The announcement of a new web series often generates a great deal of excitement. From the die-hard fan looking for a new obsession to the casual viewer hoping for a few minutes of entertainment, the launch of a new web series brings hope and promise to its viewers. However, what happens to that prerelease excitement when there is a failure to launch? Today we want to look at some of the ramifications of missing one’s launch window, as well as update the progress of a few of the web series that you have not missed.
Very few web series receive any prerelease attention; those that do cannot afford to waste it. Last week, we discussed the various steps that a series can take to create the all important buzz. However, perhaps the most important step that a creator can take is to actual release the series in time to capitalize on the hype. When asked about the importance of launching on time, Compulsions creator, Bernie Su stated, “When you have pre-launch buzz, the press/public has bought into your hype.” He continues, “If you squander it, you’ve lost the opportunity to hook in that initial group of devoted fans. Once that chance is gone, it becomes so much harder to bring them back.” Audiences have long memories, promising something and not delivering it is a guaranteed way to alienate one’s potential fanbase.
Originally scheduled for release last October, the horror web series, Camera Obscura has yet to debut. The series received a great deal of attention including being featured in the Halloween episode of The Web.Files. However, eight months later, there is still no set release date. In fact, back in November, Tubefilter’s Marc Hustvedt wrote an article about Camera Obscura’s prerelease buzz and subsequent failure to launch. As he points out, “you can’t bait and switch would-be fans like that.… [T]his kind of misstep may have squandered the show’s early buzz and chance to break through.” Recently I asked series creator Drew Daywalt for an update on the series and he stated that the series was scheduled to come out this year sometime and as soon as the studio would let him, he would announce a release date. I guess even web series are not immune to studio politics.
The Cabonauts similarly received a great deal of prerelease attention last year including a feature on The Web.Files and numerous write-ups on various sites. Yet despite all of the attention, the show’s producers never released the series. When asked about the show’s release, Hayden Black, the show’s creator and star, stated that the series is currently seeking a financing deal and that there is no current release date scheduled. However, he did mention that he has begun preproduction on a half-hour version of his flagship series, Goodnight Burbank, release date unknown. While Daywalt and Black might seem evasive, neither can hold a candle to Chris McCaleb when asked about the third season of Prom Queen that Michael Eisner alluded to in a 2008 New York Times piece. Although one can hardly blame them, it is better to be vague then to make unrealistic promises.
Unlike the previous series, Riese actually released six of its ten produced episodes, before pulling the show offline while seeking a distribution deal. At the time of the announcement, the fanbase was largely understanding and supportive; however what effect scuttling the series mid-release will have on its future remains to be seen. Recently, the producers announced that they had signed a deal with SiFy to distribute the show and possibly turn it into a full-length television series. Hopefully, when the show returns it will not suddenly revolve around ghost-hunting, gigantic versions of everyday animals, or professional wrestlers.
Also, worth mentioning are the dance-themed web series The LXD and the retro-futuristic The Mercury Men, two series that have been gestating for a long time with no release in sight. The latest word is that The LXD might be released this summer, while The Mercury Men’s last update stated that the series is still seeking a distribution deal; however, it should be noted that the series is at least completed.
Lastly, no piece on web series vaporware is complete without mentioning The Resistance Series. It’s first trailer appeared on YouTube in December 2007, subsequently followed by a series of stylish trailers, which each drew a respectable number of views. In the most recent update, which is nearly a year old, the producers state that the show is finished and has been picked up by Starz Media. Whether or not it will ever be released remain unknown, but at least we will always have the trailers.
Delays are inevitable, something which by-and-large fans accept. Nevertheless, in some ways constant delays, and changed release dates are like the boy who cried wolf, eventually people will stop paying attention, and if the audience looses interest before a series begins, chances are they will have little interest in watching when it does eventually debut.
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Comments
Good points all around. We were able to push our launch and make it on schedule to a packed house here in Austin. If we hadn’t made our launch date, I think the place would have been empty.
I’m also waiting for The Ark. Just found out about that one recently but it looks great and stars Renee O’Connor. But is no where to be seen. It’s been a few years.
And according to LXD’s Facebook page and YouTube videos, they’re launching the show July 7. So they should hit in a couple of weeks.
I saw an early test screening of “Camera Obscura” and it’s fantastic. At the time Drew Daywalt told us that if he had control of the show it would have been out on time. I think what Mathias writes holds true about shows losing their buzz, but in Daywalt’s case, he has a very large, very dedicated fan base. And while MWG (who produced Camera Obscura) is floundering the release, Daywalt continues to communicate with his fans and continues release horror shorts for which he is so well known. This is the guy who started FEWDIO after all.
I know almost everyone mentioned in this article, and in each case their show was delayed because they’re trying to make the best deal possible. Currently the web series space is student film festival 2.0, and it will continue to be so until a model is worked out. That’s why these guys are taking their time despite the constant pressure from TF (and yes, it’s only been TF that has been pressuring them).
I’m very perplexed. Why do these producers create a series, and then look for a distributor? Am I the only guy here scratching my head? Isn’t the “internet” a distributor? Most people don’t realize the TV networks and Film studios are pieces of conglomerates now. Even if you did get a “distributor” for your series, you still won’t make any money. I don’t get it. Are people really this powerless? What– Does everyone think people will only like their show if “hulu” or “Blip.tv” is attached? Ten years ago, these stories would make sense. But today in the web series format, it sounds ridiculous. What happened to self-distribute on the internet? I’m sorry, but if you spend money on creating a show to distribute on the internet and you shut down until you find a distributor, then you should not be doing this. Sell insurance or audit people for the IRS.
