Archive for June, 2008:

Jesse Cowell is Drawn By Pain

DrawnByPain, a dramatic animation/live-action web series which we covered once before, is particularly notable for its expensive-looking production brought by the painstaking efforts of its two principal contributors: Jesse Cowell, writer/producer/director, and Erica Langworthy, animator extraordinaire.  The Webby Award-winning show produced on a shoestring budget has the look of a multi-million dollar production and has a quickly growing group of intensely engaged fans. 

On May 19th, The Escapist magazine picked up the first episode of Drawn by Pain as part of what we hope will be a long and prosperous partnership.

A few weeks ago, Jesse and I sat down to talk about his path from the doldrums of Hollywood to internet stardom….

YouTube Begins to Pimp its Player

Video hosting services compete on features and content.  YouTube‘s early dominance has made it near impossible for competitors to contend for the latter, but countless video hosting services have innovated for different needs in different ways.  EyeSpot and Jumpcut have browser-based editing solutions.  Viddler has timed-tags.  Mogulus has a full TV studio in a browser. 



But lately, YouTube’s gotten into the game of features, too, with things like high quality video, talks of live video and, today, the announcement of annotations.  Here’s a look:

UPDATE: Apparently, annotations don’t show up on embeds?



Annotations allow a video’s creator to add clickable text linking to any YouTube (and ONLY Youtube) video, channel, or search results page directly atop the videos.



###It’s a relatively small step for the video behemoth, but another indicator that video aggregator will do everything to maintain its position as the premier destination for video on the internet, which none of us can ignore.  The site’s implementing the best features from third party applications and rendering those third parties obsolete.



As YouTube solidifies its position as the predominant destination for internet video with fancy new features, I’m reminded of the many creators wary of the site’s terms of service and who question the value of its Partner Program, but it’s increasingly clear that you can’t play in the space without embracing its hegemon.  What’s your strategy? 

‘Life Slices’ and Praise for the Uber-Short-Form

In late Summer 2006, Amazon started selling groceries. People reviewed their over 22,000 non perishable food items. Hilarity ensued.

LA-based comedian Barry McLaughlin, aka Barry Holiday was one of said people and created a small portfolio of comedic reviews that should be a staple of any aspiring funny person’s resume. His commentary on Feasting Free on Wild Edibles is one of the greatest uses of Amazon’s Video Review service to date.

When he’s not surfing for products to critique, Holiday makes shorts with CSIer Eric Szmanda and attorney-at-law Tyler Malin under the banner of Secret Fun Time and collaborates with John Alford on his just launched Independent Comedy Network series, Life Slices.

They’re under-a-minute sketches that look at everyday occurrences in a new light, like a live-action Doogtoons where hackneyed situations play out with absurd twists. Holiday created four installments (my fave is The Door) before selling Life Slices to ICN. Here’s the inaugural episode at the series’ new home, a NSFW, Bubbles-is-a-girl-next-door depiction of a Dirty Mouse.

Not ROFL funny, but cute, and certainly worth your while. Like Dank and Nank, the Elevator Show, and other uber-short form content, if your investment is less than 60 seconds and the entertainment product elicits any kind of positive response, it’s hard not to want to watch more.

Young Hillary Clinton

If you want, you can blame it on media bias. I’ll say it stems from grandiose delusional craze. Senator Hillary Clinton’s reasons for staying in the race for the Democratic Presidential Nominee are reproachable, flailing efforts from a sinking candidate whose position has now settled into second place.

Comparing a retirement community of senior, sun-soaked Floridians to a deathly hostile and violently fraudulent election environment in Zimbabwe and invoking the idea of a possible Obama assassination by referencing Bobby Kennedy are ill-advised campaign tactics that illicit more WTF?!?s than those innocuous, Shatnerifiic, gonzo Mike Gravel videos.

But Hillary can’t help it. She’s always been that way. Or at least that’s what 60Frames and Jerry O’Connell are theorizing. Check out this poignant short showing how even young Hillary Clinton didn’t take losing lightly and that Jerry O’Connell is working his way towards being remembered for awesome viral videos, as opposed to wedding Rebecca Romijn and playing that fat kid in Stand by Me.

