about that ’cause you read about all those child stars who grew up to be junkies and low-lifes. I try to keep them off the camera as much as possible, but they’re just so darn cute!

TTV: What about Tina? She’s obviously troubled. Do you ever think that if you paid more attention to her, or maybe stop referring to her as your “chemically-dependent stepdaughter,” that she might be a little more receptive to you and what you have to offer?

JT: No.

TTV: On your Website, you have some video of a stand-up comedy performance that you gave at an NYC Open Mic. Were you happy with the experience? Any chance this might become a regular thing?

JT: I had a blast doing stand-up. And it went really well too. But I can’t be making trips into the city that often. Have to be home for the kids. But I do keep a joke log.

TTV: Word on the street is that you just got back from Italy. What was that all about?

JT: Russell surprised me with a trip to Tuscany. So romantic. And I talked to many nice Italians on the streets of Sienna. I liked Europe, but I missed my Large Diet Cokes.

TTV: Finally, what’s one piece of advice that you would like to share with other aspiring “Super-Moms?”

JT: Always have a bottle of Pino Grigio in the fridge.

MySpace Gets Some TMZ

TMZ.com, the AOL-owned celebrity gossip site featuring a branded video section powered by Brightcove has just announced a partnership with MySpace.  The MySpace internet-TV platform features exclusive, expensive content like those scantily clad Roommates and a lot of lesser-known non-exclusive content like TilzyTV.

I’d show the classic TMZ moment with this Lakers forward, but TMZ has disabled embeds.  WHY?

So why the deal with MySpace when the Brightcove seems to be functioning just fine?  Why not.  The prevailing wisdom is that content should follow eyeballs, not the other way around, and there are plenty of celebrity-gossip lovers already on MySpace.  This deal allows their synergies to flow.

From Variety:

Channel will feature clips from the first-run strip and a range of other “TMZ”-branded material. MySpace has been actively beefing up its branded vid offerings in the past few months, and the clip-driven “TMZ” is a natural fit with its target audience and with Warner Bros.’ efforts to make “TMZ” a ubiquitous purveyor of celeb news and gossip.

Of course, this might pose a threat to PerezTV, project of the celebrity-gossip blogger gone TV star Perez Hilton, though his videos seem to focus primarily to his Mini Goldenoodle, Teddy.

In other news, I can’t believe people actually care about this $#it.

A Few Minutes on Meth

For the bizzare animated sketches of The Meth Minute 39, New York-based artist Dan Meth combines flash-based graphics with a style drawn from the past three decades of adult and children’s cartoons. After his viral advertising campaigns with catchy, kitschy tunes caught the eye of animation heavyweight Fred Seibert (especially Shofar Idol), Dan soon joined Channel Federator, the world’s first cartoon network podcast, as a hired pen.  In September 2007, he introduced his Meth Minutes.

Not surprisingly, the series’ first episode, Internet People, a song about those touched by internet fame (and infamy), became a viral hit spoofing everything from Numa Numa to Dick In A Box. Since then, The Meth Minute has found mention in the New York Post, Time Out, and New York Magazine, among others.  Each episode is a completely unique universe in itself, twisting pop culture into unseemly shapes and stone-cold weirdness. Populated by parodied pop stars, both titanic and obscure (or even fictional) and human Pez dispensers.

Even when he’s not drinking and drawing, navigating the mind of Dan Meth, soaked with Ren & Stimpy reruns and classic rock radio, is no light-hearted task, but Josh recently gave it a shot when he met up with the artist at the Frederator Studios in NYC:

As he mentioned above, Dan records improvised dialogue, creating a hilarious overlap rarely found in mainstream and more orderly animation.  If you’re unfamiliar with the series, here’s a primer on the content:

### In Syd Barret Visits his Accountant, a typical day of soul-numbing tax preparation turns into a psychadelic rock-out within the LSD-damaged mind of the former Pink Floyd leader. Mike Tyson’s Brunch Out is a meeting of the Heavyweight Champ, (the eight-bit Nintendo version) and the hipster brunch crowd. Hilarity ensues. Nite Fite is a parody of Hardball-style news shows where two hosts, Penalty and Lloyd, debate whether the band Rush can indeed be classified as “heavy metal.” Similarly, The Music Nerds animates an argument between two friends both claiming title as the world’s largest Led Zeppelin fan (NSFW – language).