Let me put this in a very simple analogy; This is like opening up a general store, packing the shelves, hiring employees… and then when you are ready to open, you shut the doors and wait until home depot or wal-mart comes with a buy-out offer. It’s almost laughable.
@ Todd
for one of these guys, the licensee they had a deal with went into bankruptcy. The prod company had to get the rights to the show back, which took months. It’s not always as clear cut as make a show and upload it onto blip.
How is this one single article “constant pressure?” For that matter how is any article pressure? Trying to make the best possible show is a great idea, maybe they should do that before announcing they are coming out. Besides the article was about how announcing a show and then not releasing it damages your promotional efforts, which it does.
I don’t want to jump on any show producers for not releasing, but as a fan I have to agree, not releasing on time is a bad idea.
I like bernie su, but Compulsions didn’t make money. Hardly an example for these companies to follow if that was the point.
Wait, did “I Love Chieftown” never come out either?
i’m always bummed when a promising web show either never materializes or disappears after a few episodes like the low budget 2007 Between Classes (or one episode, like Freshman Julie)
but since the creators are making no money, and likely will make no money on these projects, its hard to get angry.
@phil: almost nobody makes money — almost everybody loses money on webseries.
question is exactly how valuable is this “pre-buzz.” Considering that Compulsions made enough money to pay for the bacon cheeseburger I just ate, probably not a lot. This is the 2nd or 3rd webseries for some of these guys in this article. Sounds like they are re-thinking things.
Milo, remember back in the day when all fans of lonelygirl15 actually used to make money on Revver?
:):):)
“Nevertheless, in some ways constant delays, and changed release dates are like the boy who cried wolf.”
Things happen, get over yourself.
@Phil aka tboz aka Reisefan, (yes I know you are the same person ever hear of an ip address?)
Making money is only one reason to make a web series. Some do it for the experience, some for the exposure, and some do it because they actually enjoy pursuing creative endeavors. Ask anyone who has spent time in the web series world they will agree Compulsions was a well-made show.
Now feel free to make up another name, and write another negative comment. :)
Mathiaes: “Ask anyone who has spent time in the web series world they will agree Compulsions was a well-made show.” …Well, that’s my point.
If you would read my comment, I said it didn’t make money. So what’s the point of using a well-made show that didn’t make money as an example for Reise, etc. to follow? Some of these people would probably like to make another show without going into debt or out of business.
As far as nastiness, you’re the one who has been belittling the hard work of web producers and directors. Why don’t you re-read your article if you don’t believe me. It’s a shame that you have to resort to this to get page views.
Well, clearly I’ve caught your fancy so I’d consider that a job well done. Also, I see that you went back to Phil, did you run out of names? If so I’d be happy to suggest a few.
PhiltbozRiesefanPhil, Each of the series mentioned are made by grownup professionals. Being a professional sometimes means dealing with criticism. If any of the creators involved in the series I mentioned wish to do so, they are more than welcome to leave a comment.
One of the points of the article was to update people on the status of several highly anticipated shows which have been announced but not released or in the case of Riese pulled before completion. If the various creators wish to provide further updates on the shows status then that is more than welcome.
@modelmotion: lol, yeah, the awesome promise of revver. did anyone ever exceed the threshold for actually getting a check? you could have probably bought revver with just one check once it tanked.
@phil: assuming you’re a riese fan, I didn’t read the article as negative about riese at all, its just a good case for analysis. its not like the book is already written on these topics. unfortunately, too many webseries creators don’t get enough honest feedback, that’s why most webseries suck.
I may keep getting flamed but these articles and pointless and completely insular. Mentioning that these shows were on the Web Files as a sign of “buzz”? Nobody watches the web files except all of us on this site- Insular insular insular. These are not moving anything forward.
To the Troll with many names,
You are nuts. Matt is one of the biggest cheerleaders around for webseries. I read the article it was not belittling. If that is belittling then you should spend less time in your parent’s basement and more time in the real world.
The article makes a good point, getting people excited for something making them anticipate it then not having it come out is not a very good strategy. Honestly, I don’t even see why there is any question about that.
jared – what articles would you write then? this article makes a valid point that making promises that you can’t keep may have negative effects.
@Jared
I am not flamming; I actually would like to know what you would like to see on this website dedicated to web series news and information? You keep saying things are too insular, but I honestly don’t know what you mean. I’m new around here, I’m honestly curious as to what the Tubefilter audience would like to see more of in terms of coverage.
Also, I would most certainly being featured on The Web.Files as receiving buzz since it is to my knowledge the only weekly show dedicated to covering web series. Furthermore, if you reread the article I mentioned being covered on various sites. Google you will see many mentions of the shows indicated.
While not involved as more than a casual viewer I found this extremely helpful in updating on some of the shows I did watch/was looking forward too. Personally I don’t understand all the negativity around the article. I didn’t get anything hateful out of it. (I am also kind of hoping SyFy doesn’t well… SyFy Riese.) PreLaunch buzz is important for everything, but can prove to be a double edged sword. It can be a great thing, bring in viewers, get production people watching you, generate a some income all good things, but if you can’t live up to the hype or are a no show, well you’ve just fallen on that sword. Updates like this at least let us know not to give up hope, the projects aren’t dead yet, they just had a flesh wound.
@milo It was actually fairly easy to reach the Revver threshold. As I understand it the key was to keep videos short and make sure viewers clicked on the add at the end. The beauty was that just about any video posted as a response video on lonelygirl15.com was guaranteed over 900 views. Of course no one got rich but some pple actually made money.
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