Lonely No More

Viral video infamy does not guarantee its subjects anything besides 15 unpaid minutes of fame (and a spot in the history of fabled Internet archives) and, at best, a mention on a second-rate talk show.  The question of whether or not viral videos can produce superstars off the browsers and in the real, paid world of film and television has yet to be answered. 



Yes, Dane Cook is superfamous, likely due to his rabid fan base on MySpace.  Sure, Lisa Nova used her YouTube account to eventually land her a spot on sketch show MadTV.  But for every Dane Cook or Lisa Nova, there are countless other internet celebs who never see more than faint recognition (nor, for that matter, opportunity to turn a profit).



And yet, there are exceptions to the rule.



The Lonely Island is a California-bred sketch group comprised of three buddies who wrote and shot video shorts while not laboring at their respective day jobs in Hollywood.  In their "early days" (2002), their unembedded Quicktime videos represented an early model of how YouTube would later find success, in attracting a young audience hungry for weird, cheaply produced material that helped pass the day.



The Lonely Island are now, in 2008, at least one third a household name.  Andy Samberg, the most famous of the trio, is a cast member of Saturday Night Live whose fellow "Islanders," Jorma Taccone and Akiva Schaffer, are on the show’s writing staff.  After a failed sketch show on Fox called Awesometown, the boys were initially pegged by head honcho Lorne Michaels to usher into SNL‘s viewing public a significantly younger, Internet-savvy demographic. 



###The move seemed an uncertain and risky until, of course, the groundbreaking short Lazy Sunday aired and essentially changed the comedic media paradigm.  Lazy Sunday became a viral phenomenon, and The Lonely Island guys were given their own exclusive mini-studio at SNL in which they were allowed free reign to incorporate material reeking of Web 2.0 charisma onto the late night behemoth.



Before they popularized gifting genitalia and gay-grandpa fetish, Andy, Akiva, and Jorma were churning out awesomely bizarre material that spanned different formats – music videos, serials, and nostalgic parody.  Not only was everything they made undeniably entertaining, but the clear camaraderie we can gather in witnessing the guys work together so seamlessly – even at their strangest – is an element necessary to the success of any group effort, whether or not it involves, say, hot storks




Furthermore, Samberg, Taccone, and Schaffer broke ground in paving the way for Internet users to earn both acclaim and an income all in thanks to combining their keen senses of humor with a necessary knowledge of Web 2.0 culture.




Penelope!


I’m sure when SuperDeluxe.com finally closes shop and folds into AdultSwim.com all their videos will still be available, but just in case some get lost in the exchange, I’ve been watching as many of them as possible.  Perhaps a little obsessive, but it’s already paid off.  Penelope: Princess of Pets, a short consisting of only three episodes, created by the comedy team of Kristen Schaal and Kurt Braunohler, is packed with delightfully schizophrenic parody, charming performances, and a foul mouthed parrot. Not to mention an amazing theme song that is worth viewing on it’s own.



The project was first added to SuperDeluxe.com more than a year ago and seems to have ended prematurely.  Schaal, who is significantly more famous than her partner (I was like, "I know who that is," and then remembered her from The Daily Show, because somehow I have never seen Flight of the Concords), is the protagonist Penelope, who develops the ability to talk to animals when she "becomes a woman."  Braunohler plays her sidekick, Kyle "the Orphan," who picks her up on the side of the road in the first episode.





Penelope’s parrot Ruby is the first animal she talks to, a hilariously gruff alcoholic (Who does his voice?  If he’s not famous already, he needs to be).  The show follows the fantasical whims of its creators, while keeping the theme of Penelope’s supernatural abilities as its impetus.###  She is determined to save the world from the evil Senator Stone, played by Stone and Stone, a comedy team of the two brothers.  


But the plot is clearly not the focus of the show, and the funniest moments are in the odd details, like in episode two when Kyle goes off to get Jujubes on his roller shoes.  The same episodes also has an appearance from H. Jon Benjamin, my fav!





For a seemingly haphazard production, the editing and misc en scene in Penelope are quite interesting (the cardboard house in ep. three is really cool), and adds context to each scene.  Schaal is charming and, though she and Braunohler seem to be just screwing around, the show has its share of hilarious moments.  A good find.  Watch the whole thing in under 10 minutes and then lament that there’s not more to see. 