Despite the ingenuity, some sketches feel more like warm-ups for viral adverts. Dog Video Dating is a montage of dogs looking for love. While the idea of video dating might not be all that topical, the production is still top-notch and veers towards an darkly comic sensibility.

But those that don’t strike entertainment gold are few and far between.  Conceived by Meth after spending too much time watching children’s programming, For Kids! is a personal favorite, while Watermelon Nights is a happy-go-lucky, leave-your-worries-on-the-doorstep, walk-on-the-sunny-side-of-the-street fav of the series’ creator.

We’re 22/39 of the way through, but the series is far from over.  Before all’s said and done, Meth told us that we can expect to see some reappearances of old friends and definitely more strange animated goodness.  Catch episodes new and old at MethMinute39.com.

'Venice Walk' Aint Your Mama's Sweathogs

A great figure of our time once said that “making teenagers depressed is like shooting fish in a barrel.” And come to think of it, I’m pretty sure it was Bart Simpson.

We all know that teenagers have a dark side and, throughout the history of television – from the Little Rascals to Dennis the Menace to the Sweathogs to that hunky bad-ass, Tim Riggins – kids have been getting themselves into trouble. But even in the darkest of After School Specials, you never quite saw the gritty and unblinking view of teenage depravity as in Robert Hegyes’ web series The Venice Walk.

The series is set against the backdrop of the carnivalesque scenery of California’s most notorious beachfront, Venice, CA – the colorful home of skateboarders and freaks, millionaires and greased-up body-builders – and, according to Hegyes, “where the wealthy and the welfare state live in harmony.” It’s makes sense that the characters in Hegyes’ docudrama would come from every walk of life (black, white, poor, rich, etc.), bound together by the same penchant for rule-breaking and the unfortunate circumstances of getting caught.

In Venice, Hegyes (best known for his role as Sweathog Juan Epstein in Welcome Back, Kotter) plays an NYPD gang cop, Paco Santana, who, after getting shot during an undercover sting, is forced to retire. Taking on the role of a juvenile probation officer in Venice, CA, he works on the cases of seven teenagers, where each character is the personification of some form of typical teenage delinquency – there’s the clepto, the druggie, the brawler, the racketeer, the hacker, the car thief and the vandal.

Read On…

David's Wainy Days

For more than a decade, the name David Wain has been catnip among a certain class of comedy nerds – the kids who, in the wild days before YouTube, bootlegged VHS copies of The State and followed the former MTV sketch troupe’s diaspora to Comedy Central shows like Viva Variety, Reno 911 and  Stella. In 2001 and 2007, Wain directed reunion films of sorts.  Wet Hot American Summer, and The Ten (a spoof of the ten commandments) both featured ex-State members and honorary alumni like Paul Rudd and Elizabeth Banks.

However, for the MyDamnChannel web series Wainy Days, the film director has put himself out front. The self-critically balding and slightly overweight Wain writes, directs and stars in the series, exuding prepubescent glee at playing “himself,” living a life of frustrated romance and absurd heartbreak in brownstone Brooklyn.

“It’s a little more personal, in a weird way, than anything else I’ve done, because it’s closer to the real me than any other character I’ve played. I think it’s definitely found its way to people beyond those who know my previous work, which I’m very happy about,” Wain told me over e-mail.