28-Hours-in-Jyvskyl

Neo Kekkonen, better known on the web as neokoo is a 24-year-old student of Media Design that lives in Jyväskylä, Finland.  Rocketboom‘s Elispeth Rountree discovered this "mesmerizing" gem and commissioned neokoo to slightly shorten for Rocketboom viewers. 

This video highlights some of Rocketboom’s enduring strengths: great research and a devoted, and eclectic, team of talented contributors from across the world.   Good stuff.

Patriot Act Backlash and Collaborative Web Video

It’s clear from recent attacks and revelations that the infamous USA PATRIOT Act of 2001 (who knew it’s an acronym?) is destined to lose influence until it’s entirely reconsidered by a new administration. But will we ever really know the extent of the act’s impact on regular Americans during the peak of its power and the ways it continues to affect the people it purportedly protects?


The year is 2012. A hacker who accesses the databases of the now-defunct Department of Homeland Security discovers thousands of hours of footage from 2008 revealing rampant surveillance of ordinary citizens. Prompted by disdain for the Patriot Act era and concern about 2008’s troubled society, he releases some of the footage online with his own narration. 



12 degrees is a new web video series from Neovids.tv that builds this eerie narrative through an intriguing blend of meticulously planned, collaborative, interactive storytelling.

The result is a futurist retrospective of a 2008 that’s ripe for commentary.  It’s a gripping concept on its own, but the series will take things a step further by drawing its ‘footage’ from volunteers  at monthly meetups in 12 different US cities over the next year.  The cast and crew for each shoot will be organized via the series’ Meetup group, and they will use an outline provided by Neovids to create their retroscripted, improvised interpretations of each episode.  ###

Participants can shoot multiple versions, but videos will likely be limited to palatable, 2-minute installments.  Each city’s submissions will be uploaded to the series’ website and opened up for public voting to determine a winner. Before the next month’s meetup, Neovids will continue the story by adding narration from the hacker-cum-video-populist to the winning video. Finally, after all 12 shoots/months, Neovids will edit the winning entries into a final 12 minute episode that tells the whole story.

“We’ve always tried to treat the web as an emerging form of storytelling where the audience can get involved, but [12 degrees] is certainly less controlled by us than previous projects. We’re developing several new shows that will move in similar directions that will rely on involvement from the audience,”

Neovids founder Matt Feldman told me by email.

This isn’t Neovids’ first foray into collaborative storytelling. The wry Slikstr (previous Tilzy coverage) called on viewers to participate in the first ever “user created, user controlled” company and featured a "ground-breaking" wiki-created business plan.

Whether it’s web 2.0 mania or Big Brother government, the brilliance of shows like this is encouraging people to better understand and comment on significant current events by imagining themselves as players in them.

The openness of 12 degrees has great potential for entertainment value and freshness, but it will also present unique challenges. Despite Neovids’ intelligent efforts to build structure by posting outlines for shoots and adding the unitive narrator, the unpredictability of the content could require quick creative adjustments. And building an online network for offline events built around a tight production schedule isn’t easy, especially when it relies on  people with specific skills and resources.

The parallels with Rootclip (previous Tilzy coverage) are clear, and 12 degrees would be particularly wise to learn from Rootclip’s struggles with voting system scammers. But the show seems to have some built-in advantages over Rootclip, especially that story doesn’t require cohesive costumes, characters, sets, etc.  Also, the ‘found footage’ conceit gives creators greater flexibility while making it easier to integrate new installments into the arc of the series (after all, isn’t government surveillance just UGC before UGC was hip and monetizable?).

12 degrees is the first to launch through a new Neovids site that will feature exclusive and premium content, including online releases for films like OM and RxCannabis and where Neovids also recently began selling the most recent episode of HolyLandTV for $0.99, one month before distributing it on a wider basis for free. The site is intended to engage users early and transparently in all new Neovids projects while retaining more control  than is possible on YouTube, Facebook, and elsewhere.

And if you want to get involved in 12 degrees, be sure to join the show’s meetup group and keep tabs on its website, where the participants and cities for future meetups will be determined. The first shoot is taking place this Friday, 6/6, appropriately falling during NYC’s Internet Week, and the second will be in LA in early July. 12 degrees is also looking for sponsors. Interested parties should  contact matt@neovids.tv

Here’s to innovation in the field of  collaborative, interactive  filmmaking with a point of view!