For each three minute episode, Wain recruits recognizable faces and professional New York actors to fill the varied second banana roles of love interests, horny waiters and angry boyfriends. “I love the opportunity to work with so many great actors who I haven’t had a chance to before, and would probably be harder to nail down if it was a ‘real’ show which would involve going through agents and managers.”

In the series, Wain works in a literal “sweatshop,” gossiping over a sewing machine with friends Zandy and A.D. Miles, a mocking counterpoint to white collar workplace comedies.### But nothing about Wainy Days requires over-analyzing, as the show often breaks into spontaneous dance numbers to skip from one scene to the next. During his walk-and-talk monologues, Wain shoves unsuspecting pedestrians to the ground. On paper it might sound offensive, or worse, reductive. But it works, mostly because Wain seems so innocent, even when he’s drowning an occupied baby carriage with a garden hose.

Women are of course Wain’s primary vexation. In the first episode, he bumps into a flirtatious old friend, Shelly, played by Elizabeth Banks. During an episode two lunch date, Shelly is double-teamed by her ex-boyfriend and the waiter in front of the hapless Wain. In episode nine, Jonah Hill appears as the mute, wheelchair-bound brother of Wain’s Los Angeles crush, speaking though a Stephen Hawking-style voicebox. Later in the series, Paul Rudd makes a cameo as Alias, a spoof of VH1’s pick-up artist extraordinaire Mystery, who teaches Wain the secret to attracting women: insulting them, which works with surprisingly fast results.

As you would expect from a professional like Wain, the series is polished and packed with enough talent to obscure a shoestring budget. His sketch-comedy background comes in handy for the short-form web format, and a majority of episodes are hilarious.  Wain’s innocent/frustrated persona works well in these concentrated doses.  The series’ second season finale aired earlier this month – featuring yet another State alum Michael Showalter – and plans for a third 10-episode season are “underway.”

Courtesy of the web, Wainy Days offers the most personal comedic vision of David Wain ever seen. “I like the immediacy in that you can finish a piece and everyone can see it minutes later. Plus, at least in my situation I get NO interference from anyone: networks, financiers, distributors, studios, censors. This part is great!”

TSA Gangstaz

At the end of January, your friendly Transportation Security Administration launched Evolution of Security. A blog with a deceptively casual tone that belies its government affiliations and will attempt to “facilitate an ongoing dialogue on innovations in security, technology and the checkpoint screening process,” or make it easier for the TSA to “receive complaints for them to ignore in the name of national security,” depending on your point of view.

The same day the blog launched, Scott Beale of Laughing Squid gave Evolution of Security its first major story. While flying out of SFO, the security agents asked him to remove ALL electronic devices from his carry-on bags and put them into X-ray bins. That included a laptop, three cameras, cables, and a flash card reader. Scott, of course, blogged about the pain in the ass experience. A week later, the TSA regressed its policy to the former status quo, in large part due to the bad buzz started by Scott’s initial post.

That, and the fact that hating on the TSA is always timely, is my long-winded attempt to establish some semblance of context for Zach Selwyn’s sweet video below. Under the banner of WindowPaneFilms, the country-rock singing, G4TV correspondent parodies the ridiculous practices of TSA Gangstaz after having an unpleasant experience with agents himself (NSFW due to language and just a couple instances of poor taste):

Micro-celebrity with Sarah Meyers


Sarah Meyers, the friendly-faced internet-celebrity who got her big break crashing a TechCrunch party, and who has since become a star lifecaster, web producer and web video host, just launched Pop17.  The daily, two- to three-minute show explores the cultural phenomenon that’s made Sarah’s career — micro-celebrity on the internet.

So far, so good.  The show is snappy, punchy, smart and professional.  Most important, Sarah’s personality shines.

But will the topic of micro-celebrity capture our imaginations and fuel an entire series? I think Sarah might be onto something here.

Calling All Geeks: This is IT!

There’s a reason why computer geeks work in IT and not in TV development.  Perhaps the best illustration of this can be seen at The IT Room, home of an original web series from Motiv Films about the calamities of working in information technology whose second “season” started earlier this month and whose advertisements can be seen in RSS feeds all over the web.

It’s not a bad concept (and actually, the UK’s channel 4 has a popular show called The IT Crowd). After all, the movie Office Space showed us that there can be humor in destroying a copy machine or filling out TPS Reports, so it would seem reasonable that lives of IT professionals would make for an OK subject in the world of office comedy.

And nerds! Well, nerds have been successful fodder for entertainment as long as we can remember. From The Nutty Professor to Louis Skolnick to that pesky, yet beloved little scamp, Urkel, there has always been a place in the hearts of Americans for our darling, klutzy, bespectacled, pocket-protector-wearing, binary-loving nerds.

In the tradition of user-gen TV content, the stories in IT Room are primarily based on real-life IT events. In fact, there’s a section on IT’s main page for true-blue IT folks to submit tech-related horror stories and/or videos of their own. But really, the only thing you need to see is the trailer, which is probably IT’s best video and speaks volumes about the show’s premise, production and writing qualities. (And, please, don’t be deceived because, while I will admit that the show has a monkey – and as we all know, monkeys can only elevate a plot to a whole new level of hilarity – IT’s little monkey has too big of a burden to carry this show on his back.)

To be fair, the show isn’t terrible; it’s just very amatuerish, and too evocative of other comedies that do the same ideas way better. For example, the plot-line in which Ryan circulates a photo of his ugly baby was very reminiscent of a Seinfeld from a billion years ago that was way funnier.

###As you will learn from the trailer, or – if you feeling especially masochistic – the smattering of webisodes on their site, The IT Room features five characters and a monkey, who spend their days “battling complexity and making the world safe for a faster, better, smarter IT.” At first, I thought that I was missing something – that maybe you had to work in IT to “get it” – but after noting a low of number of pageviews on IT’s YouTube channel (at the date of posting, webisode 1 had barely 500 views in four months), I figured that there was no reason to bookmark the site any time soon.

It is funny, however, that Jim Lampley (veteran sports commentator best known for HBO World Championship Boxing) plays the nefarious CEO, Roy Hodges, who is shown barking orders over the phone from time to time. Who’s his agent?

At points, the show takes a departure from its regular series to feature main character and IT head, Mike (played by character actor Michael McCafferty), in an editorial-style newscast called “The IT Factor.” It has some clever ideas (for example, Mike rates trends with Cheetos bags and Red Bull cans, and wouldn’t you naturally assume that an IT dork would subsist on Cheetos?), but overall, it’s not very original; one major revelation we learn from two separate episodes is that Mike has a foot fetish. Snore. It’s too bad because I have no doubt the cast is made up of decent and funny actors. Unfortunately, bad writing breaks this – or any – show.

In an unsurprising revelation, I learned that there’s a sponsorship link between IT Room and Dell. I get the connection (IT, computers) but I think the gulf between Dell’s mission to simplify technology, and IT’s mission to make that idea funny, is too wide to make a convincing or fruitful partnership for very long.

And lest you think that I’m just hating on IT geeks, I would like to make it very clear that some of my closest friends are nerds.

Mahalo's Effecient and Entertaining Oscar Take

It started with cutting down a 90-minute Steve Jobs MacWorld keynote into 60 seconds. Next, Mahalo Daily trimmed the fat on George Bush’s last State of the Union Address to make a much leaner, more palatable 60-second version. It was at that time that Jascon Calacanis and Veronic Belmont knew they were onto something that didn’t involve lame how-tos.

Since then, most televised and long-winded political and entertainment spectacles have been minute-fied, including a Republican Debate, a Democratic Debate, the Grammy Awards, and last night’s 80th Academy Awards.

Considering Jon Stewart preformed just slightly better than he did the last go round, the above is infinitely more watchable than the three-plus-hour-long snoozefest that I should’ve not watched like most other people.